Tracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War. The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place. Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014. Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.

The Deceived Husband is an ambitious and original study of the representation in European literature of adultery, focusing in particular on the figure of the husband. Drawing on psychoanalysis, and primarily the work of Melanie Klein, Dr Sinclair argues that the differing representations of the deceived husband evidence anxieties within patriarchal society about gender and power, and ultimately about death and the unknown. Detailed discussions of a wide range of texts including The Canterbury Tales, The Decameron, Othello, Madame Bovary, Effi Briest, Anna Karenina, La Regenta, and Flaubert's Parrot reveal that fundamental anxieties about masculinity are repeatedly articulated in two main characterizations of the deceived husband: the cuckold and the man of honour. These are representations which can be usefully understood, the book shows, with reference to the two early developmental positions forwarded by Klein: the paranoid schizoid and the depressive positions. Innovative and challenging, The Deceived Husband is an important examination of a previously neglected aspect of European literature and to psychoanalytic literary criticism in general.

Surveys the thought and literary work of a towering figure in twentieth-century Spanish cultural and political life. As a novelist, dramatist, essayist, poet and public intellectual, Miguel de Unamuno (1864-1936) was a strikingly energetic and prolific writer, and a towering figure in twentieth-century Spanish cultural and political life. His work explored fundamental questions about existence and identity (both individual and national).Widely recognised and translated during his lifetime, he was an inescapably canonical figure on university syllabi across Europe and the Americas for many years after his death, and still appears on many curricula. In this Companion, a range of distinguished scholars with very different approaches both survey Unamuno's work chronologically, analysing major developments and turning points or breaks as well as continuities, and further study key themes and preoccupations across his prolific narrative, theatrical and essay output. All contributors offer not just incisive discussion of the texts or topics studied, but also a balanced overview of issues and debates arising in Unamuno studies. Julia Biggane is senior lecturer in Hispanic Studies at the University of Aberdeen. She is a general editor of theBulletin of Spanish Studies, and director of the Sir Herbert Grierson Centre for Textual Criticism and Comparative Literary History at the University of Aberdeen. John Macklin was Professor of Hispanic Studies and Head of the School of Modern Languages and Cultures at the University of Glasgow. In 1994, he was made a Commander of the Order of Isabel la Catolica by King Juan Carlos of Spain.

From the author of "Lightborn," the third book in a Regency- flavored fantasy series of magic and manners.
Magic dies with the mage, or so the Darkborn believe. That's why Lady Telmaine Hearne has been condemned to death for sorcery. She's escaped but is now bound with her mageborn allies for the Borders and war. Meanwhile, her husband, Balthasar, has learned of his family connection to the Shadowborn-and is fighting for survival and sanity as magic turns him against everything he holds dear.

This collection features four new plays about war, tyranny and discrimination by Eastern and Central European writers. Includes the plays The Body of a Woman as a battlefield in the Bosnian war by Matei Visniec, Cordon by Nebojsa Romcevic, When I want to whistle, I whistle... by Andreea Valean, Soap Opera by Gyoergy Spiro The title of this volume alludes to the history of political double-dealing in a troubled region within southern Europe, surrounded by the Adriatic, Aegean and Black Seas. G.B. Shaw wrote Arms and The Man about a small Balkan plot in the 19th century. It's in this tradition, rather than in a geographical sense that we use the title Balkan Plots. The plays in this volume are dramatic works which have emerged from, or which take as their subject matter, the struggle of individuals within societies affected by recent political upheaval. The writers explore aspects of freedom and rebellion, ethnicity and discrimination, loyalty and betrayal in situations where conventional attitudes and beliefs are severely tested. In some plays, the conflict is between traditional socialist attitudes and western capitalism. In others, the values and beliefs of the younger generation collide with and challenge those of the older generation. Within each of the plays, the way in which the personal and the political interacts, is very much in evidence.

This study of La Regenta by Alas draws both on psychoanalytic theory and on an understanding of the social, sexual and medical norms of the period in which the novel was written. It proposes that the novel be understood as a coded summary of desire fantasied, dislocated, repudiated and thwarted.