Traditionally history is cerebral: what did they believe, what did they think, what did they know? Woodsmoke and Sage is not a traditional book. Using the five senses, historian Amy Licence presents a new perspective on the material culture of the past, exploring the Tudors’ relationship with the fabric of their existence, from the clothes on their backs, the roofs over their heads and the food on their tables, to the wider questions of how they interpreted and presented themselves, and what they believed about life, death and beyond. Take a journey back 500 years and experience the sixteenth century the way it was lived, through sight, sound, smell, taste and touch.

Traditionally history is cerebral: what did they believe, what did they think, what did they know? Woodsmoke and Sage is not a traditional book. Using the five senses, historian Amy Licence presents a new perspective on the material culture of the past, exploring the Tudors' relationship with the fabric of their existence, from the clothes on their backs, the roofs over their heads and the food on their tables, to the wider questions of how they interpreted and presented themselves, and what they believed about life, death and beyond. Take a journey back 500 years and experience the sixteenth century the way it was lived, through sight, sound, smell, taste and touch.

This retelling of the sixteenth century introduces the reader to a gallery of amazing women, from queens to commoners, who navigated the patriarchal world in memorable and life-changing ways. Amy Licence has scoured the records from Europe and beyond to compile this testament to female lives and achievements, telling the stories of mistresses and martyrs, witches and muses, pirates and jesters, doctors and astronomers, escapees and murderesses, colonists and saints. Read about the wife of astrologer John Dee, the women who inspired Michelangelo, the jester who saved the life of Henry IV of France, the beloved mistress of the Sultan Suleiman the Great, the wife of Ivan the Terrible, whose murder unleashed terror, set against the everyday lives of those women who did not make the history books. Introducing a number of new faces, this book will delight those who are looking to broaden their knowledge on the sixteenth century and celebrate the lost women of the past.

Anne Boleyn's unconventional beauty inspired poets - and she so entranced Henry VIII with her wit, allure and style that he was prepared to set aside his wife of over twenty years and risk his immortal soul. Her sister had already been the king's mistress, but the other Boleyn girl followed a different path. For years the lovers waited; did they really remain chaste? Did Anne love Henry, or was she a calculating femme fatale? Eventually replacing the long-suffering Catherine of Aragon, Anne enjoyed a magnificent coronation and gave birth to the future Queen Elizabeth, but her triumph was short-lived. Why did she go from beloved consort to adulteress and traitor within a matter of weeks? What role did Thomas Cromwell and Jane Seymour of Wolf Hall play in Anne's demise? Was her fall one of the biggest sex scandals of her era, or the result of a political coup? With her usual eye for the telling detail, Amy Licence explores the nuances of this explosive and ultimately deadly relationship to answer an often neglected question: what choice did Anne really have? When she writes to Henry during their protracted courtship, is she addressing a suitor, or her divinely ordained king? This book follows Anne from cradle to grave and beyond. Anne is vividly brought to life amid the colour, drama and unforgiving politics of the Tudor court.

For a King renowned for his love life, Henry VIII has traditionally been depicted as something of a prude, but the story may have been different for the women who shared his bed. How did they take the leap from courtier to lover - perhaps even to wife? What was Henry really like as a lover? Henry's women were uniquely placed to experience the tension between his chivalric ideals and the lusts of the handsome, tall, athletic king; his first marriage, to Catherine of Aragon, was on one level a fairytale romance, but his affairs with Anne Stafford, Elizabeth Carew and Jane Popincourt undermined it early on. Later, his more established mistresses, Bessie Blount and Mary Boleyn, risked their good names by bearing him illegitimate children. Typical of his time, Henry did not see that casual liaisons might threaten his marriage, until he met the one woman who held him at arm's length. The arrival of Anne Boleyn changed everything. Her seductive eyes helped rewrite history. After their passionate marriage turned sour, the king rapidly remarried to Jane Seymour. Henry was a man of great appetites, ready to move heaven and earth for a woman he desired; Licence readdresses the experiences of his wives and mistresses in this frank, modern take on the affairs of his heart. What was it really like to be Mrs Henry VIII?

