'A masterful work of social history and cultural commentary, told with much wit. It almost makes you feel as if you were there' ROGER LEWIS, Mail on Sunday The 1970s. They were the best of times and the worst of times. Wealth inequality was at a record low, yet industrial strife was at a record high. These were the glory years of Doctor Who and glam rock, but the darkest days of the Northern Ireland conflict. Beset by strikes, inflation, power cuts and the rise of the far right, the cosy Britain of the post-war consensus was unravelling - in spectacularly lurid style. Fusing high politics and low culture, Crisis? What Crisis? presents a world in which Enoch Powell, Ted Heath and Tony Benn jostle for space with David Bowie, Hilda Ogden and Margo Leadbetter, and reveals why a country exhausted by decline eventually turned to Margaret Thatcher for salvation.

'A masterly mix of shrewd analysis, historical detail and telling quotes... Indispensable' Mail on Sunday 'Among a host of recent books on the 1980s, Turner's stands out as comfortably the most entertaining' Sunday Times When Margaret Thatcher became prime minister in 1979 she promised to bring harmony where once there had been discord. But Britain entered the 1980s bitterly divided over its future. At stake were the souls of the great population boom of the 1960s. Would they buy into the free-market, patriotic agenda of Thatcherism? Or the anti-racist, anti-sexist liberalism of the new left? From the miners' strike, the Falklands War and the spectre of AIDS, to Yes Minister, championship snooker and Boy George, Rejoice! Rejoice! steps back in time to relive the decade when the Iron Lady sought to remake Britain. What it discovers is a thoroughly foreign country.

Drawing on the collections of the V&A, Glam Rock narrates the story of glam and explores its impact on fashion, theatre and film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex and Mott the Hoople - together with American fellow-travellers including Lou Reed, Alice Cooper and Sparks - drew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret and Broadway musicals to science fiction and pop art. The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975 the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.

'Brilliant study of neo-Nazi anti-Semitism ... Gillian Freeman is among the finest contemporary novelists.' - Brigid Brophy, "New Statesman"
'Undoubtedly the best of her novels ... an exact and finely observed account of the lunatic right-wing fringe in Britain. I recommend this very strongly.' - "Oxford Mail"
'Gillian Freeman's perception of psychological and sociological drives is combined with an ability to communicate them in suspenseful entertainments.... The implications grip the imagination.' - "Kirkus Reviews"
'Horrifying reconstruction of how a new Hitler might arise.' - "Times Literary Supplement"
Vincent Wright is a failure. Now in his mid-thirties, he's stuck in a dead-end job as a bank clerk and still lives with his mother. But he knows who is to blame for the shortcomings in his life: blacks, Jews, and immigrants, who are responsible for most of what's wrong with Britain today. After meeting a retired army officer who shares his passion for collecting Nazi paraphernalia, Vincent has a brilliant idea: the nation needs a new leader to rescue it from its decline - why not him? As he travels the country, giving speeches and using his charisma and oratorical gifts to recruit like-minded followers to his new Britain First party, we watch in horror while Vincent begins his terrifying and seemingly inexorable rise to power....
With the recent surge in popularity of far-right political parties across Europe, Gillian Freeman's sixth novel, "The Leader" (1965), remains as chillingly relevant today as when first published. This edition, the first in more than 40 years, includes a new introduction by Alwyn W. Turner. Freeman's classics "The Liberty Man" (1955) and "The Leather Boys" (1961) are also available from Valancourt Books.