The Bible, as we hold it today, is esteemed by many religious institutions and especially Conservative Christians to be the inspired, inerrant Word of God. This doctrinal position affirms that the Bible is unlike all other books or collections of works in that it is free of error due to having been "given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness: that the man of God may be perfect, thoroughly furnished unto all good works" (2 Tim. 3:16, 17). While no other text can claim this same unique authority, the Apostolic Fathers included in this volume (also called the Ante-Nicene Fathers), covers the Early Christian writings from the beginning of Christianity until the promulgation of the Nicene Creed at the First Council of Nicaea, which was convened in Bithynia by the Roman Emperor Constantine I in AD 325. As such, writings contained in this volume of The Researchers Library of Ancient Texts (Volume Two: The Apostolic Fathers: Includes Clement, Anthenagorus, Mathetes, Polycarp, Ignatius, Barnabas, Papias, Justin Martyr, and Irenaeus), provides literature that follows the chronology of New Testament texts, which frequently are used or assigned as supplemental works within academic settings to help students and scholars discover or better understand cultural and historical context of the early Christian Church. These ancient texts provide commentators valuable insight into what many ancient Jews and early Christians believed when, "God, who at sundry times and in divers manners spake in time past unto the fathers by the prophets" (Heb. 1:1). The Researchers Library of Ancient Texts is therefore intended to be a supplemental resource for assisting serious researchers and students in the study of the Bible and the early Church age. Contained in this volume: The works of Clement, Anthenagorus, Mathetes, Polycarp, Ignatius, Barnabas, Papias, Justin Martyr, and Irenaeus.

New insights into the changing human attitudes towards wild nature through the depiction of wolves in human culture and heritage. Few animals arouse such strong opinion as the wolf. It occupies a contested, ambiguous, yet central role in human culture and heritage. It appears as both an inspirational emblem of the wild and an embodiment of evil. Offering a mirror to different human attitudes, beliefs, and values, the wolf is, arguably, the species that plays the greatest role in shaping our views on what nature is or should be. North America and, more recently, Europe have witnessed a remarkable return of the grey wolf (Canis lupus, and its close relative the Eurasian wolf, Canis lupus lupus) to eco-systems. The essays collected here explore aspects of this recovery, and consider the history, literature and myth surrounding this iconic species. There are chapters on wolf taxonomy, including the coywolf, the red wolf, and the many faces of the dingo. We also meet the Tasmanian wolf and encounter Nazi Werewolves from Outer Space. The book explores the challenges of separating fact from fiction and superstition, and our willingness to co-exist with large carnivores in the twenty-first century. Biologists, historians, anthropologists, cultural theorists, conservationists and museologists will all find riches in the detail presented in this wolf collection.

As part of a national and international revolutionary strategy, terrorism has introduced into the struggle for power within and among nations a new mode of violence in terms of technology, victimization, threat, and response. It has also affected our present concepts and perceptions of self-determination. One of the principal questions addressed in

As part of a national and international revolutionary strategy, terrorism has introduced into the struggle for power within and among nations a new mode of violence in terms of technology, victimization, threat, and response. It has also affected our present concepts and perceptions of self-determination. One of the principal questions addressed in

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney's theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories. Contributors consider McCraney's innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award-winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.

"One of the first great events in Christian history was the Council of Nicaea in 325 AD, convened to organize Christian sects and beliefs into a unified doctrine. The great Christian clergymen who wrote before this famous event are referred to as the Ante-Nicenes and the Apostolic Fathers, and their writings are collected here in a ten-volume set. The Ante-Nicenes lived so close to the time of Christ that their interpretations of the New Testament are considered more authentic than modern voices. But they are also real and flawed men, who are more like their fellow Christians than they are like the Apostles, making their words echo in the ears of spiritual seekers. In Volume VI of the 10-volume collected works of the Ante-Nicenes first published between 1885 and 1896, readers will find the writings of: Gregory Thaumaturgus Dionysius, pope of Alexandria Julius Africanus, a Christian historian who wrote a history of the world from Creation to 221 bishops Antolius of Constantinople, Archelaus of Carchar, and Peter of Alexandria Alexander of Cappadocia, bishop of Jerusalem until he was taken prisoner by the Romans Theognostus, Pierius, and Thenas of Alexandria Phileas, a philosopher from Thmuis Pamphilus, patron of the library at Caesarea Malchion, a rhetorician from Antioch Alexander, bishop of Alexandria, who drew up the Acts during the Council of Nicaea the martyr Methodius Arnobius, an early Christian apologist"

1872. Part Twenty-three of Twenty-four. The translations of the writings of the early Church writers from the time of Christ till the Council of Nicea in 325 into English, known as the Ante-Nicene Library. Contents of Volume Twenty-three: The Writings of Origen, Volume I, Book I and Volume II. Origen Contra Celsum, Books II-VIII, translated by Reverend Frederick Crombie. See other titles by this author available from Kessinger Publishing.

This is the first book to dedicate scholarly attention to the work of Tarell Alvin McCraney, one of the most significant writers and theater-makers of the twenty-first century. Featuring essays, interviews, and commentaries by scholars and artists who span generations, geographies, and areas of interest, the volume examines McCraney's theatrical imagination, his singular writerly voice, his incisive cultural critiques, his stylistic and formal creativity, and his distinct personal and professional trajectories. Contributors consider McCraney's innovations as a playwright, adapter, director, performer, teacher, and collaborator, bringing fresh and diverse perspectives to their observations and analyses. In so doing, they expand and enrich the conversations on his much-celebrated and deeply resonant body of work, which includes the plays Choir Boy, Head of Passes, Ms. Blakk for President, The Breach, Wig Out!, and the critically acclaimed trilogy The Brother/Sister Plays: In the Red and Brown Water, The Brothers Size, and Marcus; Or the Secret of Sweet, as well as the Oscar Award-winning film Moonlight, which was based on his play In Moonlight Black Boys Look Blue.