In 1980, Michel Foucault's work makes two decisive turns. On the one hand, as announced at the start of his course at the College de France for that year, Le Gouvernement des vivants, his topic will be the modalities through which power constitutes itself in relation to truth. On the other, the texts on which he will concentrate will no longer be those of the early modern period. Rather, he begins with one by Dio Cassius on the emperor Septimius Severus and then proceeds to spend the next two sessions offering a reading of Oedipus Tyrannus. He will concentrate on works from antiquity for the rest of his life. This book will offer the first detailed account of these lectures, examining both the development of their philosophical argument and the ancient texts on which that argument is based. This is the period during which Foucault also began work on Volumes 2 and 3 of the History of Sexuality. Yet, while there are clear overlaps between the work he was presenting in his course and the last books he published before his death, nonetheless the seminars are anything but rough drafts for the published work. Instead they offer a sustained encounter with the texts of the classical and early Christian era while seeking to trace a genealogy of the western subject as a speaker of truth.

This text provides higher education teachers with an overview of the many approaches to setting, marking and reviewing coursework, assignments, tests and examinations used in programmes for certificates, diplomas, first degrees or higher degrees. It discusses the influence of each on students.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

Perhaps no classical writer has been so consistently in vogue as Horace. Famous in his own lifetime as a close associate of the Emperor Octavian, to whom he dedicated several odes, Quintus Horatius Flaccus (65-8 BC) has never really been out of fashion. Petrarch, for example, modelled his letters on Horace's innovative Epistles, while also borrowing from his Roman forebear in composing his own Italian sonnets. The echo of Horace's voice can be found in almost every genre of medieval literature. And in later periods, this influence and popularity if anything increased. Yet, as Paul Allen Miller shows, while Horace may justifiably be called the poet for all seasons he is also in the end an enigma. His elusive, ironic contrariness is perhaps the true secret of his success. A cultured man of letters, he fought on the losing side of the Battle of Philippi (42 BC). A staunch Republican, he ended up eagerly (some said too eagerly) promoting the cause of Julio-Claudian imperialism. Viewed as the acme of Roman literary civilization, he was shaped by his Athens education at Plato's famous Academy. This new introduction reveals Horace in all his paradoxical genius and complexity.

This indispensable volume provides a complete course on Latin erotic elegy, allowing students to trace a coherent narrative of the genre's rise and fall, and to understand its relationship to the changes that marked the collapse of the Roman republic, and the founding of the empire.
The book begins with a detailed and wide-ranging introduction, looking at major figures, the evolution of the form, and the Roman context, with particular focus on the changing relations between the sexes. The texts that follow range from the earliest manifestations of erotic elegy, in Catullus, through Tibullus, Sulpicia (Rome's only female elegist), Propertius and Ovid.
An accessible commentary explores the historical background, issues of language and style, and the relation of each piece to its author's larger body of work. The volume closes with an anthology of critical essays representative of the main trends in scholarship; these both illuminate the genre's most salient features and help the student understand its modern reception.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

"Lyric Texts and Lyric Consciousness" presents a model for studying the history of lyric as a genre. Paul Allen Miller draws a distinction between the work of the Greek lyricists and the more condensed, personal poetry that we associate with lyric. He then confronts the theoretical issues and presents a sophisticated, Bakhtinian reading of the development of the lyric form from its origins in archaic Greece to the more individualist style of Augustan Rome.
The book examines different forms of poetic subjectivity projected by ancient authors--Archilochus, Sappho, Catullus and Horace--through a close reading of both their texts and contexts. Miller argues that what is considered lyric--a short personal poem which reveals a reflexive subjective consciousness--is only possible in a culture of writing. It is the lyric collection which creates literary consciousness as we know it. This consciousness also requires a social structure where individuals can speak in their own names, not merely in that of their state or class.

Lyric Texts and Lyric Consciousness presents a model for studying the history of lyric as a genre. Prof Miller draws a distinction between the work of the Greek lyrists and the more condensed, personal poetry that we associate with lyric. He then confronts the theoretical issues and presents a sophisticated, Bakhtinian reading of the development of the lyric form from its origins in archaic Greece to the more individualist style of Augustan Rome. This book will appeal to classicists and, since English translations of passages from the ancient authors are provided, to those who specialise in comparative literature.

A wide variety of texts by the Latin satirists are presented here in a fully loaded resource to provide an innovative reading of satire's relation to Roman ideology.

Brimming with notes, commentaries, essays and texts in translation, this book succeeds in its mission to help the student understand the history of Latin's modern scholarly reception.
Focusing on the linguistic difficulties and problems of usage, and examining aspects of meter and style necessary for poetry appreciation, the commentary places each selection in its own historical context then using essays and critical excerpt, the genre's most salient features are elucidated to provide a further understanding of its place in history.
Extremely student friendly, this stands well both as a companion to Latin Erotic Elegy and in its own right as an invaluable fund of knowledge for any Latin literature scholar.

