|
|
Showing 1 - 6 of
6 matches in All Departments
"Stop slacking off!" Your parents may have said this to you when
you were deep into a video-gaming marathon. Or maybe your roommate
said it to you when you were lounging on the couch scrolling
through Instagram. You may have even said it to yourself on days
you did nothing. But what is so bad about slacking? Could it be
that there's nothing bad about not making yourself useful? Against
our hyper-productivity culture, Alison Suen critically interrogates
our disapproval of slackers-individuals who do the bare minimum
just to get by. She offers a taxonomy of slackers, analyzes common
objections to slacking, and argues that each of these objections
either fails or carries problematic assumptions. But while this
book defends slacking, it does not promote the slacker lifestyle as
the key to something better (such as cultural advancement and
self-actualization), as some pro-leisure scholars have argued. In
fact, Suen argues that slacking is unique precisely because it
serves no noble cause. Slacking is neither a deliberate protest to
social ills nor is it a path to autonomy. Slackers just slack. By
examining the culture of hyper-productivity, Suen argues that it is
in fact OK to be a slacker. Key Features Demonstrates the
uniqueness of slacking, via a critical examination of six distinct
"pro-leisure" philosophical accounts. Articulates a taxonomy of
slackers, as well as in-depth examinations of Hollywood slackers
and slackers in academia. Examines common objections to slacking
(like the freeloading problem), and offers a rebuttal to each of
them. Offers an understanding of our productivity culture from an
existential perspective.
"Stop slacking off!" Your parents may have said this to you when
you were deep into a video-gaming marathon. Or maybe your roommate
said it to you when you were lounging on the couch scrolling
through Instagram. You may have even said it to yourself on days
you did nothing. But what is so bad about slacking? Could it be
that there's nothing bad about not making yourself useful? Against
our hyper-productivity culture, Alison Suen critically interrogates
our disapproval of slackers-individuals who do the bare minimum
just to get by. She offers a taxonomy of slackers, analyzes common
objections to slacking, and argues that each of these objections
either fails or carries problematic assumptions. But while this
book defends slacking, it does not promote the slacker lifestyle as
the key to something better (such as cultural advancement and
self-actualization), as some pro-leisure scholars have argued. In
fact, Suen argues that slacking is unique precisely because it
serves no noble cause. Slacking is neither a deliberate protest to
social ills nor is it a path to autonomy. Slackers just slack. By
examining the culture of hyper-productivity, Suen argues that it is
in fact OK to be a slacker. Key Features Demonstrates the
uniqueness of slacking, via a critical examination of six distinct
"pro-leisure" philosophical accounts. Articulates a taxonomy of
slackers, as well as in-depth examinations of Hollywood slackers
and slackers in academia. Examines common objections to slacking
(like the freeloading problem), and offers a rebuttal to each of
them. Offers an understanding of our productivity culture from an
existential perspective.
Animals regularly populate philosophical texts as a foil to
illustrate what it means to be human. How should we understand this
human-animal divide? Not only does it inform us of who we are, it
also tells us how we should relate to the larger non-human world.
The Speaking Animal interrogates the human-animal divide by looking
at our linguistic differences - how the speaking human subject is
constructed through its opposition to the dumb animal. Alison Suen
begins with an analysis of the role of language in animal ethics,
with an eye toward the voice/voiceless opposition that is at work
in animal advocacy. After offering a critical analysis of the
ethical and political significance of speaking for animals, the
book takes on a more constructive turn, going against the usual
interpretation of language as a capacity that allows us to reason.
Instead, it argues that our language capacity is also a relational
capacity. Language is that which enables us to develop kinship with
others - including animal others.
What does it mean to be a responsible subject in a world of
pervasive violence? How should we be responsible witnesses in the
face of gross injustice? Indeed, how should we respond to
atrocities that often leave us speechless and powerless? In this
seminal volume, Kelly Oliver articulates a "response ethics" as an
alternative to mainstream moral frameworks such as utilitarianism
and Kantianism. Oliver's response ethics is grounded in an
innovative understanding of subjectivity. Insofar as one's
subjectivity is informed by the social, and our sense of self is
constituted by our ability to respond to our environment,
reconceptualizing subjectivity transforms our ethical
responsibility to others. Oliver's engagement in various debates in
applied ethics, ranging from our ecological commitments to the
death penalty, from sexual assaults on campus to reproductive
technology, shows the relevance of response ethics in contemporary
society. In the age of pervasive war, assaults, murder, and
prejudice, Response Ethics offers timely contributions to the field
of ethics.
What does it mean to be a responsible subject in a world of
pervasive violence? How should we be responsible witnesses in the
face of gross injustice? Indeed, how should we respond to
atrocities that often leave us speechless and powerless? In this
seminal volume, Kelly Oliver articulates a "response ethics" as an
alternative to mainstream moral frameworks such as utilitarianism
and Kantianism. Oliver's response ethics is grounded in an
innovative understanding of subjectivity. Insofar as one's
subjectivity is informed by the social, and our sense of self is
constituted by our ability to respond to our environment,
reconceptualizing subjectivity transforms our ethical
responsibility to others. Oliver's engagement in various debates in
applied ethics, ranging from our ecological commitments to the
death penalty, from sexual assaults on campus to reproductive
technology, shows the relevance of response ethics in contemporary
society. In the age of pervasive war, assaults, murder, and
prejudice, Response Ethics offers timely contributions to the field
of ethics.
Animals regularly populate philosophical texts as a foil to
illustrate what it means to be human. How should we understand this
human-animal divide? Not only does it inform us of who we are, it
also tells us how we should relate to the larger non-human world.
The Speaking Animal interrogates the human-animal divide by looking
at our linguistic differences - how the speaking human subject is
constructed through its opposition to the dumb animal. Alison Suen
begins with an analysis of the role of language in animal ethics,
with an eye toward the voice/voiceless opposition that is at work
in animal advocacy. After offering a critical analysis of the
ethical and political significance of speaking for animals, the
book takes on a more constructive turn, going against the usual
interpretation of language as a capacity that allows us to reason.
Instead, it argues that our language capacity is also a relational
capacity. Language is that which enables us to develop kinship with
others - including animal others.
|
|