Remembering the lessons of Jan Karski, who risked his life to share the truth with the world Richly illustrated with stills from the black-and-white film adaptation of the acclaimed stage play, Remember This: The Lesson of Jan Karski tells the story of World War II hero, Holocaust witness, and Georgetown University professor Jan Karski. A messenger of truth, Karski risked his life to carry his harrowing reports of the Holocaust from war-torn Poland to the Allied nations and, ultimately, the Oval Office, only to be ignored and disbelieved. Despite the West's unwillingness to act, Karski continued to tell others about the atrocities he saw, and, after a period of silence, would do so for the remainder of his life. This play carries forward his legacy of bearing witness so that future generations might be inspired to follow his example and "shake the conscience of the world." Accompanying the text of the stage play in this volume are essays and conversations from leading diplomats, thinkers, artists, and writers who reckon with Karski's legacy, including Secretary of State Madeleine Albright, Ambassador Stuart Eizenstat, award-winning author Aminatta Forna, best-selling author Azar Nafisi, President Emeritus of Georgetown Leo J. O'Donovan, SJ, Ambassador Samantha Power, Ambassador Cynthia P. Schneider, historian Timothy Snyder, Academy Award (TM) nominated actor David Strathairn, and best-selling author Deborah Tannen.

Praised as "a shining example of what autobiography can be: harrowing, illuminating and thoughtful" (USA Today), Aminatta Forna's intensely personal history is a passionate and vivid account of an idyllic childhood which became the stuff of nightmare. As a child she witnessed the upheavals of post-colonial Africa, danger, flight, the bitterness or exile in Britain and the terrible consequences of her dissident father's stand against tyranny. Mohamed Forna was a man of unimpeachable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta's mother to the dismay of her Presbyterian parents and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed Forna languished in jail as a prisoner of conscience, and worse to follow. Aminatta's search for the truth that shaped both her childhood and the nation's destiny began among the country's elite and took her into the heart of rebel territory. Determined to break the silence surrounding her father's fate, she ultimately uncovered a conspiracy that penetrated the highest reaches of government and forced the nation's politicians and judiciary to confront their guilt. The Devil that Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision: a remarkable, and important, story of Africa.

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

'Forna's voice is relentlessly compelling, her ability to summon atmosphere extraordinary ... A thing of lasting beauty' Observer

Waterloo Bridge, London. Two strangers collide. Attila, a Ghanaian psychiatrist, and Jean, an American studying the habits of urban foxes. From this chance encounter in the midst of the rush of a great city, numerous moments of connections span out and interweave, bringing disparate lives together.

Attila has arrived in London with two tasks: to deliver a keynote speech on trauma and to check up on the daughter of friends, his 'niece', Ama, who hasn't called home in a while. It soon emerges that she has been swept up in an immigration crackdown - and now her young son Tano is missing.

When, by chance, Attila bumps into Jean again, she joins him in his search for Tano, mobilizing into action the network she has built up, mainly from the many West African immigrants working London's myriad streets, of volunteer fox-spotters: security guards, hotel doormen, traffic wardens. All unite to help and as the search continues, a deepening friendship between Attila and Jean unfolds.

In this delicate yet powerful novel of loves lost and new, of past griefs and of the hidden side of a teeming metropolis, Aminatta Forna asks us to consider the values of the society we live in, our co-existence with one another and all living creatures - and the true nature of happiness.

Shortlisted for the Orange Prize 2011 'A writer of great talent and courage' MONICA ALI 'An affecting, passionate and intelligent novel about the redemptive power of love and storytelling' TELEGRAPH _____________________ Freetown, Sierra Leone, 1969. On a hot January evening that he will remember for decades, Elias Cole first catches sight of Saffia Kamara, the wife of a charismatic colleague. He is transfixed. Thirty years later, lying in the capital's hospital, he recalls the desire that drove him to acts of betrayal he has tried to justify ever since. Elsewhere in the hospital, Kai, a gifted young surgeon, is desperately trying to forget the pain of a lost love that torments him as much as the mental scars he still bears from the civil war that has left an entire people with terrible secrets to keep. It falls to a British psychologist, Adrian Lockheart, to help the two survivors, but when he too falls in love, past and present collide with devastating consequences. The Memory of Love is a heartbreaking story of ordinary people in extraordinary circumstances.

"Throughout Happiness, Forna stops in our tracks . . . Reminiscent at times of Michael Ondaatje's novel Anil's Ghost . . . Happiness is a meditation on grand themes: Love and death, man and nature, cruelty and mercy. But Forna folds this weighty matter into her buoyant creation with a sublimely delicate touch."--Washington Post London. A fox makes its way across Waterloo Bridge. The distraction causes two pedestrians to collide--Jean, an American studying the habits of urban foxes, and Attila, a Ghanaian psychiatrist there to deliver a keynote speech. From this chance encounter, Aminatta Forna's unerring powers of observation show how in the midst of the rush of a great city lie numerous moments of connection. Attila has arrived in London with two tasks: to deliver a keynote speech on trauma, as he has done many times before; and to contact the daughter of friends, his "niece" who hasn't called home in a while. Ama has been swept up in an immigration crackdown, and now her young son Tano is missing. When, by chance, Attila runs into Jean again, she mobilizes the network of rubbish men she uses as volunteer fox spotters. Security guards, hotel doormen, traffic wardens--mainly West African immigrants who work the myriad streets of London--come together to help. As the search for Tano continues, a deepening friendship between Attila and Jean unfolds. Meanwhile a consulting case causes Attila to question the impact of his own ideas on trauma, the values of the society he finds himself in, and a grief of his own. In this delicate tale of love and loss, of cruelty and kindness, Forna asks us to consider the interconnectedness of lives, our co-existence with one another and all living creatures, and the true nature of happiness.

