The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera House at Covent Garden, providing libretti for some of the best known British composers of the period, and quarrelling with almost everyone he worked with in the course of his career.

The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera House at Covent Garden, providing libretti for some of the best known British composers of the period, and quarrelling with almost everyone he worked with in the course of his career.

The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera House at Covent Garden, providing libretti for some of the best known British composers of the period, and quarrelling with almost everyone he worked with in the course of his career.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Stage, Volume 1; The Stage; Alfred Bunn Alfred Bunn R. Bentley, 1840 Performing Arts; Theater; General; Performing Arts / Theater / General; Performing Arts / Theater / History & Criticism; Theater

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Daughter Of St. Mark, A Grand Opera Seria. Libretto Alfred Bunn