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A vivid historical imagining of life in the early United States
“One of the richest books ever to come my way.”—Annie Proulx,
Pulitzer Prize–winning author of The Shipping News “This is a
wonderful book. . . . An extraordinary achievement.”—Edmund de
Waal, New York Times bestselling author of The Hare with Amber Eyes
Set amid the glimmering lakes and disappearing forests of the early
United States, The Forest imagines how a wide variety of Americans
experienced their lives. Part truth, part fiction, and featuring
both real and invented characters, the book follows painters,
poets, enslaved people, farmers, and artisans living and working in
a world still made largely of wood. Some of the historical
characters—such as Thomas Cole, Margaret Fuller, Nathaniel
Hawthorne, Fanny Kemble, Edgar Allan Poe, and Nat Turner—are
well-known, while others are not. But all are creators of private
and grand designs. The Forest unfolds in brief stories. Each
episode reveals an intricate lost world. Characters cross paths or
go their own ways, each striving for something different but
together forming a pattern of life. For Alexander Nemerov, the
forest is a description of American society, the dense and
discontinuous woods of nation, the foliating thoughts of different
people, each with their separate shade and sun. Through vivid
descriptions of the people, sights, smells, and sounds of
Jacksonian America, illustrated with paintings, prints, and
photographs, The Forest brings American history to life on a human
scale. Published in association with the Center for Advanced Study
in the Visual Arts, National Gallery of Art, Washington, DC
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World War I and American Art (Hardcover)
Robert Cozzolino, Anne Classen Knutson, David M. Lubin; Contributions by Pearl James, Amy Helene Kirschke, …
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R1,635
R1,406
Discovery Miles 14 060
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World War I had a profound impact on American art and culture.
Nearly every major artist responded to events, whether as official
war artists, impassioned observers, or participants on the
battlefields. It was the moment when American artists, designers,
and illustrators began to consider the importance of their
contributions to the wider world and to visually represent the
United States' emergent role in modern global politics. World War I
and American Art provides an unprecedented consideration of the
impact of the conflict on American artists and the myriad ways they
reacted to it. Artists took a leading role in chronicling the war,
crafting images that influenced public opinion, supported
mobilization efforts, and helped to shape how the appalling human
toll was mourned and memorialized. World War I and American Art
features some eighty artists--including Ivan Albright, George
Bellows, Marsden Hartley, Childe Hassam, Violet Oakley, Georgia
O'Keeffe, Man Ray, John Singer Sargent, and Claggett Wilson--whose
paintings, sculptures, drawings, prints, photographs, posters, and
ephemera span the diverse visual culture of the period to tell the
story of a crucial turning point in the history of American art.
Taking readers from the home front to the battlefront, this
landmark book will remain the definitive reference on a pivotal
moment in American modern art for years to come. Exhibition
schedule: * Pennsylvania Academy of the Fine Arts November 4,
2016-April 9, 2017* New-York Historical Society May 26-September 3,
2017* Frist Center for the Visual Arts, Nashville October 6,
2017-January 21, 2018
At the dawn of the 1950s, a promising and dedicated young painter
named Helen Frankenthaler, fresh out of college, moved back home to
New York City to make her name. By the decade's end, she had
succeeded in establishing herself as an important American artist
of the postwar period. In the years in between, she made some of
the most daring paintings of her day and came into her own as a
woman: traveling the world, falling in and out of love. Fierce
Poise is an exhilarating ride through New York's 1950s art scene
and a brilliant portrait of a young artist through the moments that
shaped her.
The first book highlighting the historical roots and contemporary
implications of the silhouette as an American art form Before the
advent of photography in 1839, Americans were consumed by the
fashion for silhouette portraits. Economical in every sense, the
small, stark profiles cost far less than oil paintings and could be
made in minutes. Black Out, the first major publication to focus on
the development of silhouettes, gathers leading experts to shed
light on the surprisingly complex historical, political, and social
underpinnings of this ostensibly simple art form. In its
examination of portraits by acclaimed silhouettists, such as
Auguste Edouart and William Bache, this richly illustrated volume
explores likenesses of everyone from presidents and celebrities to
everyday citizens and enslaved people. Ultimately, the book reveals
how silhouettes registered the paradoxes of the unstable young
nation, roiling with tensions over slavery and political
independence. Primarily tracing the rise of the silhouette in the
decades leading up to the Civil War, Black Out also considers the
ubiquity of the genre today, particularly in contemporary art.