This indispensable volume provides a complete course on Latin erotic elegy, allowing students to trace a coherent narrative of the genre's rise and fall, and to understand its relationship to the changes that marked the collapse of the Roman republic, and the founding of the empire.
The book begins with a detailed and wide-ranging introduction, looking at major figures, the evolution of the form, and the Roman context, with particular focus on the changing relations between the sexes. The texts that follow range from the earliest manifestations of erotic elegy, in Catullus, through Tibullus, Sulpicia (Rome's only female elegist), Propertius and Ovid.
An accessible commentary explores the historical background, issues of language and style, and the relation of each piece to its author's larger body of work. The volume closes with an anthology of critical essays representative of the main trends in scholarship; these both illuminate the genre's most salient features and help the student understand its modern reception.

A wide variety of texts by the Latin satirists are presented here in a fully loaded resource to provide an innovative reading of satire's relation to Roman ideology.

Brimming with notes, commentaries, essays and texts in translation, this book succeeds in its mission to help the student understand the history of Latin's modern scholarly reception.
Focusing on the linguistic difficulties and problems of usage, and examining aspects of meter and style necessary for poetry appreciation, the commentary places each selection in its own historical context then using essays and critical excerpt, the genre's most salient features are elucidated to provide a further understanding of its place in history.
Extremely student friendly, this stands well both as a companion to Latin Erotic Elegy and in its own right as an invaluable fund of knowledge for any Latin literature scholar.

The forty papers collected here honor one of the great scientists of our time--John Archibald Wheeler. In this volume are gathered the six issues of the journal Foundations of Physics (February through July 1986) that celebrate his seventy-fifth birthday. Enlivened by Professor Wheeler's celebrated drawings, the book captures and illuminates his many contributions to physics, including his discovery of the scattering matrix and his elucidation, with Niels Bohr, of the mechanism of nuclear fission, his many contributions to Einstein's theory of gravity (for instance, the black hole), his deep insights into quantum theory and measurement (the elementary quantum phenomenon), and his efforts to explain the origins of the quantum postulate and quantum gravity (the meaning circuit and the Wheeler-DeWitt Equation). The majority of the papers reflect and build on Professor Wheeler's revolutionary ideas. Many scientists are convinced that his insights into the foundation of modern-day physics will induce a profound change in our perception of the universe. This book will appeal to scientists and philosophers who wish to look at one man's rendering of the "big picture" through the eyes of his colleagues. The work is prefaced by a compilation of quotes from Professor Wheeler, edited by Kip S. Thorne and Wojciech Zurek. The contributors to Between Quantum and Cosmos are M. Alexander, A. Anderson, H. H. Barschall, J. D. Bekenstein, C. H. Bennett, P. G. Bergmann, V. B. Braginsky, D. R. Brill, L. Brown, I. Ciufolini, L. Cohen, M. Demianski, D. Deutsch, B. DeWitt, C. DeWitt-Morette, R. H. Dicke, B. d'Espagnat, R. P. Feynman, J. Geheniau, U. H. Gerlach, R. Geroch, J. Glimm, J. B. Hartle, F. W. Hehl, M. Henneaux, P. A. Hogan, S. Hojman, J. Isenberg, F. Ya. Khalili, A. Kheyfets, K. V. Kuchar, R. Landauer, S. G. Low, V. N. Lukash, B. Mashhoon, R. A. Matzner, J. D. McCrea, A. Mezzacappa, W. A. Miller, Y. Ne'eman, I. D. Novikov, A. Peres, I. Prigogine, I. Robinson, L. S. Schulman, M. O. Scully, D. H. Sharp, L. C. Shepley, A. Y. Shiekh, C. Teitelboim, E. Teller, K. S. Thorne, W. G. Unruh, R. M. Wald, L. Wilets, W. K. Wootters, J. W. York, Jr., and W. H. Zurek. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this collection of provocative essays, historians and literary theorists assess the influence of Michel Foucault, particularly his "History of Sexuality," on the study of classics. Foucault's famous work presents a bold theory of sexuality for both ancient and modern times, and yet until now it has remained under-explored and insufficiently analyzed. By bringing together the historical knowledge, philological skills, and theoretical perspectives of a wide range of scholars, this collection enables the reader to explore Foucault's model of Greek culture and see how well his interpretation accounts for the full range of evidence from Greece and Rome. Not only do the essays bring to light the assumptions, ideas, and practices that constituted the intimate lives of men and women in the ancient Mediterranean world, but they also demonstrate the importance of the" History of Sexuality" for fields as diverse as Greco-Roman antiquity, women's history, cultural studies, philosophy, and modern sexuality.

