Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"My birth sign is Scorpio and they eat themselves up and burn themselves out. I swing between happiness and misery. I am part prude and part non-conformist. I say what I think and I don't pretend and I am prepared to accept the consequences of my actions."--Vivien Leigh When Vivien Leigh died in 1967, headlines around the world proclaimed, "Scarlett O'Hara is Dead!" Perhaps more than any of her contemporaries, Vivien Leigh became the very embodiment of the roles she made famous, from Gone With the Wind's immortal heroine to her harrowing portrayal of Blanche DuBois in A Streetcar Named Desire. Vivien's beauty, determination, and enormous charisma were her triumph, whether it was a matter of charming George Bernard Shaw in order to become his personal choice for the part of Scarlett--or winning the then-married Laurence Olivier as her husband. Her twenty-years' partnership with Olivier, both onstage and off, made them the "royal couple" of the theater, and garnered unparalleled critical and popular acclaim. But the achievement had its darker side, for Vivien became so immersed in her roles that she began to take on their characteristics in real life--often at enormous cost: playing Blanche DuBois actually "tipped her into madness"; and while filming Ship of Fools, she found herself hammering co-star Lee Marvin's face with very real--and painful--blows of her spiked heel. The public glamour of her fairy tale marriage to Olivier--so desperately important to them both--hid a private nightmare of violence and frequent infidelity. She was consumed by devastating battles against tuberculosis, to which she finally succumbed, and manic-depression, which she sought to keep at bay through a voracious sexual appetite, having affair after affair--sometimes serious, as with Peter Finch, sometimes with whichever taxi driver happened to bring her home. Based on previously unpublished interviews with her friends, family, and colleagues, as well as with Vivien Leigh herself, Vivien is an extraordinary picture of a unique and complex woman, as willful as she was beautiful, who knew what she wanted--whether the coveted role of Scarlett or that, equally coveted, of Lady Olivier--and got it. With its telling anecdotes, fascinating insights, and unforgettable glimpses into Hollywood's heyday, it is sure to stand as the definitive portrait of one of the most talented and tormented actresses of all time.

A Grammar of Southern Pomo is the first comprehensive description of the Southern Pomo language, which lost its last fluent speaker in 2014. Southern Pomo is one of seven Pomoan languages once spoken in the vicinity of Clear Lake and the Russian River drainage of California. Before European contact, a third of all Pomoan peoples spoke Southern Pomo, and descendants of these speakers are scattered across several present-day reservations. These descendants have recently initiated efforts to revitalize the language. The unique culture of Southern Pomo speakers is embedded in the language in several ways. There are separate words for the many different species of oak trees and their different acorns, which were the people's staple cuisine. The kinship system is unusually rich both semantically and morphologically, with terms marked for possession, generation, number, and case. Verbs similarly encode the ancient interactions of speakers with their land with more than a dozen directional suffixes indicating specific paths of movement. A Grammar of Southern Pomo sheds new light on a relatively unknown Indigenous California speech community. In many instances Neil Alexander Walker discusses phenomena that are rare or entirely unattested outside the language and challenges long-standing ideas about what human speech communities can create and pass on to children and the degree to which culture and place are inextricably woven into language.

The definitive guide to a Hollywood legend. Few stars are as loved as Audrey Hepburn, today as much as ever. Beautiful, delicate, graceful - but always warm and natural - she stole our hearts. She was also brave, working tirelessly for UNICEF in the face of her own failing health. in this moving and heartwarming biography Alexander Walker traces the extraordinary combination of luck and talent that allowed a fragile little girl,who nearly died in Hitler's occupied Europe, to conquer, in just one year, the New York stage and the Hollywood screen. Walker analyses her ascent to power and world fame and reveals the sadness of her life: two failed marriages, a broken engagement, and the crushing disappointment that occupied her triumph in My Fair Lady. Most importantly of all, this biography reveals what no one has known until now: the truly terrifying family secret that tore Audrey's childhood apart and kept her forever silent about her parents.

A Grammar of Southern Pomo is the first comprehensive description of the Southern Pomo language, which lost its last fluent speaker in 2014. Southern Pomo is one of seven Pomoan languages once spoken in the vicinity of Clear Lake and the Russian River drainage of California. Before European contact, a third of all Pomoan peoples spoke Southern Pomo, and descendants of these speakers are scattered across several present-day reservations. These descendants have recently initiated efforts to revitalize the language. The unique culture of Southern Pomo speakers is embedded in the language in several ways. There are separate words for the many different species of oak trees and their different acorns, which were the people's staple cuisine. The kinship system is unusually rich both semantically and morphologically, with terms marked for possession, generation, number, and case. Verbs similarly encode the ancient interactions of speakers with their land with more than a dozen directional suffixes indicating specific paths of movement. A Grammar of Southern Pomo sheds new light on a relatively unknown Indigenous California speech community. In many instances Neil Alexander Walker discusses phenomena that are rare or entirely unattested outside the language and challenges long-standing ideas about what human speech communities can create and pass on to children and the degree to which culture and place are inextricably woven into language.