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LONGLISTED FOR THE WAINWRIGHT PRIZE FOR NATURE WRITING LONGLISTED
FOR THE HIGHLAND BOOK PRIZE 2022 Reflecting on family, identity and
nature, Belonging is a personal memoir about what it is to have and
make a home. It is a love letter to nature, especially the northern
landscapes of Scotland and the Scots pinewoods of Abernethy - home
to standing dead trees known as snags, which support the overall
health of the forest. Belonging is a book about how we are held in
thrall to elements of our past. It speaks to the importance of
attention and reflection, and will encourage us all to look and
observe and ask questions of ourselves. Beautifully written and
featuring Amanda Thomson's artwork and photography throughout, it
explores how place, language and family shape us and make us who we
are.
Scotland is a nation of dramatic weather and breathtaking
landscapes - of nature resplendent. And, over the centuries, the
people who have lived, explored and thrived in this country have
developed a rich language to describe their surroundings: a
uniquely Scottish lexicon shaped by the very environment itself. A
Scots Dictionary of Nature brings together - for the first time -
the deeply expressive vocabulary customarily used to describe land,
wood, weather, birds, water and walking in Scotland. Artist Amanda
Thomson collates and celebrates these traditional Scots words,
which reveal ways of seeing and being in the world that are in
danger of disappearing forever. What emerges is a vivid evocation
of the nature and people of Scotland, past and present; of lives
lived between the mountains and the sky.
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microbursts (Paperback)
Elizabeth Reeder, Amanda Thomson; Designed by Traven T. Croves
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R368
R298
Discovery Miles 2 980
Save R70 (19%)
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Ships in 9 - 15 working days
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Essays exploring interrelated strands of material ecologies, past
and present British politics, and the act of writing, through a
rich variety of case studies. Much as the complexities of climate
change and the Anthropocene have queried the limits and exclusions
of literary representation, so, too, have the challenges recently
presented by climate activism and intersectional environmentalism,
animal rights, and even the power of material forms, such as oil,
plastic, and heavy metals. Social and protest movements have
revived the question of whether there can be such a thing as an
activist ecocriticism: can such an approach only concern itself
with consciousness, or might it politicise literary criticism in a
new way? Attempting to respond, this volume coalesces around three
interrelated strands: material ecologies, past and present British
politics, and the act of writing itself. Contributors consider the
ways in which literary form has foregrounded the complexities of
both matter (in essays on water, sugar, and land) and political
economics (from empire and nationalism to environmental justice
movements and local and regional communities). The volume asks how
life writing, nature writing, creative nonfiction, and
autobiography - although genres entrenched in capitalist political
realities - can also confront these by reinserting personal
experience. Can we bring a more sustainable planet into being by
focusing on those literary forms which have the ability to imagine
the conditions and systems needed to do so?
LONGLISTED FOR THE HIGHLAND BOOK PRIZE 2022 Reflecting on family,
identity and nature, Belonging is a personal memoir about what it
is to have and make a home. It is a love letter to nature,
especially the northern landscapes of Scotland and the Scots
pinewoods of Abernethy - home to standing dead trees known as
snags, which support the overall health of the forest. Belonging is
a book about how we are held in thrall to elements of our past. It
speaks to the importance of attention and reflection, and will
encourage us all to look and observe and ask questions of
ourselves. Beautifully written and featuring Amanda Thomson's
artwork and photography throughout, it explores how place, language
and family shape us and make us who we are.
|
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