Joseph Conrad: Contemporary Reviews (five volumes) is an indispensable resource for Conrad specialists and students of literary Modernism generally, aiming to provide as complete a view as possible of the contemporary reception of Joseph Conrad's works in the English-speaking world. These volumes offer insights into early twentieth-century reviewing practices, the marketing of literary fiction and the wide interest in such writing, as reviews of Conrad's work regularly appeared in provincial and colonial newspapers. Contemporary Reviews Volume 5 offers previously unavailable reviews spanning Conrad's career, from Almayer's Folly (1895) to Last Essays (1926). The nearly one thousand reviews collected here chart the consolidation of Conrad's reputation as a major English author, recording his impact upon late-Victorian literature and demonstrating how he helped shape literary Modernism. Articulating areas of critical interest that continue to attract readers and commentators today, the Contemporary Reviews confirm Conrad's growing stature in the colonial literary marketplace.

The five stories brought together in Tales of Unrest (1898) mark a turning point in the writer's career. Conrad's first short story collection evidences a writer firmly in control of his new craft staking a claim to diverse cultural and fictional territories. The introduction situates the writing of these stories in Conrad's career and discusses their sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places, and indicate influences. Two maps and six illustrations enrich the explanatory matter. The essay on the text lays out the history of the work's composition and publication, details interventions by Conrad's typists, compositors and editors, and explains editorial policy. This edition, established through modern textual scholarship, presents Conrad's stories and his preface to the collection in forms more authoritative than any so far printed.

Joseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad's fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels. First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad's fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.

'I asked myself what I was doing there, with a sensation of panic in my heart as though I had blundered into a place of cruel and absurd mysteries not fit for a human being to behold'. Charles Marlow's dark intuition here arrives at the culmination of his physical and psychological quest in search of the infamous ivory-trader Kurtz in Joseph Conrad's most famous short story, Heart of Darkness. Ambiguously drawn to the powerful 'voice' of this autocratic European who has become a self-proclaimed ruler in an African colony, Marlow is increasingly embroiled in Kurtz's life and death: he is finally forced into a radical questioning, not only of his own assumptions, but also of the civilized and imperial pretensions of Western Europe. Offering a freshly-researched text based on the writer's original documents, this edition presents a classic of early modernist fiction in a version that, for the first time, recovers Conrad's preferred wordings, punctuation and narrative structure.

Charting a homeward-bound voyage from Bombay to London aboard a sailing ship, The Nigger of the 'Narcissus' (1897) captured the late-Victorian era's maritime obsession and identified the strikingly original talent of Joseph Conrad (1857-1924) as a sea writer in what has proved to be a landmark of sea literature. The Introduction situates the novel in Conrad's career and traces its origins and reception. Explanatory notes illuminate literary and historical references, identify real-life places and indicate Conrad's sources and influences. The essay on the text and the apparatus lay out the history of the work's composition and publication, and detail interventions by Conrad's typists, compositors and editors. Also included are notes explaining literary and historical references, a glossary of nautical terms, illustrations, including maps and pictures of early drafts, and appendixes. This edition of The Nigger of the 'Narcissus' presents the novel and its preface in forms more authoritative than any so far printed, and restores a text that has circulated in defective forms since its original publication.

Joseph Conrad's Polish background, his extensive travels and his detached view of his adopted country, Britain, gave him a perspective unique among English writers of the twentieth century. Combining Continental and British influences, Victorian and Modernist styles, he was an artist acutely responsive to his age, whose works reflect and chronicle its shaping forces. This volume examines the biographical, historical, cultural and political contexts that fashioned his works. Written by a specialist, each short chapter covers a specific theme in relation to Conrad's life and work: letters, Modernism, the sea, the Polish and French languages, the First World War, and many other topics. This book will appeal to scholars as well as to those beginning their study of this extraordinary writer. It shows how this combination of different contexts allowed Conrad to become a key transitional figure in the early emergence of British literary modernism.

Joseph Conrad's Polish background, his extensive travels and his detached view of his adopted country, Britain, gave him a perspective unique among English writers of the twentieth century. Combining Continental and British influences, Victorian and Modernist styles, he was an artist acutely responsive to his age, whose works reflect and chronicle its shaping forces. This volume examines the biographical, historical, cultural and political contexts that fashioned his works. Written by a specialist, each short chapter covers a specific theme in relation to Conrad's life and work: letters, Modernism, the sea, the Polish and French languages, the First World War, and many other topics. This book will appeal to scholars as well as to those beginning their study of this extraordinary writer. It shows how this combination of different contexts allowed Conrad to become a key transitional figure in the early emergence of British literary modernism.