At one time there were almost as many different versions of the Quechan creation story as there were Quechan families. Now few people remember them. This volume, presented in the Quechan language with facing-column translation, provides three views of the origins of the Quechan people. One synthesizes narrator George Bryant's childhood memories and later research. The second is based upon J. P. Harrington's A Yuma Account of Origins (1908). The third provides a modern view of the origins of the Quechan, beginning with the migration from Asia to the New World and ending with the settlement of the Yuman tribes at their present locations.

The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.

Dressed to Kill is a unique and detailed analysis of naval uniform and its historical, social and economic contexts in the eighteenth and nineteenth centuries. This fully updated and expanded second edition examines the significance of male fashion and uniform in the forging of a national, hierarchical and gendered identity. By drawing upon extensive archival research, Amy Miller provides a greater explanation of the political and social changes that impacted not only what the Royal Navy wore, but why. Parliamentary records, newspapers and museum archives give a greater contextualisation of the relationship that naval uniform represented - that of a confluence of politics and economics, fashion and popular culture. Beautifully illustrated throughout, Dressed to Kill 2nd Edition is accompanied by an extensive catalogue of uniforms from the rich collection of the National Maritime Museum and a selection of patterns that examine the construction of the garments.This new edition contains additional research that provides a greater understanding of the political and social changes that impacted not only what the Royal Navy wore, but why they wore it. Parliamentary records, newspapers and museum archives give a greater contextualisation of the relationship that naval uniform represented - that of a confluence of politics and economics, fashion and popular culture.

In the mid-nineteenth century, as new routes opened up, a new generation of travellers embarked on excursions to India, China and Japan. Globetrotters - leisure tourists with a keen interest in experiencing authentic culture - flocked to the East, casting aside preconceptions and gravitating towards what they hoped to be the unchanged landscapes and traditions of Eastern cultures. The relics of their travels - the food they consumed and the souvenirs they brought back - allowed globetrotters to distinguish themselves from common tourists. They proudly returned with accounts that presented a global East, challenging public assumptions about the cultures they had visited and charting a journey of self-transformation through travel.

This graceful, unflinching collection of 22 poems explores the real cats in our lives -- the companions, the hunters, the strays, the kittens who grow up and grow old with us. Beautiful Brutal turns the "sentimental cat poem" upside down, reminding us of the deep, wild mysteries we seek in cats -- and see reflected in ourselves.

The Quechan people live along the lower part of the Colorado River in the United States. According to tradition, the Quechan and other Yuman people were created at the beginning of time, and their Creation myth explains how they came into existence, the origin of their environment, and the significance of their oldest traditions. The Creation myth forms the backdrop against which much of the tribe's extensive oral literature may be understood. At one time there were almost as many different versions of the Quechan creation story as there were Quechan families. Now few people remember them. This volume, presented in the Quechan language with facing-column translation, provides three views of the origins of the Quechan people. One synthesizes narrator George Bryant's childhood memories and later research. The second is based upon J. P. Harrington's A Yuma Account of Origins (1908). The third provides a modern view of the origins of the Quechan, beginning with the migration from Asia to the New World and ending with the settlement of the Yuman tribes at their present locations. Publication of this book is made possible by the Institute of Museum and Library Services Native American / Native Hawaiian Museum Services Program grant number MN-00-13-0025-13. This collection is for the Quechan people and will also interest linguists, anthropologists, oral literature specialists, and anyone curious about Native American culture.

The Heart of Compassion is the story of passion for people. Follow Dennis Preshaw's life journey as he enters the Army as a conscientious objector during the Vietnam War, becoming a medic, and, ultimately, a Registered Nurse. Come along with Dennis as he shares his life and introduces you the nursing world in a way rarely seen, from the inside. The stories are told with great honesty and truly reflect his Heart of Compassion.

Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as "the place we work, live, play, and worship." This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as home: a source of life, health, and livelihood. Ghost Fishing is arranged by topic at key intersections between social justice and the environment such as exile, migration, and dispossession; war; food production; human relations to the animal world; natural resources and extraction; environmental disaster; and cultural resilience and resistance. This anthology seeks to expand our consciousness about the interrelated nature of our experiences and act as a starting point for conversation about the current state of our environment.