A History of Portuguese Economic Thought offers the first account in English of the development of economic thought in Portugal. The authors adopt a comparative approach to analyse how economic doctrine, theories and policies have been disseminated and assimilated by Portuguese economists in different periods. They assess the influence on Portuguese economic thought of major economists such as Adam Smith, Keynes and Hayek.

This volume offers an account of the development of economic thought in Portugal. It covers the age of the Discoveries until the end of the first half of the 20th century. It also presents the main features of Portuguese economic literature and provides a summary of the theoretical and economic policy problems that have been identified and discussed by Portuguese economists over the last five centuries. The authors adopt a comparative approach to analyze how economic doctrine, theories and policies have been disseminated and assimilated by Portuguese authors in different periods. They assess the influence on Portuguese economic thought of major economists such as Adam Smith, Keynes and Hayek. The volume argues that national histories of economic thought are not only useful for the extra knowledge they provide but also for their contribution to the renewal of a valuable historiographic tradition which explores marginalised historical and intellectual discourses.

This books provides a compendium of electrospinning strategies and related technologies for the production of biomaterials for tissue engineering and regenerative medicine applications. It gives a broad overview of the field as well as cutting-edge research on electrospinning and how it is applied to engineer biomaterials. This is an ideal book for biomaterials scientists, engineers, students, and researchers. This book also: Presents cutting-edge research performed in the area of electrospinning with applications in tissue engineering and regenerative medicine Provides readers from the biomaterials field as well as those new to the field with a broad overview of the multiple applications of electrospun biomaterials Summarizes the latest research from the past ten years on electrospinning and related technologies

This books provides a compendium of electrospinning strategies and related technologies for the production of biomaterials for tissue engineering and regenerative medicine applications. It gives a broad overview of the field as well as cutting-edge research on electrospinning and how it is applied to engineer biomaterials. This is an ideal book for biomaterials scientists, engineers, students, and researchers. This book also: Presents cutting-edge research performed in the area of electrospinning with applications in tissue engineering and regenerative medicine Provides readers from the biomaterials field as well as those new to the field with a broad overview of the multiple applications of electrospun biomaterials Summarizes the latest research from the past ten years on electrospinning and related technologies

First screened at the 2004 Cannes Film Festival, Pedro Almodóvar's powerful and passionate semi-autobiographical melodrama follows the intertwining stories of two boys, Enrique (Fele Martínez) and Ignacio (Gael García Bernal), who fall in love at an abusive Catholic school and are parted by a jealous paedophile priest. Sixteen years later, Enrique, now a successful filmmaker, is casting about for an idea for a new film when a young cross-dressing actor, claiming to be Ignacio but known as 'Angel', approaches him with a short story based on their schooldays together. Enrique decides to use the story, and casts Angel in the film's lead role, despite his discovery that Angel is not in fact Ignacio, who died three years earlier shortly after completing the story, but his younger brother. Enrique's film also includes scenes in which the grown-up Ignacio tracks down the Catholic priest who abused them as boys, and these scenes soon become mirrored by real-life events. Almodóvar moves away from his trademark quirky comedy with this dark and brooding drama, using a complex 'film-within-a-film' structure to create a noir-like sense of mystery and blurred identity, and to explore the relationship between fantasy and reality.

While Fernando Ortiz's contribution to our understanding of Cuba and Latin America more generally has been widely recognized since the 1940s, recently there has been renewed interest in this scholar and activist who made lasting contributions to a staggering array of fields. This book is the first work in English to reassess Ortiz's vast intellectual universe. Essays in this volume analyze and celebrate his contribution to scholarship in Cuban history, the social sciences notably anthropology and law, religion and national identity, literature, and music. Presenting Ortiz's seminal thinking, including his profoundly influential concept of 'transculturation', Cuban Counterpoints explores the bold new perspectives that he brought to bear on Cuban society. Much of his most challenging and provocative thinking which embraced simultaneity, conflict, inherent contradiction and hybridity has remarkable relevance for current debates about Latin America's complex and evolving societies."