This book brings together a collection of works by scholars who have produced some of the most innovative and influential work on the topic of First World War nursing in the last ten years. The contributors employ an interdisciplinary collaborative approach that takes into account multiple facets of Allied wartime nursing: historical contexts (history of the profession, recruitment, teaching, different national socio-political contexts), popular cultural stereotypes (in propaganda, popular culture) and longstanding gender norms (woman-as-nurturer). They draw on a wide range of hitherto neglected historical sources, including diaries, novels, letters and material culture. The result is a fully-rounded new study of nurses' unique and compelling perspectives on the unprecedented experiences of the First World War.

This book brings together a collection of works by scholars who have produced some of the most innovative and influential work on the topic of First World War nursing in the last ten years. The contributors employ an interdisciplinary collaborative approach that takes into account multiple facets of Allied wartime nursing: historical contexts (history of the profession, recruitment, teaching, different national socio-political contexts), popular cultural stereotypes (in propaganda, popular culture) and longstanding gender norms (woman-as-nurturer). They draw on a wide range of hitherto neglected historical sources, including diaries, novels, letters and material culture. The result is a fully-rounded new study of nurses' unique and compelling perspectives on the unprecedented experiences of the First World War.

French feminism was central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women's movement in France. Through a critical review of the politics, activism and cultural creativity of that moment, from the perspective of both preceding and subsequent 'waves' of feminism, this book evaluates the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international group of feminist scholars, it offers both a critical re-evaluation of a vital moment in women's cultural history, and a new analysis of the relationship between second wave agendas and contemporary feminist politics and culture.

French feminism was central to the theory and culture of Second Wave feminism as an international movement, and 1975 was a key year for the women's movement in France. Through a critical review of the politics, activism and cultural creativity of that moment, from the perspective of both preceding and subsequent 'waves' of feminism, this book evaluates the legacies of 1975, and their strengths and limitations as new questions and new conjunctures have come into play. Edited and written by an international group of feminist scholars, it offers both a critical re-evaluation of a vital moment in women's cultural history, and a new analysis of the relationship between second wave agendas and contemporary feminist politics and culture.

"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?" Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Batarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars. Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

This is the story of how women in France and Britain between 1915 and 1933 appropriated the cultural identity of female war veteran in order to have greater access to public life and a voice in a political climate in which women were rarely heard on the public stage. The 'veterans' covered by this history include former nurses, charity workers, secret service agents and members of resistance networks in occupied territory, as well as members of the British auxiliary corps. What unites these women is how they attempted to present themselves as 'female veterans' in order to gain social advantages and give themselves the right to speak about the war and its legacies. Alison S. Fell also considers the limits of the identity of war veteran for women, considering as an example the wartime and post-war experiences of the female industrial workers who led episodes of industrial action.

This is the story of how women in France and Britain between 1915 and 1933 appropriated the cultural identity of female war veteran in order to have greater access to public life and a voice in a political climate in which women were rarely heard on the public stage. The 'veterans' covered by this history include former nurses, charity workers, secret service agents and members of resistance networks in occupied territory, as well as members of the British auxiliary corps. What unites these women is how they attempted to present themselves as 'female veterans' in order to gain social advantages and give themselves the right to speak about the war and its legacies. Alison S. Fell also considers the limits of the identity of war veteran for women, considering as an example the wartime and post-war experiences of the female industrial workers who led episodes of industrial action.

This volume explores contemporary French women's writing through the prism of one of the defining moments of modern feminism: the writings of the 1970s that came to be known as "French feminism". With their exhilarating renewal of the rules of fiction, and a sophisticated theoretical approach to gender, representation and textuality, Helene Cixous and others became internationally recognised for their work, at a time when the women's movement was also a driving force for social change. Taking its cue from Les Femmes s'entetent, a multi-authored analysis of the situation of women and a celebration of women's creativity, this collection offers new readings of Monique Wittig, Emma Santos and Helene Cixous, followed by essays on Nina Bouraoui, Michele Perrein and Ying Chen, Marguerite Duras and Mireille Best, and Valentine Goby. A contextualising introduction establishes the theoretical and cultural framework of the volume with a critical re-evaluation of this key moment in the history of feminist thought and women's writing, pursuing its various legacies and examining the ways theoretical and empirical developments in queer studies, postcolonial studies and postmodernist philosophies have extended, inflected and challenged feminist work.