A teacher to Jacques Lacan, Andre Breton, and Albert Camus, Kojeve defined art as the act of extracting the beautiful from objective reality. His poetic text, "The Concrete Paintings of Kandinsky," endorses nonrepresentational art as uniquely manifesting beauty. Taking the paintings of his renowned uncle, Wassily Kandinsky, as his inspiration, Kojeve suggests that in creating (rather than replicating) beauty, the paintings are themselves complete universes as concrete as the natural world. Kojeve's text considers the utility and necessity of beauty in life, and ultimately poses the involuted question: What is beauty? Including personal letters between Kandinsky and his nephew, this book further elaborates the unique relationship between artist and philosopher. An introduction by Boris Groys contextualizes Kojeve's life and writings.

The original text of this work was published in the French journal Revue d'Histoire et de Philosophie Religieuses. This English translation presents Kojeve's attempt to unify the religious philosophy of Vladimir Solovyov into a metaphysical system that Solovyov strived for but was never able to fully articulate in his lifetime.

"This collection of Kojeve's thoughts about Hegel constitutes one of the few important philosophical books of the twentieth century—a book, knowledge of which is requisite to the full awareness of our situation and to the grasp of the most modern perspective on the eternal questions of philosophy."—Allan Bloom (from the Introduction) During the years 1933–1939, the Russian-born and German-educated Marxist political philosopher Alexandre Kojève (1902–1968) brilliantly explicated—through a series of lectures—the philosophy of Hegel as it was developed in the Phenomenology of Spirit. This collection of lectures—originally compiled by Raymond Queneau and edited for its English-language translation by Allan Bloom—shows the intensity of Kojève's study and thought and the depth of his insight into Hegel's Phenomenology. More important—for Kojève was above all a philosopher and not an ideologue—this profound and venturesome work on Hegel will expose the readers to the excitement of discovering a great mind in all its force and power.

One of the twentieth century's most brilliant and unconventional thinkers, Alexandre Kojeve was a Russian emigre to France whose lectures on Hegel in the 1930s galvanized a generation of French intellectuals. Although Kojeve wrote a great deal, he published very little in his lifetime, and so the ongoing rediscovery of his work continues to present new challenges to philosophy and political theory. Written in 1931 but left unfinished, Atheism is an erudite and open-ended exploration of profound questions of estrangement, death, suicide, and the infinite that demonstrates the range and the provocative power of Kojeve's thought. Ranging across Heidegger, Buddhism, Christianity, German idealism, Russian literature, and mathematics, Kojeve advances a novel argument about freedom and authority. He investigates the possibility that there is not any vantage point or source of authority-including philosophy, science, or God-that is outside or beyond politics and the world as we experience it. The question becomes whether atheism-or theism-is even a meaningful position since both affirmation and denial of God's existence imply a knowledge that seems clearly outside our capacities. Masterfully translated by Jeff Love, this book offers a striking new perspective on Kojeve's work and its implications for theism, atheism, politics, and freedom.

One of the twentieth century's most brilliant and unconventional thinkers, Alexandre Kojeve was a Russian emigre to France whose lectures on Hegel in the 1930s galvanized a generation of French intellectuals. Although Kojeve wrote a great deal, he published very little in his lifetime, and so the ongoing rediscovery of his work continues to present new challenges to philosophy and political theory. Written in 1931 but left unfinished, Atheism is an erudite and open-ended exploration of profound questions of estrangement, death, suicide, and the infinite that demonstrates the range and the provocative power of Kojeve's thought. Ranging across Heidegger, Buddhism, Christianity, German idealism, Russian literature, and mathematics, Kojeve advances a novel argument about freedom and authority. He investigates the possibility that there is not any vantage point or source of authority-including philosophy, science, or God-that is outside or beyond politics and the world as we experience it. The question becomes whether atheism-or theism-is even a meaningful position since both affirmation and denial of God's existence imply a knowledge that seems clearly outside our capacities. Masterfully translated by Jeff Love, this book offers a striking new perspective on Kojeve's work and its implications for theism, atheism, politics, and freedom.

Alexandre Koj_ve offers a systematic discussion of key themes such as right, justice, law, equality, and autonomy in which he presages our contemporary world of economic globalization and international law. Edited and translated (with Robert Howse) by Bryan-Paul Frost, this is the authoritative English language translation of a monumental work in political philosophy.

In The Notion of Authority, written in the 1940s in Nazi-occupied France, Alexandre Kojeve uncovers the conceptual premises of four primary models of authority, examining the practical application of their derivative variations from the Enlightenment to Vichy France. This foundational text, translated here into English for the first time, is the missing piece in any discussion of sovereignty and political authority, worthy of a place alongside the work of Weber, Arendt, Schmitt, Agamben or Dumezil. The Notion of Authority is a short and sophisticated introduction to Kojeve's philosophy of right. It captures its author's intellectual interests at a time when he was retiring from the career of a professional philosopher and was about to become one of the pioneers of the Common Market and the idea of the European Union.