Wright's photography has been featured in National Geographic Society publications, Smithsonian, Outside, Time, Islands, and The New York Times, as well as a number of books. The recipient of the Dorothea Lange Award in Documentary Photography for covering child labor in Asia, and a two-time recipient of the Lowell Thomas Travel Journalism Award, Alison travels the globe collecting raw, thought-provoking images. This retrospective of her illustrious, ongoing career features a portfolio of striking portraits of more than 200 individuals. From Asia to Africa, to the Middle East and back, she captures the tapestry of humanity in all its diversity and splendor. Warmth, dignity, and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. Together, these stunning portraits, accompanied by written testimonials, explore the universal interconnectedness of the human spirit.

A page-turner in the most exquisite sense, this book of over 160 portraits expresses the emotive beauty and grace of the human face. Documentary photographer Alison Wright traveled to every continent to capture the diversity of the human tribe, from toddlers to those who've lived a lifetime, and from South America to Africa, Asia, and points in between. Some of the people photographed are privileged, some live ordinary lives, and others live close to the land and in communities that may not last another generation. Collectively, these surprising studies of the human face remind us of our common bond and the inherent dignity in being ourselves.

A New York Times best art book of 2022 New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284-1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book-the first on Simone Martini in English in over thirty years-is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone's early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone's patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule: Isabella Stewart Gardner Museum, Boston (October 13, 2022-January 16, 2023)

From tea fields to technology, women are the resilient, hardworking backbone of their communities. Award-winning photographer Alison Wright's 128 dynamic color plates portray women in more than 25 developing countries, whose perseverance is often overlooked. Women from Nicaragua to Nepal share empowering experiences of rising above their circumstances, be it poverty or oppressive cultural conventions. The photos and the women's quotes express what work means to them-creating financial independence, purpose, and community, as well as deep-rooted cultural traditions. Grit and Grace also celebrates the grassroots organizations committed to finding creative solutions to the challenges these individuals face. Give a woman a seed of opportunity, and she will grow a forest.

"My husband Jan finished me on 17 June 1439. . . . My age was 33 years." So speaks Margaret van Eyck from the frame of her portrait. This painted inscription honors its maker Jan van Eyck, even as it blurs the distinction between living subject and painted double. Frame Work, an in-depth study of paintings, sculpture, and manuscript illumination in their varied social settings, argues that frames and framing devices are central to how Renaissance images operate. In a period of rapid cultural change, framing began to secure the very notion of an independent "artwork," and reframings could regulate the meaning attached to works of art-a process that continues in the present day. Highlighting innovations in framing introduced by figures such as Donatello, Giovanni Bellini, and Jean Fouquet, this original book shows how the inventive character of Renaissance frames responds to broader sociopolitical and religious change. The frame emerges as a site of beauty, display, and persuasion, and as a mechanism of control.

An extraordinary spiritual memoir about the will to survive . . . one breath at a time
While traveling in Laos on a winding mountain road, the bus that award-winning journalist Alison Wright was riding in collided with a logging truck. As she waited fourteen hours for proper medical care-in excruciating pain, certain she was moments from death-Alison drew upon years of meditation practice and concentrated on every breath as if it would be her last.
Despite countless surgeries and a grueling recovery, Alison set herself the goal of achieving a new dream: to one day climb Mount Kilimanjaro-and she reached the summit on her fortieth birthday. Gasping for air once again, she stood at the highest point in Africa, determined to never again take a single breath for granted. Perfect for readers who love spiritual authors traveling abroad, such as Elizabeth Gilbert ("Eat, Pray, Love") and Greg Mortenson ("Three Cups of Tea"), this memoir is an amazingly inspirational tale of how a life-changing accident transformed one woman's faith.