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Cat Poems (Paperback)
Elizabeth Bishop, Stevie Smith, Ezra Pound, Charles Baudelaire, William Carlos Williams, …
1
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R239
Discovery Miles 2 390
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Ships in 12 - 17 working days
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You Know How a Cat
will bring a mouse it has
caught and lay it at your
feet so each morning I
bring you a poem that
I've written when I woke
up in the night as my tribute
to your beauty &
a promise of my love.
-James Laughlin
Across the ages, cats have provided their adopted humans with companionship, affection, mystery, and innumerable metaphors. Cats raise a mirror up to their beholders; cats endlessly captivate and hypnotise, frustrate and delight. To poets, in particular, these enigmatic creatures are the most delightful and beguiling of muses, as they purr, prowl, hunt, play, meow, and nap, often oblivious to their so-called masters. Cat Poems offers a litter of odes to our beloved felines by some of the greatest poets of all time.
Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell.
Published at the beginning of her career as an influential imagist
devoted to classical poetic themes and forms, Men, Women, and
Ghosts is an agile and promising work from a pioneering poet of the
early twentieth century. In "Patterns," the collection's opening
poem, Lowell displays an economy of language and clarity of vision
that would define the imagist school, in which she would prove an
essential figure: "I walk down garden paths, / And all the
daffodils / Are blowing, and the bright blue squills. / [...] / I
too am a rare / Pattern. As I wander down / The garden paths." As
the speaker of the poem laments the loss of her lover, she remarks:
"the man who should loose me is dead, / Fighting with the Duke in
Flanders, / In a pattern called a war. / Christ! What are patterns
for?" As a poet indebted to tradition and yet interested in the
prospect of a modern poetry, as a lesbian and bohemian figure from
a prominent Boston family, Lowell was keenly aware of the dangers
inherent to "patterns." Her poems, unique and experimental, are an
essential contribution to one of humanity's oldest art forms. Men,
Women, and Ghosts is a vibrant collection from an emerging poet who
would come to define the imagist movement throughout her storied
career. With a beautifully designed cover and professionally
typeset manuscript, this edition Amy Lowell's Men, Women, and
Ghosts is a classic work of American poetry reimagined for modern
readers.
Sword Blades and Poppy Seed (1914) is a poetry collection by Amy
Lowell. Published at the beginning of her career as an influential
imagist devoted to classical poetic themes and forms, Sword Blades
and Poppy Seed is an agile and promising work from a pioneering
poet of the early twentieth century. The title poem of Lowell's
collection is an imaginative voyage into the mind of a poet
struggling with writer's block, who scans the city for "the
slightest tinge of gold" to no avail: "From time to time I wrote a
word / Which lines and circles overscored. / My table seemed a
graveyard, full / Of coffins waiting burial." Disgusted with her
inability to write anything meaningful, she takes the streets,
encountering a strange old man-part poppy dealer, part devil-who
offers success in exchange for the poet's soul. Personal and
public, keenly engaged with tradition-the Faustian legend, in
particular-while maintaining her own private voice, Lowell's poems
are an essential contribution to one of humanity's oldest art
forms. Sword Blades and Poppy Seed is a vibrant collection from an
emerging poet who would come to define the imagist movement
throughout her storied career. With a beautifully designed cover
and professionally typeset manuscript, this edition Amy Lowell's
Sword Blades and Poppy Seed is a classic work of American poetry
reimagined for modern readers.
A Dome of Many-Coloured Glass (1912) is a poetry collection by Amy
Lowell. Published at the beginning of her career as an influential
imagist devoted to classical poetic themes and forms, A Dome of
Many-Coloured Glass is an agile and promising work from a
pioneering poet of the early twentieth century. Containing lyric
poems, sonnets, verses for children, and a masterful long poem, A
Dome of Many-Coloured Glass is a vibrant collection from an
emerging poet who would come to define the imagist movement
throughout her storied career. In poems like "Azure and Gold,"
Lowell displays natural imagery intertwined with the play of words,
producing such stanzas as "April had covered the hills / With
flickering yellows and reds, / The sparkle and coolness of snow /
Was blown from the mountain beds." From the drama inherent to
seasonal change, she extracts a revelation from "the song of birds,
/ Who, swinging unseen under leaves, / Made music more eager than
words." In "The Boston Athenaeum," a masterful long poem on one of
the oldest libraries in the United States, she recalls "Long,
peaceful hours seated on the floor / Of some retired nook, all
lined with books, / Where reverie and quiet reign supreme!"
