Since the late 1960s, Peter Downsbrough (b. 1940) has been an important figure in contemporary art, associated with such major international art movements as minimal art, conceptual art, and visual poetry. His artistic work embraces an equally wide range of media: sculpture, architecture, books, film, and photography.

This book provides, for the first time, a profound insight into Downsbrough's diverse and complex use of photography within his artistic work over the last 40 years. A substantial essay by Alexander Streitberger discusses the artist's photographic work which includes single prints, series, postcards, collages, and books within its aesthetic and historical context. Streitberger relates Downsbrough's work to fundamental issues of photographic practice and discourse such as the photograph as document, the representation of urban space, space-time relations, collage as an aesthetic and political means of expression, the relationship between still and moving image, and the context of presentation.

The rich image material some of which has never been published before is arranged by the artist himself in order to create a fertile exchange between the topics of the text and his own intervention. Concluding with an exclusive interview with the artist, this book offers a genuine dialogue between artistic practice and theoretical reflection."

Heterogeneous Objects explores the encounter of photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media.

Contributors: Diarmuid Costello, University of Warwick; Steven Jacobs, University of Ghent; Joanna Lowry, University of Brighton; Marcel Marburger, Universitat der Kunste, Berlin; Raphael Pirenne, Universite catholique de Louvain; Yvonne Spielmann, University of the West of Scotland; Alexander Streitberger, Universite catholique de Louvain; Hilde Van Gelder, KU Leuven University of Leuven"