Medieval churches are one of the most remarkable creative and technical achievements in architectural history. The complex vaults spanning their vast interiors have fascinated both visitors and worshippers alike for over 900 years, prompting many to ask: 'How did they do that?' Yet very few original texts or drawings survive to explain the processes behind their design or construction. This book presents a ground-breaking new approach for analysing medieval vaulting using advanced digital technologies. Focusing on the intricately patterned rib vaulting of thirteenth and fourteenth century England, the authors re-examine a series of key sites within the history of Romanesque and Gothic Architecture, using extensive digital surveys to examine the geometries of the vaults and provide new insights into the design and construction practices of medieval masons. From the simple surfaces of eleventh-century groin vaults to the gravity-defying pendant vaults of the sixteenth century, they explore a wide range of questions including: How were medieval vaults conceived and constructed? How were ideas transferred between sites? What factors led to innovations? How can digital methods be used to enhance our understanding of medieval architectural design? Featuring over 200 high quality illustrations that bring the material and the methods used to life, Digital Analysis of Vaults in English Medieval Architecture is ideal reading for students, researchers and anyone with an interest in medieval architecture, construction history, architectural history and design, medieval geometry or digital heritage.

Medieval churches are one of the most remarkable creative and technical achievements in architectural history. The complex vaults spanning their vast interiors have fascinated both visitors and worshippers alike for over 900 years, prompting many to ask: 'How did they do that?' Yet very few original texts or drawings survive to explain the processes behind their design or construction. This book presents a ground-breaking new approach for analysing medieval vaulting using advanced digital technologies. Focusing on the intricately patterned rib vaulting of thirteenth and fourteenth century England, the authors re-examine a series of key sites within the history of Romanesque and Gothic Architecture, using extensive digital surveys to examine the geometries of the vaults and provide new insights into the design and construction practices of medieval masons. From the simple surfaces of eleventh-century groin vaults to the gravity-defying pendant vaults of the sixteenth century, they explore a wide range of questions including: How were medieval vaults conceived and constructed? How were ideas transferred between sites? What factors led to innovations? How can digital methods be used to enhance our understanding of medieval architectural design? Featuring over 200 high quality illustrations that bring the material and the methods used to life, Digital Analysis of Vaults in English Medieval Architecture is ideal reading for students, researchers and anyone with an interest in medieval architecture, construction history, architectural history and design, medieval geometry or digital heritage.

A rich collection of articles on multiple aspects of Anglo-Norman and Norman studies, forming an indispensable addition to an understanding of this important period of history. This volume of Anglo-Norman Studies demonstrates yet again the multi-disciplinarity and European range of the series. As befits the proceedings of a conference held in Normandy at Bayeux, it contains two articles on the renowned Tapestry, and a consideration of the campaign of 1066; there are also several papers on the medieval duchy, their topics including its early tenth-century origins, the abbesses of Norman nunneries, abbatial investitures in the context of religious reform, the reign of Robert Curthose, the charters of a major aristocratic family, and historical writing in and around late twelfth- and early thirteenth-century Normandy. Alongside these are articleson landscape and belief, villein manumissions and the theology of the incarnation, the evolution of criminal law in Scotland, Bohemond of Antioch, the architectural historian John Bilson, and important aspects of twelfth-centurypoetry. David Bates is a Professorial Fellow at the University of East Anglia and was until recently a Visiting Professor at the University of Caen Basse-Normandie. Contributors: Lesley Abrams, Bernard S. Bachrach, Steven Biddlecombe, Alexandrina Buchanan, Howard B. Clarke, Edoardo D'Angelo, Gregory Fedorenko, Jean-Herve Foulon, George Garnett, Veronique Gazeau, Paul R. Hyams, Sylvette Lemagnen, Monika Otter, Daniel Power, Alice Taylor, C.S. Watkins.

The first full-scale biography of Robert Willis, the "founding father" of architectural history. WINNER of the Cambridge Association for Local History book award 2016 Robert Willis was the archetypal nineteenth-century polymath. Officially, as Jacksonian Professor of Natural and Experimental Philosophy at the University of Cambridge, he specialized in the study of mechanism, which he also taught at the Royal School of Mines in London. In the field of science he was an experimentalist, inventor and educational innovator. Meanwhile, in his spare time, he pursued his passion, pioneering the serious study of architectural history. Initially his work was aimed at architects - his role in providing an intellectual underpinning to the contemporary Gothic Revival was acknowledged by the award of the gold medal of the Royal Institute of British Architects in 1862. However his main contribution was more historical. Starting with Canterbury, in 1844, over the course of his career, he investigated almost every English cathedral and developed an approach, combining documentary and archaeological research, which remains in use today. His studies culminated in the monumental Architectural History of the University of Cambridge, still the definitive account of its subject. In this fascinating and lavishly illustrated intellectual biography, drawn from extensive archival and architectural research, the author sheds new light on the interconnections between Willis's varied fields of interest and his fundamental role in the creation of a discipline. ALEXANDRINA BUCHANAN is both an architectural historian and an archivist; her introduction to archives came throughcataloguing the papers of Robert Willis at the Cambridge University Library. She is now Lecturer in Archive Studies at the University of Liverpool.