Sisters Vanessa Bell and Virginia Woolf have long been celebrated for their central roles in the development of modernism in art and literature. Vanessa's experimental work places her at the vanguard of early twentieth-century art, as does her role in helping introduce many key names - Cezanne, Matisse, Picasso - to an unsuspecting public in 1910. Virginia took these artistic innovations and applied them to literature, pushing the boundaries of form, narrative and language to find a voice uniquely her own. Yet their private lives were just as experimental. Vanessa's marriage to art critic Clive Bell was shaken early on by his flirtation with her sister, and Virginia's marriage to Leonard Woolf placed him more in the role of carer than husband as he tried to meet the needs of his wife's fragile mental health. However, forming the core of the Bloomsbury Group, they welcomed into their London and Sussex homes a host of their talented peers, and caused speculation and scandal by following their hearts, not society's norms, in their continued pursuit of love. In Living in Squares, Loving in Triangles, Amy Licence explores the brave, passionate and innovative lives these remarkable women lived, and discovers where their strength and talent came from.

Ida Nettleship was a flamboyant Bohemian who gave up a promising artistic career to marry Augustus John. She had five pregnancies in just six years, lived with Augustus and his mistress in a menage a trois, and died exhausted in childbirth aged thirty. Ida's story of unconventional love is equalled by two other Bohemian women of the same era: Picasso's first love Fernande Olivier, who was prominent in the Paris art scene, and the writer Sophie Brzeska, who lived with the artist Henri Gaudier-Brzeska, nineteen years her junior - he would die in the First World War and Sophie's slow descent into mental instability would begin. Bohemian Lives follows the achievements and sacrifices of the three women and how their lives overlapped and contrasted, in education, childbirth, illness, marriage - and psychological disintegration. All three women had a huge influence on their more famous partner and challenged the accepted model of male-female relations of the time. At once touching and harrowing, their struggles for recognition in their own right hold a mirror up to the prejudices of an age - and what being 'bohemian' really meant.

1520 explores the characters of two larger-than-life kings, whose rivalry and love-hate relations added a feisty edge to European relations in the early sixteenth century. What propelled them to meet, and how did each vie to outdo the other in feats of strength and yards of gold cloth? Everyone who was anyone in 1520 was there. But why was the flower of England's nobility transported across the Channel, and how were they catered for? What did this temporary, fairy-tale village erected in a French field look like, feel like and smell like? This book explores not only the political dimension of their meeting and the difficult triangle they established with Emperor Charles V, but also the material culture behind the scenes. While the courtiers attended masques, dances, feasts and jousts, an army of servants toiled in the temporary village created specially for that summer. Who were the men and women behind the scenes? What made Henry rush back into the arms of the Emperor immediately after the most expensive two weeks of his entire reign? And what was the long-term result of the meeting, of that sea of golden tents and fountains spouting wine? This analysis explores the extraordinary event in unprecedented detail. Based on primary documents, plans, letters and records of provisions and with a new focus on material culture, food, textiles, planning and organisation.

1520 explores the characters of two larger-than-life kings, whose rivalry and love-hate relations added a feisty edge to European relations in the early sixteenth century. What propelled them to meet, and how did each vie to outdo the other in feats of strength and yards of gold cloth? Everyone who was anyone in 1520 was there. But why was the flower of England's nobility transported across the Channel, and how were they catered for? What did this temporary, fairy-tale village erected in a French field look like, feel like and smell like? This book explores not only the political dimension of their meeting and the difficult triangle they established with Emperor Charles V, but also the material culture behind the scenes. While the courtiers attended masques, dances, feasts and jousts, an army of servants toiled in the temporary village created specially for that summer. Who were the men and women behind the scenes? What made Henry rush back into the arms of the Emperor immediately after the most expensive two weeks of his entire reign? And what was the long-term result of the meeting, of that sea of golden tents and fountains spouting wine? This quinquecentenary analysis explores the extraordinary event in unprecedented detail. Based on primary documents, plans, letters and records of provisions and with a new focus on material culture, food, textiles, planning and organisation.