"Forna is a born storyteller. . . . Not since "Remains of the Day" has an author so skillfully revealed the way history's layers are often invisible to all but its participants. . . . Gorgeous."--John Freeman, "The Boston Globe"
"Haunting . . . Detail builds upon detail until the dread and violence that have been barely restrained burst into the open."--Anthony Domestico, "San Francisco Chronicle"
An NPR, "Boston Globe," and "San Francisco Chronicle" best book of the year, "The Hired Man"--now available in paperback--is an incisive, powerful novel of a small Croatian town and its dark wartime secrets, unwittingly brought into the light by a family of outsiders. Duro Kolak, a stoic lifelong resident of the Croatian village of Gost, is off on a morning's hunt when he discovers that a British family has taken up residence in a house Duro knows well. He offers his assistance getting their water working again, and soon he is at the house every day, helping get it ready as their summer cottage, and serving as their trusted confidant. But the other residents of Gost are not as pleased to have the interlopers, and as the friendship deepens, the volatile truths about the town's past and the house's former occupants whisper ever louder. A masterpiece of storytelling haunted by lost love and a restrained menace, "The Hired Man" confirms Aminatta Forna as one of our most important writers.
"Forna modulates the growing suspense with exquisite skill. . . . Beautiful, reminiscent in its mesmerizing clarity of William Trevor's fiction or Per Petterson's."--Anna Mundow, "The Christian Science Monitor"
"Absorbing . . . Forna's unwavering gaze compels a close look at the complexities of our shared histories."--Ellah Allfrey, NPR (online)

A powerful novel about the indelible effects of war and the memories which stir beneath the silence of a quiet Croatian town, from Orange Prize-shortlisted and Commonwealth Writers' Prize-winning author Aminatta Forna 'Supremely masterful' INDEPENDENT 'The Hired Man seals her reputation as arguably the best writer of fiction in this field' EVENING STANDARD 'Terrific skill and insight' DAILY MAIL Gost is surrounded by mountains and fields of wild flowers. The summer sun burns. The Croatian winter brings freezing winds. Beyond the boundaries of the town an old house which has lain empty for years is showing signs of life. One of the windows, glass darkened with dirt, today stands open, and the lively chatter of English voices carries across the fallow fields. Laura and her teenage children have arrived. A short distance away lies the hut of Duro Kolak, who lives alone with his two hunting dogs. As he helps Laura with repairs to the old house, they uncover a mosaic beneath the ruined plaster and, in the rising heat of summer, painstakingly restore it. But Gost is not all it seems; conflicts long past still suppurate beneath the scars.

Abie follows the arc of a letter from London back to Africa to a coffee plantation that now could be hers if she wants it. Standing among the ruined groves she strains to hear the sound of the past, but the layers of years are too many. Thus begins the gathering of her family's history through the tales of her aunts - four women born to four different wives of a wealthy plantation owner, her grandfather. Asana, Mariama, Hawa and Serah: theirs is the story of a nation, a family and four women's attempts to alter the course of her own destiny.

A stunning new collection of essays from the award-winning author of Happiness, The Window Seat explores border crossings both literal and philosophical, our relationship with the natural world, and the stories that we tell ourselves. Aminatta Forna is one of our most important literary voices, and her novels have won the Windham Campbell Prize and the Commonwealth Writers' Prize for Best Book. In this elegantly rendered and wide-ranging collection of new and previously published essays, Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world. Movement is a constant here. In the title piece, "The Window Seat," she reveals the unexpected enchantments of commercial air travel. In "Obama and the Renaissance Generation," she documents how, despite the narrative of Obama's exceptionalism, his father, like her own, was one of a generation of gifted young Africans who came to the United Kingdom and the United States for education and were expected to build their home countries anew after colonialism. In "The Last Vet," time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society's treatment of animals tells us about its principles. In "Crossroads," she examines race in America from an African perspective, and in "Power Walking" she describes what it means to walk in the world in a Black woman's body and in "The Watch" she explores the raptures of sleep and sleeplessness the world over. Deeply meditative and written with a wry humor, The Window Seat confirms that Forna is a vital voice in international letters.

"Throughout Happiness, Forna stops in our tracks . . . Reminiscent at times of Michael Ondaatje's novel Anil's Ghost . . . Happiness is a meditation on grand themes: Love and death, man and nature, cruelty and mercy. But Forna folds this weighty matter into her buoyant creation with a sublimely delicate touch."--Washington Post London. A fox makes its way across Waterloo Bridge. The distraction causes two pedestrians to collide--Jean, an American studying the habits of urban foxes, and Attila, a Ghanaian psychiatrist there to deliver a keynote speech. From this chance encounter, Aminatta Forna's unerring powers of observation show how in the midst of the rush of a great city lie numerous moments of connection. Attila has arrived in London with two tasks: to deliver a keynote speech on trauma, as he has done many times before; and to contact the daughter of friends, his "niece" who hasn't called home in a while. Ama has been swept up in an immigration crackdown, and now her young son Tano is missing. When, by chance, Attila runs into Jean again, she mobilizes the network of rubbish men she uses as volunteer fox spotters. Security guards, hotel doormen, traffic wardens--mainly West African immigrants who work the myriad streets of London--come together to help. As the search for Tano continues, a deepening friendship between Attila and Jean unfolds. Meanwhile a consulting case causes Attila to question the impact of his own ideas on trauma, the values of the society he finds himself in, and a grief of his own. In this delicate tale of love and loss, of cruelty and kindness, Forna asks us to consider the interconnectedness of lives, our co-existence with one another and all living creatures, and the true nature of happiness.