Using silhouettes to address such themes as race, identity, and the
notion of the digital self, the four featured living artists--Kara
Walker, Kristi Malakoff, Kumi Yamashita, and Camille Utterback-all
take the silhouette to unique and fascinating new heights.
Presenting the distinctly American story behind silhouettes, Black
Out vividly delves into the historical roots and contemporary
interpretations of this evocative, ever popular form of
portraiture. Published in association with the Smithsonian's
National Portrait Gallery, Washington, DC
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Andrew Wyeth: Life and Death (Hardcover)
Andrew Wyeth; Edited by Tanya Sheehan; Foreword by Jacqueline Terrassa; Text written by Karen Baumgartner, Rachael Delue, …
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R846
Discovery Miles 8 460
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Ships in 12 - 17 working days
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Between 1908 and 1917, the American photographer and sociologist
Lewis Hine (1874-1940) took some of the most memorable pictures of
child workers ever made. Traveling around the United States while
working for the National Child Labor Committee, he photographed
children in textile mills, coal mines, and factories from Vermont
and Massachusetts to Georgia, Tennessee, and Missouri. Using his
camera as a tool of social activism, Hine had a major influence on
the development of documentary photography. But many of his
pictures transcend their original purpose. Concentrating on these
photographs, Alexander Nemerov reveals the special eeriness of
Hine's beautiful and disturbing work as never before. Richly
illustrated, the book also includes arresting contemporary
photographs by Jason Francisco of the places Hine documented.
Soulmaker is a striking new meditation on Hine's photographs. It
explores how Hine's children lived in time, even how they might
continue to live for all time. Thinking about what the mill would
be like after he was gone, after the children were gone, Hine
intuited what lives and dies in the second a photograph is made.
His photographs seek the beauty, fragility, and terror of moments
on earth.
A look at one of the first feminist artists, Pictorialist
photographer Anne Brigman, best known for her iconic landscape
photographs made in the early 1900s depicting female nudes outdoors
in rugged northern California. This main volume of a previously
published slipcased edition is the catalogue of the major
retrospective exhibition that took place in 2018 at the Nevada
Museum of Art, and remains the first comprehensive book to
chronicle the photography of Anne W. Brigman (1869-1950), one of
the most important of all American women photographers. This
monumental publication rediscovers and celebrates the work of
Brigman, whose photography was considered radical for its time. For
Brigman to objectify her own nude body as the subject of her
photographs in the turn of the 20th century was groundbreaking; to
do so outdoors in a near-desolate wilderness setting was
revolutionary. Brigman's significance spanned both coasts: in
northern California, where she lived, she was known as a poet, a
critic, and a member of the Pictorialist photography movement,
whose practitioners employed various methods of manipulation to
achieve images that were considered beautiful and romantic. On the
east coast, her work was promoted by Alfred Stieglitz, who
published her photographs in Camera Work and elected her as a
Fellow of the prestigious Photo-Secession. The beautifully produced
large-format book is devoted to Brigman's entire career, covering
such topics as Brigman's work within the contexts of the California
Arts & Crafts movement and New York Modernism; her relationship
to High Sierra mountaineering and early 20th-century poetry; and
the relevance of her work to contemporary conversations regarding
gendered landscapes of the American frontier.
"Wartime Kiss" is a personal meditation on the haunting power of
American photographs and films from World War II and the later
1940s. Starting with a stunning reinterpretation of one of the most
famous photos of all time, Alfred Eisenstaedt's image of a sailor
kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes
on to examine an array of mostly forgotten images and movie
episodes--from a photo of Jimmy Stewart and Olivia de Havilland
lying on a picnic blanket in the Santa Barbara hills to scenes from
such films as "Twelve O'Clock High" and "Hold Back the Dawn."
Erotically charged and bearing traces of trauma even when they seem
far removed from the war, these photos and scenes seem to hold out
the promise of a palpable and emotional connection to those
years.
