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Showing 1 - 10 of 10 matches in All Departments
This book of parent-to-parent advice aims to encourage, support, and bolster the morale of one of music's most important back-up sections: music parents. Within these pages, more than 150 veteran music parents contribute their experiences, reflections, warnings, and helpful suggestions for how to walk the music-parenting tightrope: how to be supportive but not overbearing, and how to encourage excellence without becoming bogged down in frustration. Among those offering advice are the parents of several top musicians, including the mother of violinist Joshua Bell, the father of trumpeter Wynton Marsalis, the parents of cellist Alisa Weilerstein, and those of violinist Anne Akiko Meyers. The book also features advice from music educators and more than forty professional musicians, including Paula Robison, Sarah Chang, Anthony McGill, Jennifer Koh, Jonathan Biss, Toyin Spellman-Diaz, Marin Alsop, Christian McBride, Miguel Zenon, Stephanie Blythe, Lawrence Brownlee, and Kelli O'Hara. The topics they discuss span a wide range of issues faced by the parents of both instrumentalists and singers, from how to get started to encouraging effective practice habits, to how to weather the rough spots, cope with the cost of music training, deal with college and career concerns, and help young musicians discover the role that music can play in their lives. The parents who speak here reach a unanimous and overwhelming conclusion that music parenting is well worth the effort, and the experiences that come with it - everything from flying to New York on the weekends to searching a flute convention for the perfect instrument - enrich family life with a unique joy in music.
Learning to play an instrument can be fund and, at times,
frustrating. This lively, accessible book helps young people cope
with the difficulties involved in learning a new instrument and
remaining dedicated to playing and practicing. Teens from renowned
music programs - including the Juilliard School's Pre-College
Program and Boston University's Tanglewood Institute - join pro
musicians such as Wynton Marsalis, Paula Robison, and James Galway
in offering practical answers to questions from what instrument to
play to where the musical road may lead.
Are you a former music-maker who yearns to return to music, but aren't sure where to begin? You're not alone. Many adults who used to play an instrument haven't touched it in years because either they can't find the time to practice, are afraid their skills are too rusty, or are unsure of what kind of group they could join. Others are afraid to sing in front of an audience, no matter how small, because they received negative feedback from childhood instructors. Performing, practicing, and composing music may seem like unattainable goals with insurmountable obstacles for busy adults with non-musical careers. Making Time for Making Music can help adults find ways to make music part of their lives. The first book of its kind, it is filled with real-life success stories from more than 350 adults who manage to fit music-making into their jam-packed schedules. They polished rusty skills, found musical groups to join, and are having a great time. Their testimonies prove that you are never too old to learn to make music, and that there are numerous musical paths to explore. Featuring advice from dozens of music educators, health care professionals, and music researchers who point out that making music can even be good for your health, this book offers inspiration and tried-and-true strategies for anyone who wishes to return to music-making or begin as an adult.
This book of parent-to-parent advice aims to encourage, support, and bolster the morale of one of music's most important back-up sections: music parents. Within these pages, more than 150 veteran music parents contribute their experiences, reflections, warnings, and helpful suggestions for how to walk the music-parenting tightrope: how to be supportive but not overbearing, and how to encourage excellence without becoming bogged down in frustration. Among those offering advice are the parents of several top musicians, including the mother of violinist Joshua Bell, the father of trumpeter Wynton Marsalis, the parents of cellist Alisa Weilerstein, and those of violinist Anne Akiko Meyers. The book also features advice from music educators and more than forty professional musicians, including Paula Robison, Sarah Chang, Anthony McGill, Jennifer Koh, Jonathan Biss, Toyin Spellman-Diaz, Marin Alsop, Christian McBride, Miguel Zenon, Stephanie Blythe, Lawrence Brownlee, Kelli O'Hara, as well as Joshua Bell, Alisa Weilerstein, Wynton Marsalis, Anne Akiko Meyers, and others. The topics they discuss span a wide range of issues faced by the parents of both instrumentalists and singers, from how to get started and encourage effective practice habits, to how to weather the rough spots, cope with the cost of music training, deal with college and career concerns, and help young musicians discover the role that music can play in their lives. The parents who speak here reach a unanimous and overwhelming conclusion that music parenting is well worth the effort, and the experiences that come with it - from sitting in on early lessons and watching their kids perform onstage to tagging along at music conventions as their youngsters try out instruments at exhibitors' booths - enrich family life with a unique joy in music."
