Love, in its many forms and complexities, weaves through this collection by Amy Bloom, the "New York Times" bestselling author of "Away." Bloom's astonishing and astute stories illuminate the mysteries of passion, family, and friendship. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places; two middle-aged, married friends find themselves surprisingly drawn to each other, risking all for their love but never underestimating the cost. Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, "Where the God of Love Hangs Out" takes us to the margins and the centers of people's emotional lives, exploring the changes that come with love and loss.
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Love, in its many forms and complexities, weaves through this collection by Amy Bloom, the "New York Times" bestselling author of "Away." Bloom's astonishing and astute stories illuminate the mysteries of passion, family, and friendship. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places; two middle-aged, married friends find themselves surprisingly drawn to each other, risking all for their love but never underestimating the cost. Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, "Where the God of Love Hangs Out" takes us to the margins and the centers of people's emotional lives, exploring the changes that come with love and loss.
Look for special features inside.
Join the Circle for author chats and more.
RandomHouseReadersCircle.com

In 1933, President Franklin and Eleanor Roosevelt took up residence in the White House. With them went the celebrated journalist Lorena Hickok - Hick to friends - a straight-talking reporter from South Dakota, whose passionate relationship with the idealistic, patrician First Lady would shape the rest of their lives. Told by the indomitable Hick, White Houses is the story of Eleanor and Hick's hidden love, and of Hick's unlikely journey from her dirt-poor childhood to the centre of privilege and power. Filled with fascinating back-room politics, the secrets and scandals of the era, and exploring the potency of enduring love, it is an imaginative tour-de-force from a writer of extraordinary and exuberant talent.

New York Times Bestseller A poignant love letter to Bloom's husband and a passionate outpouring of grief, In Love reaffirms the power and value of human relationships. In January 2020, Amy Bloom travelled with her husband Brian to Switzerland, where he was helped by Dignitas to end his life while Amy sat with him and held his hand. Brian was terminally ill and for the last year of his life Amy had struggled to find a way to support his wish to take control of his death, to not submerge 'into the darkness of an expiring existence'. Written with piercing insight and wit, In Love is Bloom's intimate, authentic and startling account of losing Brian, first slowly to the disease of Alzheimer's, and then on becoming a widow. It charts the anxiety and pain of the process that led them to Dignitas, while never avoiding the complex ethical problems that are raised by assisted death. 'Poignant, kind, funny and ultimately redemptive' - Alain de Botton, author of The Course of Love 'In Love is a thrillingly beautiful, laser-eyed book about love, life, mortality and, most remarkably, about the ways in which no one of the three can be separated from the others' - Michael Cunningham, author of The Hours and A Home at the End of the World

Amy Bloom's Away revitalizes the American road-trip novel from the perspective of a vulnerable but spirited woman. It paints a vivid, earthy and surprising picture of 1920s America, its smells and textures, its population of drifters and con artists, pimps and prostitutes. Away is storytelling at its finest - epic in sweep, but intimate and psychologically acute, moving but unsentimental. Like the novels of Sarah Waters, it is both richly authentic in its period detail and fresh and contemporary in its style. But, above all, Bloom has created an unforgettable character in Lillian Leyb - her voice, haunted, damaged yet innocent, passionate, witty and unpretentious, is so believable and strong that her presence lingers long after the novel ends.

Amy Bloom has long been regarded as a master of the short story form. Here, her brilliance shines across two decades and more than twenty-five stories. From the bereaved widow who finds unexpected comfort in 'Sleepwalking', to the matchmaking shrink in 'Psychoanalysis Changed My Life'; from the teenage girl furious at her dying mother in 'Hold Tight' to the transgressive lovers of 'The Gates Are Closing'; from the married friends irresistibly drawn to one another in 'William and Clare' to the brave and heartless girl in 'Permafrost' - these are stories brimming with life and grief, erotically charged and beautifully crafted.

Amy Bloom has won a devoted readership and wide critical acclaim for fiction of rare humor, insight, grace, and eloquence, and the same qualities distinguish Normal, a provocative, intimate journey into the lives of “people who reveal, or announce, that their gender is variegated rather than monochromatic”—female-to-male transsexuals, heterosexual crossdressers, and the intersexed.

