Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER III. The house in the Impasse des Feuillantines?Tho garden?Victor Hugo's own reminiscences?Maternal instruction?Portrait of Madame Hugo?Ohedience enforced upon the children?The school and the cuI-tle-sac ? General Lahorie ?His commentary on Tacitus?His arrest and execution?Departure for Spain. At the end of a kind of eul-de-sac, called the Impasse des Feuillantines, stood No. 12, the house to which reference has just been made. In his own writings Victor Hugo has several times referred to the place in terms that we shall presently quote; but he has also given the writer of the present biography a verbal description of some of the leading features of the dwelling where he passed a certain period of his early years. He can still picture the handsome grilled gateway that had to be passed before entering the courtyard leading to the front door. On the right hand of the door and on the same level was an apartment that served as a play-room in rainy weather. Immediately facing the door was a short staircase that led up to the salon, through which, on the left, there was access to Madame Hugo's own room, which, in its turn, opened into another room assigned to the children. By the side of these were two more apartments, one of them the dining-room, the other reserved as a spare bedroom. The salon was both spacious and lofty. At the farther end of it was a flight of steps leading down to the garden. Beneath the windows were beds of the flowers to which Madame Hugo was partial, and to the left of the flower-beds was a piece of waste land full of holes and excavations, in the middle of which was a " puisard," a kind of shallow basin, but not containing any water. Here young Victor daily set snares, each in its turnmore ingenious than the last, to catch a salamander, that ma...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Histoire Complete Anecdotique Et Populaire Du Drapeau Francais Alfred Barbou A. Duquesne, 1880 Flags

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.