The sixteen stories in The Imaginary Friend collection range in scope from the self-understanding of The Child Clown to the distortion of goodness in the dystopia of Pretend. Some highlights: Earth is the story of a civilization discovering that life hasn't always been lived in caves and that there might be a whole other surface world. The Imaginary Friend relates what happens to an imagined friend when his person doesn't imagine him anymore. In Audrey's Decision, Audrey is frustrated with her life and society in general but hesitates to commit to Honey, a man who leads the green life she advocates, because he speaks bee. Buzz, buzz. Boxed In explores a future where the poor are issued waterproof, fireproof boxes in which to live. The Wheels on the Bus tracks five bus riders whose lives touch each other one afternoon. The collection ends with the joyful bike riding, yurt living love story of Hank and Susie as told in Wrong Way Do Not Enter.

Scamper is a little fox that gets separated from his mother during a forest fire. A huge tree has fallen across the path blocking Scamper's escape. Alone and frightened Scamper feels the heat as the flames inch closer and closer....will he make it to safety

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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

This work analyzes the intellectual and cultural influences on an important African American novelist. Author of the National Book Award-winning novel ""Middle Passage"", Charles Johnson belongs to a generation of writers who collectively raised African American literature to a new position of prominence during the late twentieth century. In this book, Linda Furgerson Selzer takes an interdisciplinary approach to Johnson's major fiction, providing fresh insight into his work by placing it within a broad historical context. In addition to ""Middle Passage"" (1990), Selzer focuses on three other novels: ""Faith and the Good Thing"" (1974), ""Oxherding Tale"" (1982), and ""Dreamer"" (1998). She shows how these works reflect Johnson's participation in the larger cultural projects of several significant but often overlooked groups - young black philosophers who challenged the dominant Anglo-American empiricist tradition during the 1960s and 1970s; black Buddhists of the post-civil rights era who sought to translate an ancient religious practice into an African American idiom; and, black public intellectuals who attempted to revive a cosmopolitan social ethic during the 1990s. The cultural histories of each of these groups, Selzer argues, provide important contexts for understanding Johnson's evolution as a novelist. In the academic experience of black students who entered philosophy programs during the turbulent 1960s, the spiritual concerns of black Buddhists who have only recently begun to speak more publicly about their faith, and the cultural issues surrounding the emergence of a new cohort of African American public intellectuals, we see the roots of the social, moral, and aesthetic vision that informs what some have described as Johnson's 'philosophical fiction'. Selzer's probing analysis of the influence of each of these contexts not only enriches our understanding of Charles Johnson's fiction, it also makes a broader contribution to the cultural history of African America during the past half century.

During World War II the United States mobilized its industrial assets to become the great “Arsenal of Democracy” through the cooperation of the government and private firms. The Dallas Story examines a specific aviation factory, operated by the North American Aviation (NAA) company in Dallas, Texas. Terrance Furgerson explores the construction and opening of the factory, its operation, its relations with the local community, and the closure of the facility at the end of the war. Prior to the opening of the factory in 1941, the city of Dallas had practically no existing industrial base. Despite this deficiency, the residents quickly learned the craft of manufacturing airplanes, and by the time of the Pearl Harbor attack the NAA factory was mass-producing the AT-6 trainer aircraft. The entry of the United States into the war brought about an enlargement of the NAA factory, and the facility began production of the B-24 Liberator bomber and the famed P-51 Mustang fighter. By the end of the war the Texas division of NAA had manufactured nearly 19,000 airplanes, making it one of the most prolific U.S. factories.

The Battle for Birth Control delves into the complex rhetorical history of the American birth control movement in its formative years. In just four decades, advocates, under the strategic guidance of Margaret Sanger, transitioned the fight for contraception from fringe radical movement to a respectable mainstream cause endorsed by powerful professionals and politicians alike. Eschewing their early ideological commitments to obtain widespread acceptance, birth controllers adopted a strategy of political accommodation characterized by deferential rhetoric and careful posturing. This strategy secured significant victories for the movement but at what cost? Informed by a deep commitment to reproductive justice, The Battle for Birth Control traces the duplicity of the movement's early rhetoric and argues that their accommodationist strategy yielded increased contraceptive access solely because of their willingness to endorse the neoliberal regime of reproductive control largely responsible for the current threats to reproductive autonomy in the 21st century.

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey's Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, and The Catch. Rhimes's work is attentive to identity politics, "post-" identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes's contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.

Shonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey's Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, and The Catch. Rhimes's work is attentive to identity politics, "post-" identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes's contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television.