A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.

A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that was established to collect, preserve, and interpret the audiovisual record of northern New England. Contributors from diverse backgrounds examine the visual aesthetics of these films while placing them in their social, political, and historical contexts. Each discussion is enhanced by technical notes and the analyses are also juxtaposed with personal reflections by artists who have close connections to particular amateur filmmakers. These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.

The rise of luxury and sophistication in mid-century modern architecture and design The sleek lines and gleaming facades of the architecture of the late 1940s and 1950s reflect a culture fascinated by the promise of the Jet Age. Buildings like Eero Saarinen's TWA Terminal at JFK Airport and Philip Johnson's Four Seasons Restaurant retain a thrilling allure, seeming to transform the ordinary into the extraordinary. In this work, distinguished architectural historian Alice Friedman draws on a vast range of sources to argue that the aesthetics of mid-century modern architecture reflect an increasing fascination with "glamour," a term widely used in those years to characterize objects, people, and experiences as luxurious, expressive, and even magical. Featuring assessments of architectural examples ranging from Mies van der Rohe's monolithic Seagram Building to Elvis Presley's sprawling Graceland estate, as well as vintage photographs, advertisements, and posters, this book argues that new audiences and client groups with tastes rooted in popular entertainment made their presence felt in the cultural marketplace during the postwar period. The author suggests that American and European architecture and design increasingly reflected the values of a burgeoning consumer society, including a fundamental confidence in the power of material objects to transform the identity and status of those who owned them.