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With more than 100 works representing four decades, this is the
definitive monograph on abstract sculptor Mel Kendrick, who first
emerged in 1970s New York, where he studied with legends Tony Smith
and Robert Morris. At a time when Minimal and Conceptual art
dominated, Kendrick forged his own path, embarking on a career-long
series of provocative investigations into the fundamentals and
possibilities of sculpture, his restless experimentations with
form, scale, and materiality realized in wood, rubber, cast paper,
or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer,
Terrie Sultan, and Adam D. Weinberg, and a conversation between
Kendrick and fellow artist Carroll Dunham provide fascinating
perspective on forty years of art making in the aftermath of
Minimalism.
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