Through a series of fascinating stories, Nemerov reveals the
surprising background of these bits of film and discovers
unexpected connections between the war and Hollywood, from an
obsession with aviation to Anne Frank's love of the movies.
Beautifully written and illustrated, "Wartime Kiss" vividly evokes
a world in which Margaret Bourke-White could follow a heroic
assignment photographing a B-17 bombing mission over Tunis with a
job in Hollywood documenting the filming of a war movie. Ultimately
this is a book about history as a sensuous experience, a work as
mysterious, indescribable, and affecting as a novel by W. G.
Sebald.
In his noteworthy theoretical essay "Experience," Ralph Waldo
Emerson writes that humans by nature cannot fully grasp life as
lived. If this is so, how capable are we of expressing our
experiences in works of art? Despite this formidable challenge, for
the past thirty years, scholarship in American art has assumed that
works of art are coded and has analyzed them accordingly, often
with constructive results. The fourth volume in the Terra
Foundation Essays series, Experience considers the possibility of
immediacy, or the idea that we can directly relate to the past by
way of an artifact or work of art. Without discounting the matrix
of codes involved in both the production and reception of art,
contributors to Experience emphasize the sensibility of the
interpreter; the techniques of art historical writing, including
its affinity with fiction and its powers of description; the
emotional charge the punctum that certain representations can
deliver. These and other topics are examined through seven essays,
addressing different periods in American art.
Sea, Sky, Land: Towards a Map of Everything brings together a
selection of paintings and sculptures by world renowned artist
Enrique Martinez Celaya, from 2005 to the present. Following his
installation of Schneebett at the Berliner Philharmonie in 2004,
Martinez Celaya's work has undergone significant transformation
while remaining intellectually and emotionally ambitious,
connecting art to philosophy, literature, and science. This book, a
companion to the exhibition at the USC Fisher Museum of Art in Los
Angeles, shows Martinez Celaya's work of the last seventeen years
as an artistic, poetic, and intellectual mapping of an existential
landscape the artist crosses in a search for meaning. Sea, Sky,
Land: Towards a Map of Everything, co-edited in collaboration with
the artist, includes over 120 illustrations; an introduction by
Selma Holo; essays by Susan M. Anderson, Alexander Nemerov,
Elizabeth Prelinger, and Ed Schad; poetry by Mark Irwin and David
St. John; and an interview with the artist."
In the first half of the twentieth century, a group of American
artists influenced by the painter and teacher Robert Henri aimed to
reject the pretenses of academic fine art and polite society.
Embracing the democratic inclusiveness of the Progressive movement,
these artists turned to making prints, which were relatively
inexpensive to produce and easy to distribute. For their subject
matter, the artists mined the bustling activity and stark realities
of the urban centers in which they lived and worked. Their prints
feature sublime towering skyscrapers and stifling city streets,
jazzy dance halls and bleak tenement interiors-intimate and
anonymous everyday scenes that addressed modern life in America.
True Grit examines a rich selection of prints by well-known figures
like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan
as well as lesser-known artists such as Ida Abelman, Peggy Bacon,
Miguel Covarrubias, and Mabel Dwight. Written by three scholars of
printmaking and American art, the essays present nuanced
discussions of gender, class, literature, and politics,
contextualizing the prints in the rapidly changing milieu of the
first decades of twentieth-century America.
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Grandma Moses - American Modern (Hardcover)
Thomas Denenberg, Jamie Franklin, Diana Korzenik, Alexander Nemerov; Foreword by Robert Wolterstorff
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R969
R790
Discovery Miles 7 900
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One of the best-known artists of her time, and a true American
legend, Anna Mary Robertson Grandma Moses (1860-1961) was often
marginalized as a latter-day folk painter or a phenomenon of
popular media. Accompanying a traveling exhibition, this new book
looks closely at the paintings themselves and the artist's
compelling biography to reassert her role in the development of a
culture of modernist art at mid-century. Presenting fresh research,
several scholars examine Moses's name, public persona, painted
world, and wildly popular place in American pop culture; address
the myth of the self-taught artist; and contextualize her work
alongside such contemporaries as Horace Pippin, Elie Nadelman,
Yasuo Kuniyoshi, and Morris Hirshfield.
