Winner of the 2022 British Academy Prize for Global Cultural Understanding. Novelist Alia Trabucco Zeran has long been fascinated not only with the root causes of violence against women, but by those women who have violently rejected the domestic and passive roles they were meant by their culture to inhabit. Choosing as her subject four iconic homicides perpetrated by Chilean women in the twentieth century, she spent years researching this brilliant work of narrative nonfiction detailing not only the troubling tales of the murders themselves, but the story of how society, the media and men in power reacted to these killings, painting their perpetrators as witches, hysterics, or femmes fatales . . . That is, either evil or out of control. Corina Rojas, Rosa Faundez, Carolina Geel and Teresa Alfaro all committed murder. Their crimes not only led to substantial court decisions, but gave rise to multiple novels, poems, short stories, paintings, plays, songs and films, produced and reproduced throughout the last century. In When Women Kill, we are provided with timelines of events leading up to and following their killings, their apprehension by the authorities, their trials and their representation in the media throughout and following the judicial process. Running in parallel with this often horrifying testimony are the diaries kept by Trabucco Zeran while she worked on her research, addressing the obstacles and dilemmas she encountered as she tackled this discomfiting yet necessary project.

Santiago, Chile. The city is covered in ash. Three children of ex-militants are facing a past they can neither remember nor forget. Felipe sees dead bodies on every corner of the city, counting them up in an obsessive quest to square these figures with the official death toll. He is searching for the perfect zero, a life with no remainder. Iquela and Paloma, too, are searching for a way to live on. When the body of Paloma's mother is lost in transit, the three take a hearse and a bottle of pisco up the cordillera for a road trip with a difference.Intense, intelligent, and extraordinarily sensitive to the shape and weight of words, this remarkable debut presents a new way to count the cost of a pain that stretches across generations.

Shortlisted for the 2019 Man Booker International Prize Felipe and Iquela, two young friends in modern day Santiago, live in the legacy of Chile's dictatorship. Felipe prowls the streets counting dead bodies real and imagined, aspiring to a perfect number that might offer closure. Iquela and Paloma, an old acquaintance from Iquela's childhood, search for a way to reconcile their fragile lives with their parents' violent militant past. The body of Paloma's mother gets lost in transit, sending the three on a pisco-fueled journey up the cordillera as they confront the pain that stretches across generations.