This book tells of Sarah Keys Evans, an unsung Civil Rights hero. As a young woman in the Women's Army Corps in 1952, she did what Rosa Parks did-three years "before" Rosa Parks. Sarah Keys Evans kept standing up for her rights until victory was won. Her story shows that an individual can have an impact on history, and that in troubled times ordinary people can step up and accomplish remarkable things. Her story also shows that change is a step-by-step process. Many small contributions along the way help to bring about big shifts in attitudes and laws. "Sarah Keys, a courageous Army private, helped set the stage for the civil rights movement in the 1950s by seeking and getting a legal ruling outlawing discrimination on seating on buses and proving that justice can be there for each of us." Wilma L. Vaught, Brigadier General, USAF (retired); President, Women In Military Service For America Memorial Foundation, Inc. "Sarah Keys fought her battle against segregation and humiliations as a matter of moral decency and learned first hand about mental and physical fear thus exemplifying extraordinary courage." Representative Major R. Owens, U.S. House of Representatives; from a proclamation issued March 2006 "Perfectly pitched to its target elementary audience. Nathan strikes just the right balance of emotion and facts necessary to reach children within the context of a history lesson. A winner." -Kirkus Discoveries
"A completely charming discussion of allowances.communicates some of life's important skills in a way that is fun and practical." -"Kirkus Reviews" "Well worth the investment." -"School Library Journal" This lively book answers families' questions about allowances: How much to give? When to start? How to set it up? How to keep kids from blowing it? Written for kids, but vital for parents, the book's advice comes from the Allowance All-Star Squad, 166 kids who have tackled tons of allowance snags-with great results! Their parents chime in, too, as do financial and psychology experts.
Are you a former music-maker who yearns to return to music, but aren't sure where to begin? Or are you a person who never played music as a child but you are now curious about trying? You're not alone. Many adults who used to play an instrument haven't touched it in years because either they can't find the time to practice, are afraid their skills are too rusty, or are unsure of what kind of group they could join. Others are afraid to sing or start playing an instrument because they received negative feedback from childhood experiences. Performing, practicing, and composing music may seem like unattainable goals with insurmountable obstacles for busy adults with non-musical careers. Making Time for Making Music can help adults find ways to make music part of their lives. The first book of its kind, it is filled with real-life success stories from more than 350 adults who manage to fit music-making into their jam-packed schedules. They polished rusty skills, found musical groups to join, and are having a great time. Their testimonies prove that you are never too old to learn to make music, and that there are numerous musical paths to explore. Featuring advice from dozens of music educators, health care professionals, and music researchers who point out that making music can even be good for your health, this book offers inspiration and tried-and-true strategies for anyone who wishes to return to music-making or begin as an adult.
Learning to play an instrument can be fund and, at times,
frustrating. This lively, accessible book helps young people cope
with the difficulties involved in learning a new instrument and
remaining dedicated to playing and practicing. Teens from renowned
music programs - including the Juilliard School's Pre-College
Program and Boston University's Tanglewood Institute - join pro
musicians such as Wynton Marsalis, Paula Robison, and James Galway
in offering practical answers to questions from what instrument to
play to where the musical road may lead.
Lots of kids enjoy dancing, but what motivates them to push past the sore muscles, early-morning technique classes, and crazy schedule required to become a professional dancer? In this book, dancers from many backgrounds talk about their different paths to success in ballet, modern, jazz, Broadway, and hiphop. They also share advice and helpful tips, such as: - Practice interpreting the music and the mood of a movement, even when you're doing a standard warm-up exercise. - Try to be in the front row at auditions so you can see what's going on and so the judges know you're eager to be seen.
The musicians of the New York Philharmonic were kids once too How
does a kid who just wants to play baseball make the transition to
creating beautiful music? Musicians from many different sections of
the New York Philharmonic share how they became involved in music
as kids and how their careers have progressed since then. They also
have some helpful advice, such as
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