The first comprehensive overview of an influential American
photographer and filmmaker whose work is known for its intimacy and
social engagement Coming of age in the 1960s, the photographer
Danny Lyon (b. 1942) distinguished himself with work that
emphasized intimate social engagement. In 1962 Lyon traveled to the
segregated South to photograph the civil rights movement.
Subsequent projects on biker culture, the demolition and
redevelopment of lower Manhattan, and the Texas prison system, and
more recently on the Occupy movement and the vanishing culture in
China's booming Shanxi Province, share Lyon's signature immersive
approach and his commitment to social and political issues that
concern those on the margins of society. Lyon's photography is
paralleled by his work as a filmmaker and a writer. Danny Lyon:
Message to the Future is the first in-depth examination of this
leading figure in American photography and film, and the first
publication to present his influential bodies of work in all media
in their full context. Lead essayists Julian Cox and Elisabeth
Sussman provide an account of Lyon's five-decade career. Alexander
Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter
assesses the artist's films; Danica Willard Sachs evaluates his
photomontages; and Julian Cox interviews Alan Rinzler about his
role in publishing Lyon's earliest works. With extensive back
matter and illustrations, this publication will be the most
comprehensive account of this influential artist's work. Published
in association with the Fine Arts Museums of San Francisco
Exhibition Schedule: Whitney Museum of American Art
(06/17/16-09/25/16) de Young, Fine Arts Museums of San Francisco
(11/05/16-03/12/17) Fotomuseum Winterthur (05/20/17-08/27/17) C/O
Berlin Foundation (09/15/17-12/10/17)
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Rethinking Andrew Wyeth (Hardcover)
David Cateforis; Contributions by Wanda Corn, Alexander Nemerov, Joyce Hill Stoner, Randall C. Griffin, …
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R1,549
R1,275
Discovery Miles 12 750
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Andrew Wyeth is one of the best loved and most widely recognized
artists in American history, yet for much of his career he was
reviled by the art world's critical elite. Rethinking Andrew Wyeth
reevaluates Wyeth and his place in American art, trying to
reconcile these two opposing images of the man and his work. In
addition to surveying the American critical reception of Wyeth's
art over the seven decades of his career, David Cateforis brings
together a collection of essays featuring new critical and
scholarly responses to the artist. Donald Kuspit's compelling
psycho-philosophical interpretation of Wyeth exemplifies the
possibility of new approaches to understanding his work that move
beyond the Wyeth "curse," as do those of the other contributors to
this volume - from the close analysis of Wyeth's technical means
offered by Joyce Hill Stoner, to the adventuresome interpretive
readings of individual Wyeth paintings advanced by Alexander
Nemerov and Randall C. Griffin, the considerations of Wyeth's
critical reception in historical context offered by Wanda M. Corn
and Katie Robinson Edwards, and the connections of Wyeth to other
canonical artists such as Francine Weiss' comparison of him to
Robert Frost and Patricia Junker's linkage of Wyeth and Marcel
Duchamp. Rethinking Andrew Wyeth includes an appendix with data
from visitor surveys conducted at the Wyeth retrospectives in San
Francisco in 1973 and Philadelphia in 2006. Illustrated throughout
with both iconic and lesser-known examples of Wyeth's work, this
book will appeal to academic, museum, and popular audiences seeking
a deeper understanding and appreciation of Andrew Wyeth's art
through its critical reception and interpretation. Edited by David
Cateforis, with essays by David Cateforis, Wanda M. Corn, Katie
Robinson Edwards, Randall C. Griffin, Patricia Junker, Donald
Kuspit, Alexander Nemerov, Joyce Hill Stoner, and Francine Weiss.
This volume's release coincides with an exhibition at the National
Gallery of Art in Washington, D.C. in 2014, Andrew Wyeth: Looking
Out, Looking In.
Clifford Ross’s photographic and video practices over the past
thirty years reveals one of the most incisive and technically
sophisticated investigations of the nature of vision in the
medium’s history. Sightlines showcases the range and depth of
Clifford Ross’s art by presenting the inexhaustible variety of
visual experience he has created with two primary subjects:
mountain and sea. In our era of unprecedented environmental peril,
his inventive exploration of the iconic subjects of the mountain
and the sea convey powerful creative engagement with the landscapes
that are both majestic and fragile.
