A tale of modern Japan and old-fashioned romance. 'Enchanting, moving and funny in equal measure, this compelling love story is expertly crafted against a backdrop of modern Japanese culture' Stylist Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love. Strange Weather in Tokyo is perfectly constructed, warmly funny and deeply moving. This edition contains the bonus story, 'Parade', which imagines an ordinary day in the lives of this unusual couple. 'A dream-like spell of a novel, full of humour, sadness, warmth and tremendous subtlety. I read this in one sitting and I think it will haunt me for a long time' Amy Sackville 'Kawakami transforms an affecting cross-generational romance into an exquisite poem of time and mutability.... Delicate and haunting' Independent

Among the jumble of paperweights, plates, typewriters and general bric-a-brac in Mr Nakano's thrift store, there are treasures to be found. Each piece carries its own story of love and loss - or so it seems to Hitomi, when she takes a job there working behind the till. Nor are her fellow employees any less curious or weatherworn than the items they sell. There's the store's owner, Mr Nakano, an enigmatic ladies' man with several ex-wives; Sakiko, his sensuous, unreadable lover; his sister, Masayo, an artist whose free-spirited creations mask hidden sorrows. And finally there's Hitomi's fellow employee, Takeo, whose abrupt and taciturn manner Hitomi finds, to her consternation, increasingly disarming. A beguiling story of love found amid odds and ends, The Nakano Thrift Shop is a heart-warming and utterly charming novel from one of Japan's most celebrated contemporary novelists.

Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love. Perfectly constructed, funny, and moving, Strange Weather in Tokyo is a tale of modern Japan and old-fashioned romance. This edition contains the bonus story, 'Parade', which imagines an ordinary day in the lives of this unusual couple.

The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age. Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet of: as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many—not always flattering—parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall…

Who loves Mr Nishino?

Minami is the daughter of Mr Nishino's true love.
Bereaved Shiori is tempted by his unscrupulous advances.
His colleague Manami should know better.
His conquest Reiko treasures her independence above all else.
Friends Tama and Subaru find themselves playing Nishino's game, but Eriko loves her cat more.
Sayuri is older, Aichan is much younger, and Misono has her own conquests to make.

For each of them, an encounter with elusive womaniser Mr Nishino will bring torments, desires and delights.

This is a superb new translation of the story that propelled one of 20th century Japan's most acclaimed writers into the spotlight. "Schoolgirl" is the novella that first established Dazai as a member of Japan's literary elite. Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent social structures of a lost time, as well as the struggle of the individual against them - a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the reader a new window into the mind of one of the greatest Japanese authors of the 20th century.

"A parable about memory, mythic characters, and confessional regrets . . . An ethereal, resonating literary gift" (Booklist, starred review) from the internationally bestselling author of Strange Weather in Tokyo. "On a summer afternoon, Tsukiko and her former high school teacher have prepared and eaten somen noodles together. "Tell me a story from long ago," Sensei says. "I wasn't alive long ago," Tsukiko says, "but should I tell you a story from when I was little?" "Please do," Sensei replies, and so Tsukiko tells him that, when she was a child, she awakened one day to find something with a pale red face and something with a dark red face in her room, arguing with each other. They had human bodies, long noses, and wings. They were tengu, creatures that appear in Japanese folktales. The tengu attach themselves to Tsukiko and begin to follow her everywhere. Where did they come from and why are they here? And what other invisible and unacknowledged forces are acting upon Tsukiko's seemingly peaceful world?"

*THE JAPANESE CRIME CLASSIC - ONE MILLION COPIES SOLD* 'One of the great masterpieces of Japanese crime fiction and one of the must-read books of this or any year' David Peace Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his ethnicity; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who died in suspicious circumstances. Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan's largest beer conglomerate and extract blood money from the company's corrupt financiers. Inspired by the unsolved true-crime kidnapping case perpetrated by "the Monster with 21 Faces," Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan's literary masters. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police 'Takamura's prismatic heist novel offers a broad indictment of capitalist society' New York Times 'Lady Joker is a work you get immersed in, like a sprawling 19th century novel or a TV series like The Wire' NPR

'One of the great masterpieces of Japanese crime fiction' David Peace, author of Tokyo Year Zero One of Japan's great modern writers, this second half of Lady Joker brings Kaoru Takamura's breathtaking masterpiece to a gripping conclusion. Five men who meet at a Tokyo racetrack every week carry out a heist. They have kidnapped the CEO of Japan's largest beer company to extract blood money from the company's corrupt financiers. Known as Lady Joker, the men make their first attack on the beer company when their demands are not met. As the attacks escalate, the shady networks linking corporations to syndicates are exposed, the stakes rise, and bring into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. Some will lose everything, even their lives. Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines this watershed episode in modern Japanese history. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police

Shortlisted for the 2013 Man Asian Literary Prize, Strange Weather in Tokyo is a story of loneliness and love that defies age. Tsukiko, thirty-eight, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei," in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is thirty years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy which tilts awkwardly and poignantly into love. As Tsukiko and Sensei grow to know and love one another, time's passing is marked by Kawakami's gentle hints at the changing seasons: from warm sake to chilled beer, from the buds on the trees to the blooming of the cherry blossoms. Strange Weather in Tokyo is a moving, funny, and immersive tale of modern Japan and old-fashioned romance.

'One of the great masterpieces of Japanese crime fiction' David Peace, author of Tokyo Year Zero One of Japan's great modern writers, this second half of Lady Joker brings Kaoru Takamura's breathtaking masterpiece to a gripping conclusion. Five men who meet at a Tokyo racetrack every week carry out a heist. They have kidnapped the CEO of Japan's largest beer company to extract blood money from the company's corrupt financiers. Known as Lady Joker, the men make their first attack on the beer company when their demands are not met. As the attacks escalate, the shady networks linking corporations to syndicates are exposed, the stakes rise, and bring into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. Some will lose everything, even their lives. Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines this watershed episode in modern Japanese history. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police

*THE JAPANESE CRIME CLASSIC - ONE MILLION COPIES SOLD* 'One of the great masterpieces of Japanese crime fiction and one of the must-read books of this or any year' David Peace Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his ethnicity; a struggling single dad of a teenage girl with Down's syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who has died in suspicious circumstances. Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan's largest beer conglomerate and extract blood money from the company's corrupt financiers. Inspired by the unsolved true-crime kidnapping case perpetrated by "the Monster with 21 Faces," Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan's literary masters, twice adapted for film and TV and often taught in high school and college classrooms. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police 'Takamura's prismatic heist novel offers a broad indictment of capitalist society' New York Times 'Lady Joker is a work you get immersed in, like a sprawling 19th century novel or a TV series like The Wire' NPR

'One of the great masterpieces of Japanese crime fiction' David Peace, author of Tokyo Year Zero One of Japan's great modern writers, this second half of Lady Joker brings Kaoru Takamura's breathtaking masterpiece to a gripping conclusion. Five men who meet at a Tokyo racetrack every week carry out a heist. They have kidnapped the CEO of Japan's largest beer company to extract blood money from the company's corrupt financiers. Known as Lady Joker, the men make their first attack on the beer company when their demands are not met. As the attacks escalate, the shady networks linking corporations to syndicates are exposed, the stakes rise, and bring into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. Some will lose everything, even their lives. Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines this watershed episode in modern Japanese history. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police