The essays include "Situating "The History of Sexuality"" (the editors), "Taking the Sex Out of Sexuality: Foucault's Failed History" (Joel Black), ""Incipit Philosophia"" (Alain Vizier), "The Subject in Antiquity after Foucault" (Page duBois), "This Myth Which Is Not One: Construction of Discourse in Plato's "Symposium"" (Jeffrey S. Carnes), "Foucault's "History of Sexuality" A Useful Theory for Women?" (Amy Richlin), "Catullan Consciousness, the 'Care of the Self, ' and the Force of the Negative in History" (Paul Allen Miller), "Reversals of Platonic Love in Petronius' "Satyricon"" (Daniel B. McGlathery), and an essay from "Dislocating Masculinity" (Lin Foxhall).

The forty papers collected here honor one of the great scientists of our time--John Archibald Wheeler. In this volume are gathered the six issues of the journal Foundations of Physics (February through July 1986) that celebrate his seventy-fifth birthday. Enlivened by Professor Wheeler's celebrated drawings, the book captures and illuminates his many contributions to physics, including his discovery of the scattering matrix and his elucidation, with Niels Bohr, of the mechanism of nuclear fission, his many contributions to Einstein's theory of gravity (for instance, the black hole), his deep insights into quantum theory and measurement (the elementary quantum phenomenon), and his efforts to explain the origins of the quantum postulate and quantum gravity (the meaning circuit and the Wheeler-DeWitt Equation). The majority of the papers reflect and build on Professor Wheeler's revolutionary ideas. Many scientists are convinced that his insights into the foundation of modern-day physics will induce a profound change in our perception of the universe. This book will appeal to scientists and philosophers who wish to look at one man's rendering of the "big picture" through the eyes of his colleagues. The work is prefaced by a compilation of quotes from Professor Wheeler, edited by Kip S. Thorne and Wojciech Zurek. The contributors to Between Quantum and Cosmos are M. Alexander, A. Anderson, H. H. Barschall, J. D. Bekenstein, C. H. Bennett, P. G. Bergmann, V. B. Braginsky, D. R. Brill, L. Brown, I. Ciufolini, L. Cohen, M. Demianski, D. Deutsch, B. DeWitt, C. DeWitt-Morette, R. H. Dicke, B. d'Espagnat, R. P. Feynman, J. Geheniau, U. H. Gerlach, R. Geroch, J. Glimm, J. B. Hartle, F. W. Hehl, M. Henneaux, P. A. Hogan, S. Hojman, J. Isenberg, F. Ya. Khalili, A. Kheyfets, K. V. Kuchar, R. Landauer, S. G. Low, V. N. Lukash, B. Mashhoon, R. A. Matzner, J. D. McCrea, A. Mezzacappa, W. A. Miller, Y. Ne'eman, I. D. Novikov, A. Peres, I. Prigogine, I. Robinson, L. S. Schulman, M. O. Scully, D. H. Sharp, L. C. Shepley, A. Y. Shiekh, C. Teitelboim, E. Teller, K. S. Thorne, W. G. Unruh, R. M. Wald, L. Wilets, W. K. Wootters, J. W. York, Jr., and W. H. Zurek. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Diotima at the Barricades argues that the debates that emerged from the burgeoning of feminist intellectual life in post-modern France involved complex, structured, and reciprocal exchanges on the interpretation and position of Plato and other ancient texts in the western philosophical and literary tradition. Paul Allen Miller shows how individual works of Anglo-American figures such as Toril Moi, Judith Butler, and Kaja Silverman, as well as movements such as queer theory, are rooted in feminist theoretical debates that began in the sixties in France and have continued right up to the present day. Miller demonstrates that French philosophy as represented by writers as diverse as Julia Kristeva, Helene Cixous, Sarah Kofman, Jacques Lacan, Jacques Derrida, and Luce Irigaray have had a profound influence on literary, theoretical, and cultural studies in the Anglo-American world. He reveals that in order to understand the intellectual substructure of much of later Anglo-American critical theory, it is crucial to examine the development of post-modern French feminist thought in relation to its dialogue with antiquity. In modern feminism and post-structuralism, the ancient world, and Plato in particular, truly function as our theoretical unconscious.

Perhaps no classical writer has been so consistently in vogue as Horace. Famous in his own lifetime as a close associate of the Emperor Octavian, to whom he dedicated several odes, Quintus Horatius Flaccus (65-8 BC) has never really been out of fashion. Petrarch, for example, modelled his letters on Horace's innovative Epistles, while also borrowing from his Roman forebear in composing his own Italian sonnets. The echo of Horace's voice can be found in almost every genre of medieval literature. And in later periods, this influence and popularity if anything increased. Yet, as Paul Allen Miller shows, while Horace may justifiably be called the poet for all seasons he is also in the end an enigma. His elusive, ironic contrariness is perhaps the true secret of his success. A cultured man of letters, he fought on the losing side of the Battle of Philippi (42 BC). A staunch Republican, he ended up eagerly (some said too eagerly) promoting the cause of Julio-Claudian imperialism. Viewed as the acme of Roman literary civilization, he was shaped by his Athens education at Plato's famous Academy. This new introduction reveals Horace in all his paradoxical genius and complexity.