A mind-bending science fiction anthology from ten top YA authors perfect for fans of Black Mirror, Lauren James and Femi Fadugba's The Upper World. >> "Unique, brilliant, and brimming with hope." BuzzFeed >> "Joyfully queer and diverse, this is a jump forward into a bright and colourful world." Lauren James, author of The Loneliest Girl in the Universe Imagine a world where robots with human consciousness roam the earth; a society where you can change everything about how you look, sound and interact, and even inherit a voice from the dead; and a universe where a city in space can be destroyed with a kiss... In stories buzzing with possibility, hope, innovation, anger and tenderness, ten top YA authors imagine what the world could be through the lens of technologies emerging today. Tasting Light is a dazzling challenge to open your mind, heart and senses, and rewire your perceptions. With stories by: William Alexander, K. Ancrum, Elizabeth Bear, A.R. Capetta, Charlotte Nicole Davis, Nasugraq Rainey Hopson, A.S. King, E.C. Myers, Junauda Petrus-Nasah and Wendy Xu "Unique, brilliant, and brimming with hope." BuzzFeed "Joyfully queer and diverse, this is a jump forward into a bright and colourful world." Lauren James, author of The Loneliest Girl in the Universe "A fine array of stories blending queerness and technology" Tor "Tackle[s] relevant issues such as colonization, misogyny, transphobia, and white entitlement in this eclectic celebration of infinite possibility and the ever-present human spirit." Publishers Weekly (starred review) "At once unsettling and moving, this crystalline collection will find or create a connection with its readers." Booklist "A diverse anthology showing hopeful futures imagined through the lens of technology [...] A top-notch hard science fiction collection." Kirkus (starred review)

In this book, Amy K. King examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Analyzing films, television shows, novels, short stories, poems, book covers, and paintings, King shows how contemporary media reuse salacious and stereotypical depictions of relationships between women living within the plantation system to confront its legacy in the present. The vestiges of these relationships--enslavers and enslaved women, employers and domestic servants, lovers and rivals--negate characters' efforts to imagine non-abusive approaches to power and agency. King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in U.S. and Caribbean depictions of violence between women in the wake of slavery.

A rich empirical account of China's foreign economic policy towards Japan after World War Two, drawing on hundreds of recently declassified Chinese sources. Amy King offers an innovative conceptual framework for the role of ideas in shaping foreign policy, and examines how China's Communist leaders conceived of Japan after the war. The book shows how Japan became China's most important economic partner in 1971, despite the recent history of war and the ongoing Cold War divide between the two countries. It explains that China's Communist leaders saw Japan as a symbol of a modern, industrialised nation, and Japanese goods, technology and expertise as crucial in strengthening China's economy and military. For China and Japan, the years between 1949 and 1971 were not simply a moment disrupted by the Cold War, but rather an important moment of non-Western modernisation stemming from the legacy of Japanese empire, industry and war in China.

A rich empirical account of China's foreign economic policy towards Japan after World War Two, drawing on hundreds of recently declassified Chinese sources. Amy King offers an innovative conceptual framework for the role of ideas in shaping foreign policy, and examines how China's Communist leaders conceived of Japan after the war. The book shows how Japan became China's most important economic partner in 1971, despite the recent history of war and the ongoing Cold War divide between the two countries. It explains that China's Communist leaders saw Japan as a symbol of a modern, industrialised nation, and Japanese goods, technology and expertise as crucial in strengthening China's economy and military. For China and Japan, the years between 1949 and 1971 were not simply a moment disrupted by the Cold War, but rather an important moment of non-Western modernisation stemming from the legacy of Japanese empire, industry and war in China.

In this book, Amy K. King examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Analyzing films, television shows, novels, short stories, poems, book covers, and paintings, King shows how contemporary media reuse salacious and stereotypical depictions of relationships between women living within the plantation system to confront its legacy in the present. The vestiges of these relationships--enslavers and enslaved women, employers and domestic servants, lovers and rivals--negate characters' efforts to imagine non-abusive approaches to power and agency. King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in U.S. and Caribbean depictions of violence between women in the wake of slavery.

From grassroots conflicts to great power relations, this book explores some of the key concepts, methodologies, and dilemmas of researching Asia-Pacific affairs. The book deals with key questions about the Asia Pacific: Why should we study policy from the ground up? What are the human considerations for societies in conflict? Why is regionalism important and how do global powers play a role? Should Asia-Pacific researchers embrace the design-based revolution in the social sciences? Muddy Boots and Smart Suits is for students, scholars, and policymakers in the region looking for a new way to understand local, regional, and global security challenges.

November 2012: Amy King (POETRY) Elizabeth Quinn (STORY) Chris Wong (ESSAY) Submissions read year round. We only guarantee a response if accepted. After three weeks, if you have not heard from our staff, you may inquire via one email on the status of a submitted work. Send all submissions (three to nine pages of poetry, one story or one essay) to [email protected]. Include month, genre and author's name in the subject line. Submissions may also be considered for publication @ ManuFacturedArtists.com, a blog of the arts. Do not include contributor notes or bios, for we do not publish them. We only accept email submissions. uspoco.com ManuFacturedArtists.com

This book examines the Golan v. Holder Supreme Court Case, which discussed whether Congress has the power to grant copyright protection to creative works that have already entered the public domain. A group of orchestra conductors, educators, performers, film archivists, and motion picture distributors, who had relied on the free and unrestricted availability of these artistic works in the public domain for their livelihoods, filed a lawsuit against the federal government challenging the constitutionality of the URAA.