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Mar da de San Jos 9 Salazar (1548-1603) took the veil as a Discalced ("barefoot") Carmelite nun in 1571, becoming one of Teresa of Avila's most important collaborators in religious reform and serving as prioress of the Seville and Lisbon convents. Within the parameters of the strict Catholic Reformation in Spain, Mar da fiercely defended women's rights to define their own spiritual experience and to teach, inspire, and lead other women in reforming their church.
Mar da wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, Mar da demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, "Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.
A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.

Women's poetry of the Spanish early modern period. This collection of fourteen scholarly essays on women's poetry from Spain's early modern period shows that women did indeed have a Golden Age, and that they were significant cultural actors in the realms of poetic production. Thestudies of secular verse demonstrate how female poets of this period devised strategies to confront the dominant masculine poetic discourse, while the essays on sacred poetry explore the multiple manifestations of female piety andmysticism. The women's words are brought to life and modern readers helped to understand the socio-cultural, interpersonal, and aesthetic components of the poets' oeuvre. The volume, a companion to Julian Olivares' and ElizabethBoyce's revised anthology "Tras el espejo la musa escribe": Lirica femenina de los Siglos de Oro, constitutes an authoritative critical enterprise focused on the recuperation of the female literary voice, and marks an important step forward in the battle to include women's writing as part of Spain's literary canon. Contributors: Electa Arenal, Aranzazu Borrachero Mendibil, Anne J. Cruz, Adrienne L. Martin, Rosa Navarro Duran, Julian Olivares, Inmaculada Osuna, Amanda Powell, Elizabeth Rhodes, Stacey Schlau, Lia Schwartz, Alison Weber, Judith Whitenack. JULIAN OLIVARES is Professor of Spanish at the University of Houston and editor of Caliope, Journal ofthe Society for Renaissance and Baroque Hispanic Poetry.

" "The Answer"] is eloquent, sardonic, learned and, particularly in its autobiographical part, of great freshness."--"The Times Literary Supplement"

"One of the landmarks of Renaissance literature and . . . in the history of intellectual freedom. . . . This is essential reading."--Stephen Greenblatt, best-selling author and professor

"Recommended for informed readers."--"Library Journal"

Expanded to include fresh translations, an updated bibliography, and the letter that provoked the writing of "The Answer," this new edition of the bilingual, critical bestseller provides the most accurate translations of works by the iconic seventeenth-century Mexican nun Sor Juana Ines de la Cruz.

Madre Maria de San Jose (1656 - 1719) mystic, chronicler, and co-founder of an Augustinian convent inscribed her life story within the model of spiritual autobiography set by St. Augustine and Teresa of Avila, but at the same time included her individual story as a seventeenth-century woman of the landowning classes in New Spain. The resulting manuscript records in intimate detail her family life, convent surroundings, and social milieu; it introduces us to a combative and engaging person and gives us a rare and vivid glimpse of a complex society."