Making Africa" takes a fresh look at African design. For the first time, we have a book that focuses on creative accomplishments on the continent, without being obsessed with the usual tropes of recycling, humanitarian design or traditional crafts. Instead, "Making Africa" shows a new generation of designers who use their work as a tool for economic, political and social change and therefore also to create a new future for the continent. Their creative output defies all definitions of genres - crossing over classical fields such as furniture design, product design and typography to encompass digital media, art, photography, architecture and film. A large section of the catalogue is dedicated to documenting work by over 120 protagonists of Africa's new creative epoch - including Cyrus Kabiru, Cheick Diallo, Mario Macilau, Francis Kere, David Adjaye, Kunle Adeyemi, Bodys Isek Kingelez, Robin Rhode, Alaforu Sikoki, Selly Raby Kan and many more. The historical and theoretical background is explored in essays and discussions with Okwui Enwezor, Koyo Kouoh, Edgar Pieterse and Amelie Klein, among others. These are complemented by statements from around 70 other experts from Africa, who met at interviews and think tanks in cities such as Cape Town, Johannesburg, Lagos, Dakar, Nairobi and Cairo. This is a book about the future of Africa and about a new, more open way of understanding design - which means it is also a book about what design can achieve in the 21st century.

Hello, Robot. Design between Human and Machine investigates how robotics is increasingly becoming part of our everyday lives. The exhibition shows that design in its traditional function as a mediator is indispensable if robots are to become a visible reality and not just remain hidden in washing machines, cars and cash machines. The catalogue points out where we already encounter these intelligent machines and where we may come across them in the near future: in the industry, in the military and in everyday settings; at nurseries and retirement homes; in our bodies and in the cloud; when shopping and having sex; in video games and, of course, in film and literature. In a series of in-depth essays and interviews, experts such as science-fiction author Bruce Sterling or the design duo Dunne & Raby explore the question of how we deal with an environment that is rapidly becoming more digital, smarter and more autonomous. They highlight our often ambivalent relationship to new technologies and discuss the opportunities and challenges that present themselves to us as individuals and as a society in this context. In this regard, Hello, Robot. broadens the scope of the discussion to include the ethical and political questions with which we are faced today in the light of technological advances in robotics, while confronting us with the contradictions that are often found in the answers to these questions. Authors and interviewees: Bruce Sterling, Fiona Raby, Anthony Dunne, Gesche Joost, Carlo Ratti, Amelie Klein and others.

In the final volume of the Collected Works of A.M. Klein, Elizabeth Popham completes the process of restoring the public voice of one of Canada's most respected authors. A.M. Klein: The Letters is the first compilation of a significant body of Klein's correspondence. Using his communications to construct a compelling narrative, Popham traces Klein's career from his apprenticeship to great critical success and his tragically premature silence. The content of Klein's letters gives new resonance to his works, most notably to his critically acclaimed novel The Second Scroll (1951) and his Governor General Award-winning The Rocking Chair and Other Poems (1948). In his exchanges with publishers and scholars, Klein glosses his own writing and argues for the integrity of his poetic vision. Samplings of his correspondence with Seagram's Distilleries clarify Klein's controversial role as ghost-writer and PR consultant for Sam Bronfman. A valuable resource for understanding Canadian literary modernism, diasporic Judaism, and the culture of Montreal, A.M. Klein: The Letters is a remarkable portrait of an important Canadian literary figure of the twentieth century.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.

The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.

The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem, ' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.