Known to be proud, regal and beautiful, Cecily Neville was born in the year of the great English victory at Agincourt and survived long enough to witness the arrival of the future Henry VIII, her great-grandson. Her life spanned most of the fifteenth century. Cecily's marriage to Richard, Duke of York, was successful, even happy, and she travelled with him wherever his career dictated, bearing his children in England, Ireland and France, including the future Edward IV and Richard III. What was the substance behind her claim to be 'queen by right'? Would she indeed have made a good queen during these turbulent times? One of a huge family herself, Cecily would see two of her sons become kings of England, but the struggles that tore apart the Houses of Lancaster and York also turned brother against brother. Cecily's life cannot have been easy. Images of her dripping in jewels and holding her own alternative 'court' might belie the terrible heartache of seeing her descendants destroy each other. In attempting to be the family peacemaker, she frequently had to make heart-wrenching choices, yet these did not destroy her. She battled on, outliving her husband, friends, rivals and most of her children, to become one of the era's great survivors.

A dynasty is defined by its men: by their personalities, their wars and reigns, their laws and decisions. Their mothers, wives, sisters and daughters are often depicted as mere foils, shadowy figures whose value lies in the inheritance they brought, or the children they produced. Yet the Tudor dynasty is full of women who are fascinating in their own right, like Margaret Beaufort, who finally emerged triumphant after years of turmoil; Elizabeth of York and her steadying influence; Catherine of Aragon and Anne Boleyn, whose rivalry was played out against the backdrop of the Reformation; and Mary and Elizabeth, England's first reigning queens. Then there were all the others: Henry VIII's fascinating sisters who became queens of France and Scotland, and their offspring, the Brandon and Grey women, Lady Margaret Douglas and her granddaughter Arabella Stuart. Many more women danced the Pavane under Henry's watchful eye or helped adjust Elizabeth's ruff. These were strong women, wielding remarkable power, whether that was behind the scenes or on the international stage. Their contribution took England from the medieval era into the modern. It is time for a new narrative of the Tudor women: one that prioritises their experiences and their voices.

The century spanning the Wars of the Roses and the reigns of the Tudor kings was a volatile time of battle and bloodshed, execution and unexpected illness. Life could be nasty, brutish and short. Some met their end in battle, others were dragged to the block, losing everything for daring to aspire to the throne. Some were lost in mysterious circumstances, like Edward V, the elder of the Princes in the Tower. But the majority of these young men died in their teens, on the brink of manhood. They represent the lost paths of history, the fascinating 'what-ifs' of the houses of York and Tudor. They also diverted the route of dynastic inheritance, with all the complicated implications that could bring, passing power into some unlikely hands. This book examines ten such figures in detail, using their lives to build a narrative of this savage century.

Shakespeare's enduring image of Richard III's queen is one of bitterness and sorrow. Anne curses the killer of her husband and father, before succumbing to his marriage proposal, bringing to herself a terrible legacy of grief and suffering an untimely death. Was Anne a passive victim? Did she really jump into bed with the enemy? Myths aside, who was the real Anne? As the Kingmaker's daughter, she played a key role in his schemes for the throne. Brought up in the expectation of a glorious marriage, she was not the passive, manipulated pawn of romantic legend; in fact, she was a pragmatist and a survivor, whose courage and endurance were repeatedly pushed to the limit. In 1483 Anne found herself catapulted into the public eye and sitting on the throne beside Richard. The circumstances of their reign put unprecedented pressure on their marriage; amid rumours of affairs and divorce, Anne died mysteriously, during an eclipse of the sun, just weeks before Richard's death on the battlefield. This fascinating and elusive woman is shrouded in controversy and unanswered questions. Amy Licence reassesses the longstanding myths about Anne's role, her health and her marriages, to present a new view of the Kingmaker's daughter.

