On the occasion of the bicentenary of Edward Bulwer Lytton's birth, seventeen scholars from five countries have contributed essays devoted to many aspects of his career. After the first essay that analyzes the reasons for Bulwer's extraordinary reputation in his own day, twelve of the essays focus primarily upon one or more of the novels, from Falkland (1827) to Kenelm Chillingly (1873). Other novels examined include Bulwer's The Last Days of Pompeii, The Coming Race, The Parisians, and the Caxton trilogy, as well as his Newgate novels. In the volume are also considerations of the seminal treatise England and the English (1833), the incomplete history of Athens (1837), and the achievement of Bulwer Lytton as Colonial Secretary (1858-59). Two essays, one written by a descendant of Bulwer, deal with the overshadowing disaster of his life, the marriage to Rosina Wheeler, herself a novelist whose novels sought to undermine his. Bulwer emerges from this collection of essays as a challengingly complex but coherent figure that merits the respect of contemporary students of the Victorian phenomenon.

This intriguing book examines the ways contagion - or disease - inform and shape a wide variety of nineteenth century texts and contexts.

Christiensen dissects the cultural assumptions concerning disease, health, impurity and so on before exploring different perspectives on key themes such as plague, nursing and the hospital environment and focusing on certain key texts including Dicken's Bleak House, Gaskell's Ruth, and Zola's Le Docteur Pascal.

This intriguing book examines the ways contagion - or disease - inform and shape a wide variety of nineteenth century texts and contexts. Christensen dissects the cultural assumptions concerning disease, health, impurity and so on before exploring different perspectives on key themes such as plague, nursing and the hospital environment and focusing on certain key texts including Dickens's Bleak House, Gaskell's Ruth, and Zola's Le Docteur Pascal.

Two centuries after his birth in October 1795, John Keats occupies a secure place in the canon of great literature of the western world. But for much of the nineteenth century and even during periods of the twentieth century, his right to such a position was not so firmly established. On the bicentenary of Keats's birth, various Italian scholars, along with specialists from English-speaking countries, decided to take advantage of the occasion not only to render homage to a poet whose greatness now seems unchallenged but also to accept his continuing challenge to his readers. The contributors to this volume re-examine some of the harshest criticisms of Keats, from Byron onwards, and some of the unconditional exaltations of the poet in order to discover possible sites between the two for new critical impulses and fertile re-evaluations of his achievement. Under five headings - Romantic Truth, Textual Readings, History and Myth, Keats and Other Poets and Painting and Music - the essays in this book appraise the historical-cultural contexts that nurtured Keats's creativity; discuss the influences and interrelationships among Keats and other poets; and consider Keats's artistry as revealed in the analyses of particular texts.