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Salomon Maimon was one of the most important and influential Jewish intellectuals of the Enlightenment. This is the first English translation of his principal work, first published in Berlin in 1790. "Essay on Transcendental Philosophy" presents the first English translation of Salomon Maimon's principal work, originally published in Berlin in 1790. This book expresses his response to the revolution in philosophy wrought by Kant's "Critique of Pure Reason". Kant himself was full of praise for the book and it went on to exercise a decisive influence on the course of post-Kantian German idealism. Yet, despite his importance for the work of such key thinkers as Fichte, Schelling and Hegel, Maimon never achieved the prominence he deserved. Today interest in Maimon's work is increasing rapidly, thanks in large part to prominent acclaim by Gilles Deleuze. This long-overdue translation brings Maimon's seminal text to an English-speaking audience for the first time. The text includes a comprehensive introduction, a glossary, translator's notes and a full bibliography. It also includes translations of correspondence between Maimon and Kant and a letter Maimon wrote to a Berlin journal clarifying the philosophical position of the Essay, all of which bring alive the context of the book's publication for the modern reader.
Friedrich Wilhelm Joseph Von Schelling (1775GCo1854) was a colleague of Hegel, Holderlin, Fichte, Goethe, Schlegel, and Schiller. Always a champion of Romanticism, Schelling advocated a philosophy which emphasized intuition over reason, which maintained aesthetics and the creative imagination to be of the highest value. At the same time, SchellingGCOs concerns for the self and the rational make him a major precursor to existentialism and phenomenology. The New Schelling brings together a wide-ranging set of essays which elaborate the connections between Schelling and other thinkersGCosuch as Marx, Nietzsche, Freud, Sartre, Deleuze, and LacanGCoand argue for the unexpected modernity of SchellingGCOs work. Contributors: Manfred Frank, J++rgen Habermas, Iain Hamilton Grant, Joseph Lawrence, Odo Marquand, Judith Norman, Alberto Toscano, Michael Vater, Alistair Welchman, Slavoj +a Zi+azek.
The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer's work in a uniform format for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus. The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion. This second volume was added to the work in 1844, and revised in 1859. Its chapters are officially 'supplements' to the first volume, but are indispensable for a proper appreciation of Schopenhauer's thought. Here we have his most mature reflections on many topics, including sex, death, conscious and unconscious desires, and the doctrines of salvation and liberation in Christian and Indian thought. Schopenhauer clarifies the nature of his metaphysics of the will, and synthesizes insights from a broad range of literary, scientific and scholarly sources. This new translation reflects the eloquence and power of Schopenhauer's prose, and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names, bibliography, and succinct editorial notes.
The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer's work in a uniform format for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus. The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion. This second volume was added to the work in 1844, and revised in 1859. Its chapters are officially 'supplements' to the first volume, but are indispensable for a proper appreciation of Schopenhauer's thought. Here we have his most mature reflections on many topics, including sex, death, conscious and unconscious desires, and the doctrines of salvation and liberation in Christian and Indian thought. Schopenhauer clarifies the nature of his metaphysics of the will, and synthesizes insights from a broad range of literary, scientific and scholarly sources. This new translation reflects the eloquence and power of Schopenhauer's prose, and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names, bibliography, and succinct editorial notes.
First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This new translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.
Schopenhauer's The World as Will and Representation is one of the central texts in the history of Western philosophy. It is one of the last monuments to the project of grand synthetic philosophical system-building, where a single, unified work could aim to clarify, resolve, and ground all the central questions of metaphysics, epistemology, ethics, religion, aesthetics and science. Poorly received at its initial publication, it soon became a powerful cultural force, inspiring not only philosophers but also artists, writers and musicians, and attracting a large popular audience of non-scholars. Perhaps equally importantly, Schopenhauer was one of the first European philosophers to take non-Western thought seriously and to treat it as a living tradition rather than as a mere object of study. This volume of new essays showcases the enormous variety of contemporary scholarship on this monumental text, as well as its enduring relevance.
First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This new translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.
Friedrich Wilhelm Joseph Von Schelling (1775-1854) was a colleague of Hegel, Holderlin, Fichte, Goethe, Schlegel, and Schiller. Always a champion of Romanticism, Schelling advocated a philosophy which emphasized intuition over reason, which maintained aesthetics and the creative imagination to be of the highest value. At the same time, Schellings concerns for the self and the rational make him a major precursor to existentialism and phenomenology. The New Schelling brings together a wide-ranging set of essays which elaborate the connections between Schelling and other thinkers such as Marx, Nietzsche, Freud, Sartre, Deleuze, and Lacan and argue for the unexpected modernity of Schellings work. Contributors: Manfred Frank, Jrgen Habermas, Iain Hamilton Grant, Joseph Lawrence, Odo Marquand, Judith Norman, Alberto Toscano, Michael Vater, Alistair Welchman, Slavoj azek.
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