The epic poet Dionysius, who probably flourished in the first century CE, is a key transitional figure in the history of Greek poetry, sharing stylistic and thematic tendencies with both the learned Hellenistic tradition and the monumental epic poetry of the later Roman period. His Bassarica is the earliest known poem on the conquest of India by the god Dionysus and was an important model of Nonnus' Dionysiaca. His Gigantias related the battle of the giants against the Olympian gods and legends surrounding it, with particular focus on the figure of Heracles. This is the most comprehensive edition to date of his poetry, expanding the number of fragments available and providing a more reliable text based on a fresh inspection of the papyri. The volume includes a substantial introduction contextualising the poetry, a facing English translation of the text, and a detailed linguistic and literary commentary.

The epic poet Dionysius, who probably flourished in the first century CE, is a key transitional figure in the history of Greek poetry, sharing stylistic and thematic tendencies with both the learned Hellenistic tradition and the monumental epic poetry of the later Roman period. His Bassarica is the earliest known poem on the conquest of India by the god Dionysus and was an important model of Nonnus' Dionysiaca. His Gigantias related the battle of the giants against the Olympian gods and legends surrounding it, with particular focus on the figure of Heracles. This is the most comprehensive edition to date of his poetry, expanding the number of fragments available and providing a more reliable text based on a fresh inspection of the papyri. The volume includes a substantial introduction contextualising the poetry, a facing English translation of the text, and a detailed linguistic and literary commentary.

P.Oxy. LXXXIV marks a new departure for the series: it is the first to publish texts in Egyptian. One is a Greek-Coptic paraphrase of Homer's Iliad, the other a sale of house property in Demotic accompanied by a Greek tax receipt. Section I presents extensive remains of a set of codices of the Septuagint. Section II includes a miscellany of new literary and subliterary texts: remnants of post-Classical hexameter poetry, a possible fragment of Middle comedy with an Anacreontic theme, and a cento of Homeric verses on the myth of Daphne. The seventeen papyri of Apollonius Rhodius published in Section III, providing some two dozen new readings, confirm the Argonautica's status as the most popular epic poem in Roman Egypt after the Homeric and Hesiodic classics. The papyri of Apollonius are complemented by a painting of a wheeled float carrying the Argonauts, perhaps an illustration of a local spectacle. Section IV publishes twenty declarations of livestock from the first and second centuries, and the largest number of accounts from the 'Apion archive' since vol. XVI. The global figures for the Apion estate's income, expenditure, and tax payments offer fresh data to steer and inform the lively debate about the economy of this prominent Oxyrhynchite institution.

This volume contains editions of texts, theological, literary, subliterary, and documentary. The theological section includes large fragments of the First Apocalypse of James (5533), an early Christian narrative of conversations between Jesus and his brother, James. The Greek text is otherwise lost and scholars have depended on two often conflicting Coptic versions. The first of seven magical papyri is a second-century exorcism manual (5542), and a series of potted lives of the Successors of Alexander the Great illuminates the history of ancient life-writing before Plutarch (5535). A fragment of commentary on Aristophanes (5536) and five grammatical texts (5537-41) complete Section II. Section III provides a mass of new evidence concerning slavery in the Roman world. The photographs show all the new theological, literary, and subliterary texts, and eleven of the documents.