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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
A stunning new volume which presents 120 pieces by 50 leading
jewellery designers from the 1960s and '70s, including works by
John Donald, Arthur King, Andrew Grima and Gilbert Albert. Simply
Brilliant presents 120 pieces by 50 leading makers of jewellery in
the 1960s and '70s, drawn from the Klosterman collection in
Cincinnati. Most, if not all, of the individual makers of this era
thought of themselves as artists first, jewellers second, and this
magnificent new volume is full of stunning one of a kind pieces
which reflect the inventive, ground-breaking attitudes of the era.
The book explores the 1961 Goldsmiths Hall exhibition in London and
its influence on contemporary jewellery designers such as John
Donald, Arthur King, Andrew Grima and Gilbert Albert. The 1961
exhibition brought a new direction in jewellery design to the fore,
influencing others - including the major jewellery houses such as
Cartier, Bulgari, Chopard and Van Cleef and Arpels - paving the way
for an international movement in fashion and design. These
jewellery designers created unique pieces, often for individual
clients, using non-traditional materials and unusual forms. AUTHOR:
Cynthia Amneus is chief curator and curator of Fashion Arts and
Textiles at Cincinnati Art Museum. 207 colour illustrations
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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