A first-of-its-kind anthology, Beyond The Canon's Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK's most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon's Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.

* First collection of full-length plays from British East Asian playwrights * Ideal for schools, colleges and theatre companies * In association with a conference at Tara Theatre and Goldsmiths University in Spring 2018 A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe, which sets the plays into context and explores the hidden history of theatre from the BEA community. BOUND FEET BLUES by Yang-May Ooi THE LAST DAYS OF LIMEHOUSE by Jeremy Tiang JAMAICA BOY by Stephen Hoo CONVERSATIONS WITH MY UNKNOWN MOTHER by Lucy Chau Lai-Tuen SPECIAL OCCASIONS by Amy Ng TANGO by Joel Tan THE FU MANCHU COMPLEX by Daniel York Loh

A new adaptation of Strindberg's thrilling psychological drama, newly politically-charged in Amy Ng's adaptation. It's Chinese New Year in 1940s Hong Kong. Julie is the daughter of the island's British Governor. With her father away for the weekend, Julie comes downstairs to join the servants as they party, initiating a sexually-charged power game with her father's butler. What starts as a game descends into a fight for survival as sex, power, money and race collide on a hot night in the Pearl River Delta. This edition was published to coincide with the premiere at Storyhouse, Chester, in February 2020.

National self-determination and the formation of nation-states has been the preferred liberal solution to the nationality problem in Central and Eastern Europe. Historians have played a prominent role in constructing nationalist narratives to legitimize the new nation-states arising from the corpse of the multinational Habsburg empire. The alternative liberal and historiographical tradition which privileges multinational states over nation-states, most famously associated with Lord Acton, has been relatively ignored.
Dr Ng addresses this imbalance by concentrating on the lives and works of Josef Relich (1869-1936) and Lewis Namier (1869-1936), both politically active historians from upper-middle-class assimilated Habsburg Jewish backgrounds. They were anti-nationalist historians in an age of nationalism, and staunch defenders of parliamentary democracy in an era when parliamentary democracy came under attack from both the political Right and Left. Both men argued that modern nationalism with its absolutist claims militated against the spirit of tolerance and mutual compromise essential to parliamentary government. This innovative, intellectual history places Redlich and Namier in context.

A prodigiously talented young musician, an Ivy League school, a life changing allegation. Out of 37,451 applicants to Eliot University, Angela stands out - but not for the right reasons. An ambiguous event in her past threatens to overshadow her talent, potential, and her future prospects. Can she overcome the prejudices of those judging her application or is she already tainted beyond redemption, regardless of whether she is victim or perpetrator? Crackling with razor-sharp dialogue, Amy Ng's explosive new play asks whether we can ever escape our past and investigates the destructive side of our search for acceptance.

'I refuse to be a panda. I refuse to go extinct. I want to live, to live well, to live like them.' Bunny, a young woman from the officially designated 'Shangri-La' in the Himalayan foothills of China's Yunnan Province, has witnessed her family's livelihood destroyed by mass tourism. She dreams of escape as a globe-trotting photographer. But what happens when the only thing you have to sell is your culture? When the only way to free yourself is to betray your roots? In Shangri-La, her first full-length play, Amy Ng lays bare the contradictions and private pain of cultural tourism. The play premiered at the Finborough Theatre, London, in 2016.