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The cult classic that defined a generation - first UK publication in 47 years

'An extraordinary novel ... women will like it and men should read it for the good of their immortal souls' Los Angeles Times

Sasha Davis has everything a girl in 1950s suburbia could want: beauty, intelligence and an all-star sports captain boyfriend. All she needs to succeed is to keep her skin clear and her intelligence hidden under her Prom Queen tiara.

But when she drops out of college to marry, Sasha soon realises her life has become a fearful countdown to her thirtieth birthday - the year when her beauty will have faded, and life as she knows it will end. As Sasha rebels against her fate, she finds herself experiencing an intellectual and sexual awakening that might be her only chance of outrunning the aging process.

First published in 1972, Alix Kates Shulman's landmark novel follows Sasha's coming of age through the sexual double standards, job discrimination and harassment of the 1950s and 60s. Five decades later, it remains a funny and heartbreaking story of a young woman in a man's world.

"The Little Locksmith," Katharine Butler Hathaway's luminous memoir of disability, faith, and transformation, is a critically acclaimed but largely forgotten literary classic brought back into print for the first time in thirty years. The Little Locksmith begins in 1895 when a specialist straps five-year-old Katharine, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her being a "hunchback." Her mother says that she should be thankful that her parents are able to have her cared for by a famous surgeon; otherwise, she would grow up to be like the "little locksmith," who does jobs at their home; he has a "strange, awful peak in his back." Forced to endure "a horizontal life of night and day," Katharine remains immobile until age fifteen, only to find that she, too, has a hunched back and is "no larger than a ten-year-old child." The Little Locksmith charts Katharine's struggle to transcend physical limitations and embrace her life, her body and herself in the face of debilitating bouts of frustration and shame. Her spirit and courage prevail, and she succeeds in expanding her world far beyond the boundaries prescribed by her family and society: she attends Radcliffe College, forms deep friendships, begins to write, and in 1921, purchases a house of her own in Castine, Maine. There she creates her home, room by room, fashioning it as a space for guests, lovers, and artists. "The Little Locksmith" stands as a testimony to Katharine's aspirations and desires-for independence, for love, and for the pursuit of her art.

"We tend to forget nowadays that there is more than one variety of hero (and heroine). Katharine Butler Hathaway, who died last Christmas Eve, was the kind of heroine whose deeds are rarely chronicled. They were not spectacular and no medal would have been appropriate for her. All she did was to take a life which fate had cast in the mold of a frightful tragedy and redesign it into a quiet, modest work of art. The life was her own.

"When Katharine Butler was five, she fell victim to spinal tuberculosis. For ten years she was strapped to a board (that means one hundred and twenty months, an infinity of days and hours and minutes)

One day it happens: the dreaded event that will change your life forever. For Alix Kates Shulman, it happened in a remote seaside cabin on a coastal Maine island--where the very isolation that makes for a perfect artist's retreat can also put life at risk. Shulman woke to find that her beloved husband had fallen the nine feet from their sleeping loft and was lying on the floor below, deathly still. Though Scott would survive, he suffered an injury that left him seriously brain impaired. He was the same--but not the same.
In this elegant memoir, Shulman describes the ongoing anxieties and risks--and surprising rewards--she experiences as she reorganizes her world to care for her husband and discovers that what might have seemed a life sentence to some has evolved into something unexpectedly rich.

At fifty, Alix Kates Shulman left a city life dense with political activism, family, and literary community, and went to stay alone in a small cabin on an island off the Maine coast. Living without plumbing, electricity, or a telephone, she discovered in herself a new independence and a growing sense of oneness with the world that redefined her notions of waste, time, necessity, and pleasure. With wit, lyricism, and fearless honesty, Shulman describes a quest that speaks to us all: to build a new life of creativity and spirituality, self-reliance and self-fulfillment.

A provocative collection of essays by one of the foremost thinkers of second-wave feminism
In a career spanning four decades, Alix Kates Shulman has written on issues ranging from marriage, sex, and divorce to religious identity, age, and family devotion. Throughout her diverse body of work runs a staunch advocacy of equal rights and social justice. Beginning with her provocative essay "A Marriage Agreement," written in 1969, and continuing through to the heartrending "Caring for an Ill Spouse, and Other Caregivers," written in 2011, this collection provides a window into the social movements that defined an era.
Witty, stirring, and poignant, "A Marriage Agreement and Other Essays" illustrates how each generation, in Shulman's words, "can do no more than add its bit to the endless river of consciousness and change."