A sweeping look at the ways American artists have viewed
themselves, their peers, and their painted worlds over two
centuries This stunning book provides an unprecedented glimpse into
the past two centuries of American art, tracing artistic tradition
and innovation at the National Academy of Design from its
19th-century founding to the present. The nation's oldest artist
honorary society has maintained a unique collecting principle: each
member gives a self-portrait (or, until 1994, a portrait by a
contemporary Academician) as well as an example of their work. By
presenting artists' portraits in tandem with their self-selected
representative works, this book offers a unique opportunity to
explore how American artists have viewed both themselves and the
worlds they depicted. The diverse selection of artists whose work
is showcased here includes Frederic Edwin Church, Eastman Johnson,
Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux,
Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa
Matthiasdottir, David Diao, Jaune Quick-to-See Smith, and Peter
Saul. Essays by a stellar roster of distinguished historians and
art historians, curators, artists, and architects delve into single
artworks or pairs of paintings, while others explore themes such
the representation of landscapes and the figurative tradition in
American art. Additionally, 17 current Academicians-visual artists
and architects including Walter Chatham, Catherine Opie and Fred
Wilson-contribute personal responses to individual artworks.
What can the performance of a single play on one specific night
tell us about the world this event inhabited so briefly? Alexander
Nemerov takes a performance of "Macbeth" in Washington, DC on
October 17, 1863--with Abraham Lincoln in attendance--to explore
this question and illuminate American art, politics, technology,
and life as it was being lived. Nemerov's inspiration is Wallace
Stevens and his poem "Anecdote of the Jar," in which a single
object organizes the wilderness around it in the consciousness of
the poet. For Nemerov, that evening's performance of "Macbeth"
reached across the tragedy of civil war to acknowledge the horrors
and emptiness of a world it tried and ultimately failed to change.
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Fictions of Art History (Paperback)
Mark Ledbury; Introduction by Michael Hatt; Contributions by Paul Barolsky, Thomas Crow, Gloria Kury, …
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R570
Discovery Miles 5 700
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Ships in 12 - 17 working days
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Fictions of Art History, the most recent addition to the Clark
Studies in the Visual Arts series, addresses art history's complex
relationships with fiction, poetry, and creative writing. Inspired
by a 2010 conference, the volume examines art historians' viewing
practices and modes of writing. How, the contributors ask, are we
to unravel the supposed facts of history from the fictions
constructed in works of art? How do art historians employ or resist
devices of fiction, and what are the effects of those choices on
the reader? In styles by turns witty, elliptical, and
plain-speaking, the essays in Fictions of Art History are
fascinating and provocative critical interventions in art history.
Distributed for the Sterling and Francine Clark Art Institute
This beautifully written study looks at the haunting, melancholy
horror films Val Lewton made between 1942 and 1946 and finds them
to be powerful commentaries on the American home front during World
War II. Alexander Nemerov focuses on the iconic, isolated figures
who appear in four of Lewton's small-budget classics - "The Curse
of the Cat People", "The Ghost Ship", "I Walked with a Zombie", and
"Bedlam". These ghosts, outcasts, and other apparitions of sorrow
crystallize the anxiety and grief experienced by Americans during
the war, emotions decidedly at odds with the official insistence on
courage, patriotism, and optimism. In an evocative meditation on
Lewton's use of these 'icons of grief,' Nemerov demonstrates the
film-maker's interest in those who found themselves alienated by
wartime society and illuminates the dark side of the American
psyche in the 1940s. Nemerov's rich study draws from Lewton's
letters, novels, and scripts and from a wealth of historical
material to shed light on both the visual and literary aspects of
the filmmaker's work. Lavishly illustrated with more than fifty
photographs, including many rare film stills, "Icons of Grief"
recasts Lewton's horror films as suggestive commentaries on a
troubled and hidden side of America during World War II.
