Fourteen years after it was first published, the 2021 edition of The Red Goddess has been freshly typeset and is introduced with a preface by Alkistis Dimech. The Red Goddess is an ecstatic journey through the unheard history of Babalon, the goddess of Revelation, an explicit and challenging vision of a very modern goddess coming into power. From the Revelation of St John the Divine, back through the Ishtar Gate and forward into a living modern magical current. This is more than a history, it is a passionate account of living magic and the transcendent power of Love. The epic sweep of the text takes us from Babylon to Jerusalem to Rome, and onwards to Apocalypse. It confronts us with the language and symbols of our own culture and the denied demonic feminine. It looks at the angelic work of John Dee and places it in a European eschatology. It delivers a devastating exegesis on the excesses of Aleister Crowley, and unlocks the secrets of 'Waratah Blossoms.' It explains the immolation of the Californian antichrist-superstar Jack Parsons and his relationship with Scientology founder L. Ron Hubbard. There is also a full supporting cast of Solomon, Simon Magus, St John the Divine, Earl Bothwell, the Templars, Mary, the Magdalene and countless others. This is the missing history of the love goddess in the West. Thirteen essays conclude the book on subjects including: roses, mirror magick, bdsm, aphrodisiac drugs, the information age, love and lust, and the meaning of apocalypse. The Red Goddess is for anyone with blood in their veins, regardless of tradition, background or experience.

Exu and the Quimbanda of Night and Fire is the companion to Pomba Gira. Together they give the most complete account of this sorcerous cult. Exu is the fusion of Umbanda, Angolan sorcery, European demonology and Kardec's Spiritsm, erupting in a uniquely Brazilian cult of practical magical action. Spells, workings, hierarchies and origins are all given in detail. This is an essential text for students of the grimoires, Satanism and Traditional Witchcraft, as well as those drawn to or working within the cults of Quimbanda, Candomble, Santeria, Palo Mayombe and the African diaspora religions. Quimbanda is a living tradition that gets results. It is a massive storehouse of magical lore, heresies and history which has absorbed aspects of Goetia, Grimorium Verum, Red Dragon and even Huysman's La Bas. The origin of Exu is explored from the iconic Baphomet of Eliphas Levi and the influence of St Cyprian, the patron saint of necromancers, back to Umbanda and the traditional African religions. Exu revels in a unique heritage that encompasses a Gnostic account of the crucifixion mystery, the concealed nature of St Michael Archangel and the native shamanism of the Caboclos. A forceful spirit, Exu presides over the kingdom of the world, and offers a fierce path for those that would take him as companion. The Seven Legions of Exus are 'hot' spirits, and their work is considered black magic. The perils of this work are given, with the dangers of obsession by the Qlippoth and vampirism described. Guidance is offered and the path to ascension shown. In Exu and the Quimbanda of Night and Fire Frisvold gives explicit workings for good and ill, a herbarium and details of offerings, powders and baths, songs and seals. He discusses the fearsome Exu Mor for the first time, a subject not treated in his previous works. Frisvold is an intiate and gives an insider's view, drawing upon his years of experience in the cult. With access to texts, manuscripts and personal testimony this is the most definitive work on Exu available in English.