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This forward-thinking collection brings together over sixty essays
that invoke images to summon, interpret, and argue with visual
studies and its neighboring fields such as art history, media
studies, visual anthropology, critical theory, cultural studies,
and aesthetics. The product of a multi-year collaboration between
graduate students from around the world, spearheaded by James
Elkins, this one-of-a-kind anthology is a truly international,
interdisciplinary point of entry into cutting-edge visual studies
research. The book is fluid in relation to disciplines; it is
frequently inventive in relation to guiding theories; it is
unpredictable in its allegiance and interest in the past of the
discipline-reflecting the ongoing growth of visual studies.
This forward-thinking collection brings together over sixty essays
that invoke images to summon, interpret, and argue with visual
studies and its neighboring fields such as art history, media
studies, visual anthropology, critical theory, cultural studies,
and aesthetics. The product of a multi-year collaboration between
graduate students from around the world, spearheaded by James
Elkins, this one-of-a-kind anthology is a truly international,
interdisciplinary point of entry into cutting-edge visual studies
research. The book is fluid in relation to disciplines; it is
frequently inventive in relation to guiding theories; it is
unpredictable in its allegiance and interest in the past of the
discipline-reflecting the ongoing growth of visual studies.
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