A dynasty is defined by its men: by their personalities, their wars and reigns, their laws and decisions. Their mothers, wives, sisters and daughters are often depicted as mere foils, shadowy figures whose value lies in the inheritance they brought, or the children they produced. Yet the Tudor dynasty is full of women who are fascinating in their own right, like Margaret Beaufort, who finally emerged triumphant after years of turmoil; Elizabeth of York and her steadying influence; Catherine of Aragon and Anne Boleyn, whose rivalry was played out against the backdrop of the Reformation; and Mary and Elizabeth, England’s first reigning queens. Then there were all the others: Henry VIII’s fascinating sisters who became queens of France and Scotland, and their offspring, the Brandon and Grey women, Lady Margaret Douglas and her granddaughter Arabella Stuart. Many more women danced the Pavane under Henry’s watchful eye or helped adjust Elizabeth’s ruff. These were strong women, wielding remarkable power, whether that was behind the scenes or on the international stage. Their contribution took England from the medieval era into the modern. It is time for a new narrative of the Tudor women: one that prioritises their experiences and their voices.

When the tall, athletic Edward of York seized the English throne in 1461, he could have chosen any bride he wanted. With his dazzling good looks, few were able to resist his charm and promises. For three years he had a succession of mistresses, while foreign princesses were lined up to be considered for his queen. Then he fell in love. Enter Elizabeth Woodville, a widow five years his elder. While her contemporaries and later historians have been divided over her character, none have denied her beauty. When she petitioned the king to help restore her son's inheritance, the young Edward was immediately spellbound. This romance was not to be just another fling. Conscious of her honour and her future, Elizabeth repelled his advances. Edward's answer was to make her his wife. It was to prove an unpopular decision. Since then, Edward's queen has attracted extreme criticism from hostile chroniclers, her actions interpreted in the bleakest of lights. In this enlightening book, Amy Licence reassesses the tumultuous lives of the real White Queen and the king she captivated.

As Tudors go, Elizabeth of York is relatively unknown. Yet she was the mother of the dynasty, with her children becoming King of England (Henry VIII) and Queens of Scotland (Margaret) and France (Mary Rose) and her direct descendants included three Tudor monarchs, two executed queens and, ultimately, the Stuart royal family. Although her offspring took England into the early modern era, Elizabeth's upbringing was rooted firmly in the medieval world. The pivotal moment was 1485. Before then, her future was uncertain amid the turbulent Wars of the Roses, Elizabeth being promised first to one man and then another, and witnessing the humiliation and murder of her family. Surviving the bloodbath of the reign of her uncle, Richard III, she slipped easily into the roles of devoted wife and queen to Henry VII and mother to his children, and has been venerated ever since for her docility and beauty. But was she as placid as history has suggested? In fact, she may have been a deeply cultured and intelligent survivor who learned to walk a difficult path through the twists and turns of fortune. Perhaps she was more of a modern woman than historians have given her credit for.

Learn what went on behind closed doors in the Tudor court. Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors - Elizabeth of York died in childbirth, two of Henry VIII's queens were beheaded for infidelity, and Elizabeth I's elective virginity signalled the demise of a dynasty. Amy Licence guides the reader through the births of Henry VII and Elizabeth of York's two sons, Arthur and Henry, Catherine of Aragon's subsequent marriages to both of these men, Henry VIII's other five wives and his mistresses, and the sex lives of his daughters. This book details the experiences of all these women, from fertility, conception and pregnancy through to the delivery chamber, on to maternal and infant mortality. Each woman's story is a blend of specific personal circumstances, set against their historical moment: for some the joys were brief, for others it was a question that ultimately determined their fates.