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The Ghazi Sultans were frontier holy-warrior kings of late medieval and early modern Islamic history. This book is a comparative study of three particular Ghazis in the Muslim world at that time, demonstrating the extent to which these men were influenced by the actions and writings of their predecessors in shaping strategy and the way in which they saw themselves. Using a broad range of Persian, Arabic and Turkish texts, the author offers new findings in the history of memory and self-fashioning, demonstrating thereby the value of intertextual approaches to historical and literary studies. The three main themes explored include the formation of the ideal of the Ghazi king in the eleventh century, the imitation thereof in fifteenth and early sixteenth century Anatolia and India, and the process of transmission of the relevant texts. By focusing on the philosophical questions of ?becoming? and ?modelling?, Anooshahr has sought alternatives to historiographic approaches that only find facts, ideology, and legitimization in these texts. This book will be of interest to scholars specialising in Medieval and early modern Islamic history, Islamic literature, and the history of religion.
The Ghazi Sultans were frontier holy-warrior kings of late medieval and early modern Islamic history. This book is a comparative study of three particular Ghazis in the Muslim world at that time, demonstrating the extent to which these men were influenced by the actions and writings of their predecessors in shaping strategy and the way in which they saw themselves. Using a broad range of Persian, Arabic and Turkish texts, the author offers new findings in the history of memory and self-fashioning, demonstrating thereby the value of intertextual approaches to historical and literary studies. The three main themes explored include the formation of the ideal of the Ghazi king in the eleventh century, the imitation thereof in fifteenth and early sixteenth century Anatolia and India, and the process of transmission of the relevant texts. By focusing on the philosophical questions of 'becoming' and 'modelling', Anooshahr has sought alternatives to historiographic approaches that only find facts, ideology, and legitimization in these texts. This book will be of interest to scholars specialising in Medieval and early modern Islamic history, Islamic literature, and the history of religion.
It has long been known that the origins of the early modern dynasties of the Ottomans, Safavids, Mughals, Mongols, and Shibanids in the sixteenth century go back to "Turco-Mongol" or "Turcophone" war bands. However, too often has this connection been taken at face value, usually along the lines of ethno-linguistic continuity. Turkestan and the Rise of Eurasian Empires argues that the connection between a mythologized "Turkestani" or "Turco-Mongol" origin and these dynasties was not simply and objectively present as fact. Rather, much creative energy was unleashed by courtiers and leaders from Bosnia to Bihar (with Bukhara and Badakhshan along the way) in order to manipulate and invent the ancestry of the founders of these dynasties. Through constructed genealogies, nascent empires founded on disorganized military and political events were reduced to clear and stable categories. With proper family trees in place and their power legitimized, leaders became far removed from their true identities as bands of armed men and transformed into warrior kings. This created a longstanding pattern of false histories created by the intellectuals of the day. Essentially, one can even say that Turco-Mongol progenitors did not beget the Ottoman, Safavid, Mughal, Mongol, and Shibanid states. Quite the contrary, one can instead say that historians writing in these empires were the ancestors of the "Turco-Mongol" lineage of their founders. Using one or more specimens of Persian historiography, in a series of five case studies, each focusing on one of these early polities, Ali Anooshahr shows how "Turkestan", "Central Asia", or "Turco-Mongol" functioned as literary tropes in the political discourse of the time.
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