What do the novelists Charlotte Bronte, Charlotte M. Yonge, Rose Macaulay, Dorothy L. Sayers, Barbara Pym, Iris Murdoch and P.D. James all have in common? These women, and others, were inspired to write fiction through their relationship with the Church of England. This field-defining collection of essays explores Anglicanism through their fiction and their fiction through their Anglicanism. These essays, by a set of distinguished contributors, cover a range of literary genres, from life-writing and whodunnits through social comedy, children's books and supernatural fiction. Spanning writers from the nineteenth to the twenty-first century, they testify both to the developments in Anglicanism over the past two centuries and the changing roles of women within the Church of England and wider society.

Assessing early modern literature and England's Long Reformation, this book challenges the notion that the English Reformation ended in the sixteenth century, or even by the seventeenth century. Contributions by literary scholars and historians of religion put these two disciplines in critical conversation with each other, in order to examine a complex, messy, and long-drawn-out process of reformation that continued well beyond the significant political and religious upheavals of the sixteenth century. The aim of this conversation is to generate new perspectives on the constant remaking of the Reformation-or Reformations, as some scholars prefer to characterize the multiple religious upheavals and changes, both Catholic and Protestant-of the early modern period. This interdisciplinary book makes a major contribution to debates about the nature and length of England's Long Reformation. Early Modern Literature and England's Long Reformation is essential reading for scholars and students considering the interconnections between literature and religion in the early modern period. The chapters in this book were originally published as a special issue of the journal Reformation.

Assessing early modern literature and England’s Long Reformation, this book challenges the notion that the English Reformation ended in the sixteenth century, or even by the seventeenth century. Contributions by literary scholars and historians of religion put these two disciplines in critical conversation with each other, in order to examine a complex, messy, and long-drawn-out process of reformation that continued well beyond the significant political and religious upheavals of the sixteenth century. The aim of this conversation is to generate new perspectives on the constant remaking of the Reformation—or Reformations, as some scholars prefer to characterize the multiple religious upheavals and changes, both Catholic and Protestant—of the early modern period. This interdisciplinary book makes a major contribution to debates about the nature and length of England’s Long Reformation. Early Modern Literature and England’s Long Reformation is essential reading for scholars and students considering the interconnections between literature and religion in the early modern period. The chapters in this book were originally published as a special issue of the journal Reformation.

After the Reformation, England's Catholics were marginalised and excluded from using printed media for propagandist ends. Instead, they turned to oral media, such as ballads and stories, to plead their case and maintain contact with their community. Building on the interest in Catholic literature which has developed in early modern studies over the last few years, Alison Shell examines the relationship between Catholicism and oral culture from the mid-sixteenth to the eighteenth centuries. In order to recover the textual traces of this minority culture, she expands canonical boundaries, looking at anecdotes, spells and popular verse alongside more conventionally literary material. In her archival research she has uncovered many important new manuscript sources. This book is an important contribution to the rediscovery of the writings and culture of the Catholic community and will be of great interest to scholars of early modern literature, history and theology.

Essays exploring different facets of the life and influence of Edmund Campion, the sixteenth-century Jesuit and martyr. This volume forms the first modern study of Edmund Campion, the Jesuit priest executed at Tyburn in 1581, and through him focuses on a theme that has been attracting growing interest among sixteenth-century historians: the passagefrom a Catholic to an Anglican England, and the resistance to this move. The essays collected here investigate the historical context of Campion's mission; different aspects of his writing and work; the network of colleagues withwhom he was in contact; his relationship with contemporaries such as Sir Philip Sidney; the effect of his English mission; and the legacy he left. THOMAS M. MCCOOG, S.J. is the Archivist of the British province of theSociety of Jesus and a member of the Jesuit Historical Institute at Rome. Contributors: FRANCISCO DE BORJA MEDINA, JOHN BOSSY, NANCY POLLARD BROWN, KATHERINE DUNCAN-JONES, DENNIS FLYNN, VICTOR HOULISTON, JOHN J. LAROCCA, COLM LENNON, DAVID LOADES, JAMES MCCONICA, THOMAS M. MCCOOG, THOMAS MAYER, MICHAEL QUESTIER, ALISON SHELL, MICHAEL E. WILLIAMS

After the Reformation, England's Catholics were marginalised and excluded from using printed media for propagandist ends. Instead, they turned to oral media, such as ballads and stories, to plead their case and maintain contact with their community. Building on the growing interest in Catholic literature which has developed in early modern studies, Alison Shell examines the relationship between Catholicism and oral culture from the mid-sixteenth to the eighteenth centuries. In order to recover the textual traces of this minority culture, she expands canonical boundaries, looking at anecdotes, spells and popular verse alongside more conventionally literary material. In her archival research she uncovers many important manuscript sources. This book is an important contribution to the rediscovery of the writings and culture of the Catholic community and will be of great interest to scholars of early modern literature, history and theology.

The Catholic contribution to English literary culture has been widely neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton, those whose presence in the canon has been more fitful, and many who have escaped the attention of literary critics. Among the themes to emerge are the anti-Catholic imagery of revenge tragedy and the definitive contribution made by Southwell and Crashaw to the post-Reformation revival of religious verse in England. Alison Shell offers a fascinating exploration of the rhetorical stratagems by which Catholics sought to demonstrate simultaneous loyalties to the monarch and to their religion, and of the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.

The Catholic contribution to English literary culture has been widely neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton, those whose presence in the canon has been more fitful, and many who have escaped the attention of literary critics. Among the themes to emerge are the anti-Catholic imagery of revenge tragedy and the definitive contribution made by Southwell and Crashaw to the post-Reformation revival of religious verse in England. Alison Shell offers a fascinating exploration of the rhetorical stratagems by which Catholics sought to demonstrate simultaneous loyalties to the monarch and to their religion, and of the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.

What do the novelists Charlotte Bronte, Charlotte M. Yonge, Rose Macaulay, Dorothy L. Sayers, Barbara Pym, Iris Murdoch and P.D. James all have in common? These women, and others, were inspired to write fiction through their relationship with the Church of England. This field-defining collection of essays explores Anglicanism through their fiction and their fiction through their Anglicanism. These essays, by a set of distinguished contributors, cover a range of literary genres, from life-writing and whodunnits through social comedy, children's books and supernatural fiction. Spanning writers from the nineteenth to the twenty-first century, they testify both to the developments in Anglicanism over the past two centuries and the changing roles of women within the Church of England and wider society.

This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries, whose priorities were more obviously religious than his own. It advances new readings of several plays, including "Hamlet, King Lear" and "The Winter's Tale," and draws on under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. This study describes a writer whose language is saturated in religious discourse but whose invariable practice is to subordinate religious matter to the aesthetic demands of the work. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative.

This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries - both Catholic and Protestant - whose priorities were more obviously religious than his own. It advances new readings of several plays, especially Hamlet, King Lear and The Winter's Tale; these draw in many cases on new and under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. Shakespeare's writing has been seen both as profoundly religious, giving everyday human life a sacramental quality, and as profoundly secular, foreshadowing the kind of humanism that sees no necessity for God. This study attempts to reconcile these two points of view, describing a writer whose language is saturated in religious discourse and whose dramaturgy is highly attentive to religious precedent, but whose invariable practice is to subordinate religious matter to the particular aesthetic demands of the work in hand. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative.