A stuffed-up cow, a rogue bedsheet, and a chantable silly refrain. A quintessential read-aloud for a lively story time. Poor cow woke up with such a bad cold that every "moo" comes out as "boo!" When she stumbles into a sheet hanging from the clothesline, her barnyard friends mistake her for a spooky ghost and run away. But the cow is able to bravely turn this misunderstanding to her advantage when a truly scary intruder arrives at the farm... In The Cow Said BOO!, author Lana Button delivers a silly read-aloud for a not-so-spooky Halloween, or any time of year. Written in playful rhyme that will shine at an interactive story time, the text includes a repeated refrain that will have listeners chiming in with many an exuberant, "The cow said, BOO!" Watercolor illustrations by Alice Carter catch both the eye and the heart with their humor and energy. Closing scenes of the animal friends nursing the cow back to health bring a tender lull to the riotous story time-until a final twist dissolves the peace in giggles once again.

Edwin Austin Abbey (1852-1911) was born just two years after the inaugural release of Harper's Monthly Magazine. Starting with his first published drawing in December 1870 at age 18, Abbey's life-long association with the publisher resulted in hundreds of drawings found within the pages of Harper's Monthly Magazine and Harper's Weekly as well as Harper & Brothers books. The resulting exposure throughout the U.S. and Europe secured an extensive level of recognition. Abbey had the rarefied appeal to everyone from the average reader to the most prestigious artists of the day. The inclusion of Abbey's illustrations in these periodicals helped to expand the reach of the poetry, stories and essays that they accompanied to a massive audience. This book focuses on Abbey's line art for the magazines and books published by Harper & Brothers, beginning with his earliest works as a new professional in the field. The collection contains over 350 drawings. These delineated the poetry of Robert Herrick and enhanced such books as The Deserted Village, Old Songs, She Stoops to Conquer and The Quiet Life. Drawings created for numerous short stories and poetry are displayed here as well. Also collected are Abbey's exquisite series of drawings done over the course of twenty years for The Comedies of William Shakespeare, followed by The Shakespeare Tragedies. His painstaking devotion to research while securing the appropriate costumes, props and models for his drawings was legendary. The results are some of the most revered illustrations ever created, which continue to astound aficionados and inspire artists generations after Abbey's last drawing was made. An extensive new essay by Alice A. Carter offers a fresh look at Edwin Austin Abbey, his life and career.

Franklin Booth: Silent Symphony is a massive, 304-page book featuring over 400 pieces that span the artist's entire career. Accompanying photos of Franklin Booth (1874-1948), his family, friends and colleagues-along with illustrations by his peers and inspirations-add nearly fifty more images. A new essay by the award-winning illustrator and professor Alice A. Carter delves into Booth's life. This biography highlights his childhood in Indiana, family life and the earliest days of his professional career, his road trips, studio life and teaching career with intimate stories and much more. Quotes of first-hand encounters with Booth by his students, friends and fellow artists also are shared. Pen-and-ink drawings cover a fifty-year span-from Booth's earliest days to his final works. These include his story illustrations for top magazines of the time, plus a diverse and rare assortment of pieces made for poems, advertisements and prints. Book illustrations completed in color as well as pen-and-ink also are featured, along with rare sketches for an unrealized project. All art was scanned and photographed from its original source material using the latest technology and has been painstakingly prepped for this publication. Franklin Booth's meticulous and unique pen technique has been revered by artists and students for the last hundred years. No one has ever been able to duplicate his style. Booth utilized his own life, philosophies and experiences as vehicles to project his thoughts to the viewer, which makes his work deeply compelling and infused with his respect for nature and art. He always listened to his own voice and developed a style that was not a natural product of his era. This allowed his work to become timeless and to continue capturing audiences today. Franklin Booth's influence can still be seen in modern comic books, fantasy illustrations, concept art and films. The magnitude of his art is made for the big screen, with his figures in epic scenes. His work has made its way through decades of shifting genres and changes in the art world and is still as immediate today as it was in the early twentieth century.

Parents Magazine Parents (R) Approved! A stuffed-up cow, a rogue bedsheet, and a chantable silly refrain. A quintessential read-aloud for a lively story time, now available in board book format. Poor cow woke up with such a bad cold that every "moo" comes out as "boo!" When she stumbles into a sheet hanging from the clothesline, her barnyard friends mistake her for a spooky ghost and run away. But the cow is able to bravely turn this misunderstanding to her advantage when a truly scary intruder arrives at the farm. . . In The Cow Said BOO!, author Lana Button delivers a silly read-aloud for a not-so-spooky Halloween, or any time of the year. Written in playful rhyme that will shine at an interactive story time, the text includes a repeated refrain that will have listeners chiming in with many an exuberant, "The cow said, BOO!" Watercolor illustrations by Alice Carter catch both the eye and the heart with their humor and energy. Closing scenes of the animal friends nursing the cow back to health bring a tender lull to riotous story time-until a final twist dissolves the peace in giggles once again. Don't miss the closing spread with illustrated hand- (and paw!) washing instructions for chasing away colds.

Fall in love at first blunder with a wisely foolish kindergarten teacher who makes the first day of school an experience to remember. Kayla isn't too sure about the first day of kindergarten. What if she misses her mom? What if she can't find the bathroom? But when Kayla meets Mrs. Muddle, it quickly becomes clear that Kayla's problems are nothing compared to her teacher's. Mrs. Muddle mixes up the kids' name tags, takes them to the library instead of the gym, and can't find the bathroom. She doesn't even know how to use a slide properly! Clearly somebody needs to take charge. Soon Kayla is much too busy teaching her teacher to think about her own worries. Hearkening back to classics like The Amelia Bedelia collection and Douglas Wood's What Teachers Can't Do, Colleen Nelson will make parents, children, and especially teachers laugh out loud over Mrs. Muddle's antics and the exasperated Kayla's leadership. As the students find their way around the school, Alice Carter's giggle-inducing art welcomes readers into a kindergarten class that makes the first day of school seem very appealing indeed.