Personal and public, keenly engaged with tradition while
maintaining her own private voice, Lowell's poems are an essential
contribution to one of humanity's oldest art forms. With a
beautifully designed cover and professionally typeset manuscript,
this edition Amy Lowell's A Dome of Many-Coloured Glass is a
classic work of American poetry reimagined for modern readers.
Sword Blades and Poppy Seed (1914) is a poetry collection by Amy
Lowell. Published at the beginning of her career as an influential
imagist devoted to classical poetic themes and forms, Sword Blades
and Poppy Seed is an agile and promising work from a pioneering
poet of the early twentieth century. The title poem of Lowell's
collection is an imaginative voyage into the mind of a poet
struggling with writer's block, who scans the city for "the
slightest tinge of gold" to no avail: "From time to time I wrote a
word / Which lines and circles overscored. / My table seemed a
graveyard, full / Of coffins waiting burial." Disgusted with her
inability to write anything meaningful, she takes the streets,
encountering a strange old man-part poppy dealer, part devil-who
offers success in exchange for the poet's soul. Personal and
public, keenly engaged with tradition-the Faustian legend, in
particular-while maintaining her own private voice, Lowell's poems
are an essential contribution to one of humanity's oldest art
forms. Sword Blades and Poppy Seed is a vibrant collection from an
emerging poet who would come to define the imagist movement
throughout her storied career. With a beautifully designed cover
and professionally typeset manuscript, this edition Amy Lowell's
Sword Blades and Poppy Seed is a classic work of American poetry
reimagined for modern readers.
Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell.
Published at the beginning of her career as an influential imagist
devoted to classical poetic themes and forms, Men, Women, and
Ghosts is an agile and promising work from a pioneering poet of the
early twentieth century. In "Patterns," the collection's opening
poem, Lowell displays an economy of language and clarity of vision
that would define the imagist school, in which she would prove an
essential figure: "I walk down garden paths, / And all the
daffodils / Are blowing, and the bright blue squills. / [...] / I
too am a rare / Pattern. As I wander down / The garden paths." As
the speaker of the poem laments the loss of her lover, she remarks:
"the man who should loose me is dead, / Fighting with the Duke in
Flanders, / In a pattern called a war. / Christ! What are patterns
for?" As a poet indebted to tradition and yet interested in the
prospect of a modern poetry, as a lesbian and bohemian figure from
a prominent Boston family, Lowell was keenly aware of the dangers
inherent to "patterns." Her poems, unique and experimental, are an
essential contribution to one of humanity's oldest art forms. Men,
Women, and Ghosts is a vibrant collection from an emerging poet who
would come to define the imagist movement throughout her storied
career. With a beautifully designed cover and professionally
typeset manuscript, this edition Amy Lowell's Men, Women, and
Ghosts is a classic work of American poetry reimagined for modern
readers.
A Dome of Many-Coloured Glass (1912) is a poetry collection by Amy
Lowell. Published at the beginning of her career as an influential
imagist devoted to classical poetic themes and forms, A Dome of
Many-Coloured Glass is an agile and promising work from a
pioneering poet of the early twentieth century. Containing lyric
poems, sonnets, verses for children, and a masterful long poem, A
Dome of Many-Coloured Glass is a vibrant collection from an
emerging poet who would come to define the imagist movement
throughout her storied career. In poems like "Azure and Gold,"
Lowell displays natural imagery intertwined with the play of words,
producing such stanzas as "April had covered the hills / With
flickering yellows and reds, / The sparkle and coolness of snow /
Was blown from the mountain beds." From the drama inherent to
seasonal change, she extracts a revelation from "the song of birds,
/ Who, swinging unseen under leaves, / Made music more eager than
words." In "The Boston Athenaeum," a masterful long poem on one of
the oldest libraries in the United States, she recalls "Long,
peaceful hours seated on the floor / Of some retired nook, all
lined with books, / Where reverie and quiet reign supreme!"
Personal and public, keenly engaged with tradition while
maintaining her own private voice, Lowell's poems are an essential
contribution to one of humanity's oldest art forms. With a
beautifully designed cover and professionally typeset manuscript,
this edition Amy Lowell's A Dome of Many-Coloured Glass is a
classic work of American poetry reimagined for modern readers.
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Pictures of the Floating World
Amy Lowell; Contributions by Mint Editions
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R413
R345
Discovery Miles 3 450
Save R68 (16%)
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Ships in 10 - 15 working days
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