Imagine a world where everyone is kind - how can we make that come true? With gorgeous pictures by a host of the world's top illustrators, Kind is a timely, inspiring picture book about the many ways children can be kind, from sharing their toys and games to helping those from other countries feel welcome. The book is endorsed by The Gruffalo illustrator Axel Scheffler one pound from the sale of each printed copy will go to the Three Peas charity, which gives vital help to refugees from war-torn countries. comes with a dust jacket Illustrators included: Beatrice Alemagna, David Barrow, Rotraut Susanne Berner, Quentin Blake, Serge Bloch, Melissa Castrillon, Benjamin Chaud, Marianna Coppo, Catherine Crowther, Pippa Curnick, Gerda Dendooven, Michael Foreman, Ingrid Godon, Susanne Goehlich, Chris Haughton, Nicola Kinnear, Ole Koennecke, Anke Kuhl, Sarah McIntyre, Dorothee De Monfreid, Lydia Monks, Joerg Muhle, Thomas Muller, Barbara Nascimbeni, Guy Parker-Rees, Moni Port, Steven Antony Rack, David Roberts, Axel Scheffler, Nick Sharratt, Birgitta Sif, Helen Stephens, Lizzy Stewart, Britta Teckentrup, Philip Waechter, Ken Wilson-Max, Cindy Wume and Lucia Gaggiotti.

Starting with the vision set out in A Theology of Women's Priesthood for a priesthood of both sexes working in partnership, Alison Green looks at how a theology built on sexual difference manifests itself in the life and ministry of practising priests and those to whom they minister. Following the Introduction, the succeeding chapters are largely made up of case studies and histories gathered in England and Wales, and also from New Zealand and other provinces in the Anglican Communion.

Ali Green offers a theology of women's priesthood from a Christian feminist perspective. She suggests a feminist reconfiguration of the Eucharistic Prayer and demonstrates how the symbolism of the liturgy allows for new interpretation informed by women's experience. She gives new insights into liturgical symbolism and the sacramental significance of the woman priest.

Traces the feminist icon Carolee Schneemann's prolific six-decade output, spanning her remarkably diverse, transgressive, and interdisciplinary expression Carolee Schneemann (1939-2019) was one of the most experimental artists of the twentieth and early twenty-first centuries. This book traces six decades of the feminist icon's diverse, transgressive and interdisciplinary expression through Schneemann's experimental early paintings, sculptural assemblages and kinetic works; rarely seen photographs of her radical performances; her pioneering films; and groundbreaking multi-media installations. Contributors shed new light on Schneemann's work, which addressed urgent topics from sexual expression and the objectification of women to human suffering and the violence of war. An artist who was concerned with the precarious lived experience of both humans and animals, this book positions Schneemann as one of the most relevant, provocative and inspiring artists in recent years. Published in association with Barbican Art Gallery Exhibition Schedule: Barbican Art Gallery, London (September 8, 2022-January 8, 2023)

'I'm a HUGE fan of Alison Green's "Ask a Manager" column. This book is even better' Robert Sutton, author of The No Asshole Rule and The Asshole Survival Guide 'Ask A Manager is the book I wish I'd had in my desk drawer when I was starting out (or even, let's be honest, fifteen years in)' - Sarah Knight, New York Times bestselling author of The Life-Changing Magic of Not Giving a F*ck A witty, practical guide to navigating 200 difficult professional conversations Ten years as a workplace advice columnist has taught Alison Green that people avoid awkward conversations in the office because they don't know what to say. Thankfully, Alison does. In this incredibly helpful book, she takes on the tough discussions you may need to have during your career. You'll learn what to say when: * colleagues push their work on you - then take credit for it * you accidentally trash-talk someone in an email and hit 'reply all' * you're being micromanaged - or not being managed at all * your boss seems unhappy with your work * you got too drunk at the Christmas party With sharp, sage advice and candid letters from real-life readers, Ask a Manager will help you successfully navigate the stormy seas of office life.

This book is about trust as a political and cultural phenomenon set in the UK during the New Labour administrations of 1997-2010. There is a temptation to see the period between 2007 and 2010 as post-New Labour and that New Labour neatly corresponds with the stewardship of Tony Blair. We are not working with this understanding, rather we see the whole period defined by 'New Labourism' for want of a better term. Having tried to be as clear as possible about our scope and intentions, we now turn to a brief overview of why trust became (and remains) so critical in our chosen time and place.

Verbal protocol analysis (VPA) is a methodology that is being used extensively by researchers. Recently, individuals working in the area of testing, and in language testing in particular, have begun to appreciate the roles VPA might play in the development and evaluation of assessment instruments. VPA is a complex methodology however, and individuals choosing to use the technique require some degree of training in order to maximise the benefits in adopting this approach, and in order to avoid some of the more common misunderstandings and pitfalls associated with the use of verbal data. This book aims to provide potential practitioners of VPA with the background to the technique and a good understanding of what is entailed in using VPA in specific context of language testing and assessment. Tutorial exercises are presented which enable the reader to try out each of the different steps involved in VPA.

An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art's institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different. With extensive explorations of well-known artists such as Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol and Felix Gonzalez-Torres, this book will change the way readers think about and look at exhibitions.