On the Geopragmatics of Anthropological Identification explores the discursive spaces of our speaking position, or what has routinely been referred to in the literature as the poetics and politics of writing culture. At issue here are its problematic underlying notions of cultural identity, authorial subjectivity and postcolonial critique. Contrary to the widespread assumption that cultural studies and the social sciences share a common discourse of culture and society, Allen Chun argues that 'modern' disciplinary practices and axioms have in fact produced inherently incompatible theories. Anthropology's ethical relativism has also created obstacles for a critical theory of culture and society.

This book began as a year-long ethnography of a school in Taiwan in 1991 then evolved more into a historical sociology of national formation and its cultural mindset.  Cultural nationalism is a widely debated but poorly understood process.  Contrary to prevailing perceptions, the Cold War may have given way to a more progressive open society, but the politicization of ethnicity hardened a more deeply entrenched cultural frame of mind.  Instead of liberating an indigenous reality, Taiwanese consciousness has ironically polarized the political dead ends of reunification and independence.  In the final analysis, the ethnography can serve as a paradigmatic case study for critical cultural studies. There are clear ramifications also for a comparative study of the cultural politics of other Chinese speaking or Asian societies and their histories.

Examining the cultural, political, economic, technological and institutional aspects of popular music throughout Asia, this book is the first comprehensive analysis of Asian popular music and its cultural industries. Concentrating on the development of popular culture in its local socio-political context, the volume highlights how local appropriations of the pop music genre play an active rather than reactive role in manipulating global cultural and capital flows. Broad in geographical sweep and rich in contemporary examples, this work will appeal to those interested in Asian popular culture from a variety of perspectives including, political economy, anthropology, communication studies, media studies and ethnomusicology.

The effects of globalization have led to accentuated social inequality in most first-world countries, above all the U.S. and U.K. International trade and capital flows have tended to redistribute income in ways that aggravate inequality in advanced industrialized nations where relative income levels of the salaried middle class and the working class are being eroded, resulting in a downward mobility of these classes. At the same time, unwaged forms of labor, including forced labor and slavery, in poorer regions more and more replace wage labor in developed countries. Informed by an anthropological, humanistic perspective, the contributors in this provocative volume offer critical analyses and alternative visions.

Unstructuring Chinese Society is a culmination of long term field work and archival research that challenges existing theories of social organisation and cultural change. The book makes new sense of historical contradictions, political conflicts and deep seated social transformations that have underlined the experience of colonial rule and the practices of local institutions in Hong Kong over the past century. By focusing on the ongoing interactions of discourse, practices and global-local relations in cultural terms, Unstructuring Chinese Society puts forth a fresh perspective in the field of historical anthropology, while addressing ongoing critical concerns in postcolonial theory and our understanding of tradition and modernity.

Examining the cultural, political, economic, technological and institutional aspects of popular music throughout Asia, this book is the first comprehensive analysis of Asian popular music and its cultural industries. Concentrating on the development of popular culture in its local socio-political context, the volume highlights how local appropriations of the pop music genre play an active rather than reactive role in manipulating global cultural and capital flows.
Unlike many studies on globalization which highlight functional disjunctures of 'cultural imperialism', "Refashioning Pop Music in Asia" stresses that it is the local context which imbues specific meanings for different audiences, in turn allowing a creative synthesis that makes pop music a unique channel through which cultural identity, political resistance, social expression and personal desire can be experienced. Popular musical expression in Asia-its meaning and its practice-cannot be reduced to the State, market, tradition or to a simple appropriation of Western forms, rather, it is at the juncture of the local and global that an aesthetic refashioning of traditional and pop music genres emerge.
Broad in geographical sweep and rich in contemporary examples, this work will appeal to those interested in Asian popular culture from a variety of perspectives including, political economy, anthropology, communication studies, media studies and ethnomusicology.

Contents:
Tables Preface Maps Introduction: The Field of History in the Field 1. Earthbound Anthropologies in 'Structure' of Chinese Society 2. The Changing Meaning of Colonial Policy on Land in the New Territories of Hong Kong 3. The Changing Meaning of Land in Colonial Hong Kong 4. The Meaning of Tradition in a Progressive Society 5. Culture's Colonialism: The Future of Method Bibliography Appendix Index