We think we know Edie Sedgwick, Warhol muse, Factory superstar, icon of the 1960s, a comet who flamed out too soon. As It Turns Out is Edie's story told from a different point of view - that of her older sister, Alice. As Edie's fame was in the ascendant, Alice was living a completely different life in Manhattan, far away from the Factory and the Chelsea scene. Then, many years later, chancing on Edie's image in a clip from Andy's film Outer and Inner Space, Alice was moved to reconsider Edie's life and try to figure out what made Edie and Andy such iconic figures whose image and collaborative work have endured for decades. How did he anticipate so much of contemporary culture? Who exactly was Edie, that she fascinated Warhol and captured the imagination of a generation? Wohl tells Edie's story, from her privileged and isolated childhood on a California ranch to her escape first to Boston and then to Manhattan, where in 1965 she had her first fateful encounter with Warhol. As It Turns Out is a meditation on the girl behind the irresistible image, and on the culture that she and Warhol ignited. Throughout this thoughtful, truthful reappraisal of Edie's life, Alice Sedgwick Wohl tries to find a deeper answer to the question: What was the thing about Edie?

Francisco de Hollanda completed Da pintura antigua in 1548, eight years after the young Portuguese humanist, painter, and architect had spent two years in Italy. Book I is the first Portuguese treatise on the theory and practice of painting. In contrast to Italian texts on artistic theory, which define painting as the imitation of nature, Hollanda’s treatise, influenced by Neoplatonism, develops a theory of the painter as an original creator guided by divine inspiration. Book II, “Dialogues in Rome,” is a record of three conversations with Michelangelo, Vittoria Colonna, and members of their circle and a fourth with Giulio Clovio. It is the most informative and intimate intellectual portrait of Michelangelo before the biographies by Vasari and Condivi.

Ascanio Condivi was a young pupil and assistant of Michelangelo's who gained the trust and confidence of the great artist. His biography of Michelangelo to a large extent is based on the artist's own words, tells the story of his life, his relationship with his patrons, his objectives as an artist, and his accomplishments, forming the basis of a biography that has been central to the study of Michelangelo for four centuries. The significance of Condivi's text was recognized early on. Within fifteen years of its publication in 1553, Vasari incorporated much of it to correct and revise his biography of Michelangelo in the second edition of his Lives of the Artists. But, although Vasari knew Michelangelo well, the sculptor never confided in him to the extent that he did in Condivi, making this the indispensable source for the life of Michelangelo.

First published in 1976, this translation is now available in paperback for the first time and includes a revised introduction based on new research, as well as an up-to-date bibliography and endnotes section.