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Rachel Harrison Life Hack (Hardcover)
Elisabeth Sussman, David Joselit; Contributions by Johanna Burton, Darby English, Maggie Nelson, …
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R1,608
Discovery Miles 16 080
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Ships in 12 - 17 working days
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"The work of the sculptor Rachel Harrison is both the zeitgeist and
the least digestible in contemporary art. It may also be the most
important, owing to an originality that breaks a prevalent spell in
an art world of recycled genres, styles, and ideas."-Peter
Schjeldahl, The New Yorker In her sculptures, room-sized
installations, drawings, photographs, and artist's books, Rachel
Harrison (b. 1966) delves into themes of celebrity culture, pop
psychology, history, and politics. This publication, created in
close collaboration with the artist, explores twenty-five years of
her practice and is the first comprehensive monograph on Harrison
in nearly a decade. Its centerpiece is an in-depth plate section,
which doubles as a chronology of Harrison's major works, series,
and exhibitions. Objects are illustrated with multiple views and
details, and accompanied by short texts. This thorough approach
elucidates Harrison's complicated, eclectic oeuvre-in which she
integrates found materials with handmade sculptural elements,
upends traditions of museum display, and injects quotidian objects
with a sense of strangeness. Six accompanying essays cover
Harrison's earliest works to her most recent output. The book also
includes a handful of photo-collages that the artist created
specifically for this project. Published here for the first time,
these pieces superimpose found images with reproductions of
Harrison's own past work. Distributed for the Whitney Museum of
American Art Exhibition Schedule: Whitney Museum of American Art,
New York (October 25, 2019-January 12, 2020)
Manuel Neri is widely recognized for his life-size figurative
sculptures in plaster, bronze, and marble. His work echoed the
commitment of earlier artists, such as Alberto Giacometti and
Marino Marini, who used the figure as a vehicle to express
Modernist ideals in the aftermath of World War II. Manuel Neri and
the Assertion of Modern Figurative Sculpture traces the development
of these sculptural ideas of the figurative motif and illuminates
the enduring sculptural form and humanist ideas present in Neri's
work. Representing the breadth of the artist's oeuvre, this book
offers insights into the development of Neri's sculpture and a
fresh perspective on his contributions to contemporary art. With
approximately 400 color images, it captures Neri's engagement with
Modernism, tradition, and humanity's struggle to understand itself.
An introduction by Alexander Nemerov and essay by Bruce Nixon
illustrate Neri's lifelong involvement with the most creative
traditions to capture the modern age-in all its contradictions,
vulnerabilities, and possibilities-in the enduring mirror of the
human body.
The story of a bittersweet, impromptu art exhibition for President
and Mrs. Kennedy The events associated with John F. Kennedy's death
are etched into our nation's memory. This fascinating book tells a
less familiar part of the story, about a special art exhibition
organized by a group of Fort Worth citizens. On November 21, 1963,
the Kennedys arrived in Fort Worth around midnight, making their
way to Suite 850 of the Hotel Texas. There, installed in their
honor, was an intimate exhibition that included works by Monet, Van
Gogh, Marin, Eakins, Feininger, and Picasso. Due to the late hour,
it was not until the following morning that the couple viewed the
exhibition and phoned one of the principal organizers, Ruth Carter
Johnson, to offer thanks. Mrs. Kennedy indicated that she wished
she could stay longer to admire the beautiful works. The couple was
due to depart for Dallas, and the rest is history. This volume
reunites the works in this exhibition for the first time and
features some previously unpublished images of the hotel room.
Essays examine this exhibition from several angles: anecdotal,
analytical, cultural, and historical, and include discussions of
what the local citizens wished to convey to their distinguished
viewers. Distributed for the Dallas Museum of Art and Amon Carter
Museum of American Art Exhibition Schedule: Dallas Museum of Art
(05/26/13-09/15/13) Amon Carter Museum of American Art
(10/12/13-01/12/14)
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Behold, America! (Hardcover, New)
Amy Galpin; Text written by Patrick McCaughey, Alexander Nemerov, Frances Pohl, Patricia Kelly, …
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R1,681
R1,335
Discovery Miles 13 350
Save R346 (21%)
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Out of stock
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Bringing together the best works from the American art collections
of the Museum of Contemporary Art San Diego, The San Diego Museum
of Art and the Timken Museum of Art, this publication and its
accompanying exhibition takes a dynamic look at three centuries of
visual art created in the United States.
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