We meet Lyle Monelle and his mother, Jessie, who recognized early on that her little girl was in fact a boy and used her life savings to help Lyle make the transition. On a Carnival cruise with a group of crossdressers and their spouses, we meet Peggy Rudd and her husband, “Melanie,” who devote themselves to the cause of “ordinary heterosexual men with an additional feminine dimension.” And we meet Hale Hawbecker, “a regular, middle-of-the-road, white-bread guy” with a wife, kids, and a medical condition, the standard treatment for which would have changed his life and his gender.

Casting light into the dusty corners of our assumptions about sex, gender and identity, Bloom reveals new facets to the ideas of happiness, personality and character, even as she brilliantly illuminates the very concept of "normal.”

Amy Bloom was nominated for a National Book Award for her first collection, Come to Me, and her fiction has appeared in The New Yorker, Story, Antaeus, and other magazines, and in The Best American Short Stories and Prize Stories: The O. Henry Awards. In her new collection, she enhances her reputation as a true artist of the form.

Here are characters confronted with tragedy, perplexed by emotions, and challenged to endure whatever modern life may have in store. A loving mother accompanies her daughter in her journey to become a man, and discovers a new, hopeful love. A stepmother and stepson meet again after fifteen years and a devastating mistake, and rediscover their familial affection for each other. And in "The Story," a widow bent on seducing another woman's husband constructs and deconstructs her story until she has "made the best and happiest ending" possible "in this world."

National Book Award finalist Amy Bloom has written a tale of growing up that is sharp and funny, rueful and uncompromisingly real.  A chubby girl with smudged pink harlequin glasses and a habit of stealing Heath Bars from the local five-and-dime, Elizabeth Taube is the only child of parents whose indifference to her is the one sure thing in her life.   When her search for love and attention leads her into the arms of her junior-high-school English teacher, things begin to get complicated.  

And even her friend Mrs. Hill, a nearly blind, elderly black woman, can't protect her when real love--exhilarating, passionate, heartbreaking--enters her life in the gorgeous shape of Huddie Lester.  

With her finely honed style and her unflinching sensibility, Bloom shows us how profoundly the forces of love and desire can shape a life.  

Nominated for a National Book Award, this fresh and stunning collection of stories takes the reader deep into the heart of the most alarming and joyful human relationships.

When Eva's mother abandons her on Iris's front porch, the girls don't seem to have much in common - except, they soon discover, a father. Thrown together with no mothers to care for them and a father who could not be considered a parent, Iris and Eva become one another's family. Iris wants to be a movie star; Eva is her sidekick. Together, they journey across 1940s America from scandal in Hollywood to the jazz clubs and golden mansions of Long Island, stumbling, cheating and loving their way through a landscape of war, betrayals and big dreams.

Set amid the splendor of London drawing rooms and gilded Venetian palazzos, The Wings of the Dove is the story of Milly Theale, a naïve, doomed American heiress, and a pair of lovers, Kate Croy and Merton Densher, who conspire to obtain her fortune. In this witty tragedy of treachery, self-deception, and betrayal, Henry James weaves together three ill-fated and wholly human destinies unexpectedly linked by desire, greed, and salvation. As Amy Bloom writes in her Introduction, “The Wings of the Dove is a novel of intimacy. . . . [James] gives us passion, he gives us love in its terrible and enchanting forms.”

Panoramic in scope, " Away" is the epic and intimate story of young Lillian Leyb, a dangerous innocent, an accidental heroine. When her family is destroyed in a Russian pogrom, Lillian comes to America alone, determined to make her way in a new land. When word comes that her daughter, Sophie, might still be alive, Lillian embarks on an odyssey that takes her from the world of the Yiddish theater on New York's Lower East Side, to Seattle's Jazz District, and up to Alaska, along the fabled Telegraph Trail toward Siberia. All of the qualities readers love in Amy Bloom's work-her humor and wit, her elegant and irreverent language, her unflinching understanding of passion and the human heart-come together in the embrace of this brilliant novel, which is at once heartbreaking, romantic, and completely unforgettable.