His life was like his recurring nightmare: a train to nowhere. But an ordinary life has a way of taking an extraordinary turn. Add a girl whose ears are so exquisite that, when uncovered, they improve sex a thousand-fold, a runaway friend, a right-wing politico, an ovine-obsessed professor and a manic-depressive in a sheep outfit, implicate them in a hunt for a sheep, that may or may not be running the world, and eth upshot is another singular masterpiece from Japan's finest novelist.

When a man's favourite elephant vanishes, the balance of his whole life is subtly upset; a couple's midnight hunger pangs drive them to hold up a McDonald's; a woman finds she is irresistible to a small green monster that burrows through her front garden; an insomniac wife wakes up to a twilight world of semi-consciousness in which anything seems possible - even death. In every one of the stories that make up The Elephant Vanishes, Murakami makes a determined assault on the normal. He has a deadpan genius for dislocating realities to uncover the surreal in the everyday, the extraordinary in the ordinary.

A classic slice of Japanese hard-boiled noir paying homage to the master of the genre: Raymond Chandler The Wrong Goodbye pits homicide detective Eiji Futamura against a shady Chinese business empire and U.S. military intelligence in the docklands of recession Japan. After the frozen corpse of immigrant barman Tran Binh Long washes up in midsummer near Yokosuka U.S. Navy Base, Futamura meets a strange customer from Tran's bar. Vietnam vet pilot Billy Lou Bonney talks Futamura into hauling three suitcases of "goods" to Yokota US Air Base late at night and flies off leaving a dead woman behind. Thereby implicated in a murder suspect's escape and relieved from active duty, Futamura takes on hack work for the beautiful concert violinist Aileen Hsu, a "boat people" orphan whose Japanese adoption mother has mysteriously gone missing. And now a phone call from a bestselling yakuza author, a one-time black marketeer in Saigon, hints at inside information on "former Vietcong mole" Tran and his "old sidekick" Billy Lou, both of whom crossed a triad tycoon who is buying up huge tracts of Mekong Delta marshland for a massive development scheme. As the loose strands flashback to Vietnam, the string of official lies and mysterious allegiances build into a dark picture of the U.S.-Japan postwar alliance. Translated from the Japanese by Alfred Birnbaum

A classic slice of Japanese hard-boiled noir paying homage to the master of the genre: Raymond Chandler The Wrong Goodbye pits homicide detective Eiji Futamura against a shady Chinese business empire and U.S. military intelligence in the docklands of recession Japan. After the frozen corpse of immigrant barman Tran Binh Long washes up in midsummer near Yokosuka U.S. Navy Base, Futamura meets a strange customer from Tran's bar. Vietnam vet pilot Billy Lou Bonney talks Futamura into hauling three suitcases of "goods" to Yokota US Air Base late at night and flies off leaving a dead woman behind. Thereby implicated in a murder suspect's escape and relieved from active duty, Futamura takes on hack work for the beautiful concert violinist Aileen Hsu, a "boat people" orphan whose Japanese adoption mother has mysteriously gone missing. And now a phone call from a bestselling yakuza author, a one-time black marketeer in Saigon, hints at inside information on "former Vietcong mole" Tran and his "old sidekick" Billy Lou, both of whom crossed a triad tycoon who is buying up huge tracts of Mekong Delta marshland for a massive development scheme. As the loose strands flashback to Vietnam, the string of official lies and mysterious allegiances build into a dark picture of the U.S.-Japan postwar alliance. Translated from the Japanese by Alfred Birnbaum

In this propulsive novel by the author of Hard-Boiled Wonderland and the End of the World and The Elephant Vanishes, one of the most idiosyncratically brilliant writers at work in any language fuses science fiction, the hard-boiled thriller, and white-hot satire into a new element of the literary periodic table.

As he searches for a mysteriously vanished girlfriend, Haruki Murakami's protagonist plunges into a wind tunnel of sexual violence and metaphysical dread in which he collides with call girls; plays chaperone to a lovely teenaged psychic; and receives cryptic instructions from a shabby but oracular Sheep Man. Dance Dance Dance is a tense, poignant, and often hilarious ride through the cultural Cuisinart that is contemporary Japan, a place where everything that is not up for sale is up for grabs.

A classic slice of Japanese hard-boiled noir paying homage to the master of the genre: Raymond Chandler The Wrong Goodbye pits homicide detective Eiji Futamura against a shady Chinese business empire and U.S. military intelligence in the docklands of recession Japan. After the frozen corpse of immigrant barman Tran Binh Long washes up in midsummer near Yokosuka U.S. Navy Base, Futamura meets a strange customer from Tran's bar. Vietnam vet pilot Billy Lou Bonney talks Futamura into hauling three suitcases of "goods" to Yokota US Air Base late at night and flies off leaving a dead woman behind. Thereby implicated in a murder suspect's escape and relieved from active duty, Futamura takes on hack work for the beautiful concert violinist Aileen Hsu, a "boat people" orphan whose Japanese adoption mother has mysteriously gone missing. And now a phone call from a bestselling yakuza author, a one-time black marketeer in Saigon, hints at inside information on "former Vietcong mole" Tran and his "old sidekick" Billy Lou, both of whom crossed a triad tycoon who is buying up huge tracts of Mekong Delta marshland for a massive development scheme. As the loose strands flashback to Vietnam, the string of official lies and mysterious allegiances build into a dark picture of the U.S.-Japan postwar alliance. Translated from the Japanese by Alfred Birnbaum

From Haruki Murakami, internationally acclaimed author of The Wind-Up Bird Chronicle and Norwegian Wood, a work of literary journalism that is as fascinating as it is necessary, as provocative as it is profound.

In March of 1995, agents of a Japanese religious cult attacked the Tokyo subway system with sarin, a gas twenty-six times as deadly as cyanide. Attempting to discover why, Murakami conducted hundreds of interviews with the people involved, from the survivors to the perpetrators to the relatives of those who died, and Underground is their story in their own voices. Concerned with the fundamental issues that led to the attack as well as these personal accounts, Underground is a document of what happened in Tokyo as well as a warning of what could happen anywhere. This is an enthralling and unique work of nonfiction that is timely and vital and as wonderfully executed as Murakami’s brilliant novels.