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For many years, Ana Maria Spagna has stayed put, mostly, in a small mountain valley at the head of a glacier-carved lake. You're so lucky to live there, people say. She is lucky. But she is also restless. In Uplake she takes road trips, flies to distant cities, fantasizes about other people's lives, and then returns home again to muse on rootedness, yearning, commitment, ambition, wonder, and love. These engaging, reflective essays celebrate the richness of it all: winter floods and summer fires, the roar of a chainsaw and a fiddle in the wilderness, long hikes and open-water swims, an injured bear, a lost wedding ring, and a tree in the middle of a river. Uplake reminds us to love what we have while encouraging us to still imagine what we want.
For most of the past century, Humbug Valley, a forest-hemmed meadow sacred to the Mountain Maidu tribe, was in the grip of a utility company. Washington's White Salmon River was saddled with a fish-obstructing, inefficient dam, and the Timbisha Shoshone Homeland was unacknowledged within the boundaries of Death Valley National Park. Until people decided to reclaim them. In Reclaimers, Ana Maria Spagna drives an aging Buick up and down the long strip of West Coast mountain ranges-the Panamints, the Sierras, the Cascades-and alongside rivers to meet the people, many of them wise women, who persevered for decades with little hope of success to make changes happen. In uncovering their heroic stories, Spagna seeks a way for herself, and for all of us, to take back and to make right in a time of unsettling ecological change.
Once the dust has settled, you'll need to know how to barter, perform basic first aid, preserve food, cut your own hair, clean a chimney, navigate by the stars, stitch a wound, darn socks, and sharpen blades. You'll also want to build a stable and safe community, so you'll need to master the arts of conversation, child raising, listening, music making, and storytelling. This fascinating and entertaining book, full of quirky illustrations by artist Brian Cronin, will provoke surprise, debate, and laughter while it provides a road map to greater self-reliance and joy, whatever the future brings.
"Test Ride on the Sunnyland Bus" chronicles the story of an American family against the backdrop of one of the civil rights movement's lesser-known stories. In January 1957, Joseph Spagna and five other young men waited to board a city bus called the Sunnyland in Tallahassee, Florida. Their plan was simple but dangerous: ride the bus together--three blacks and three whites--get arrested, and take their case to the U.S. Supreme Court. Fifty years later Ana Maria Spagna sets off on a journey to understand what happened and why. Spagna travels from her remote mountain home in the Pacific Northwest to contemporary Tallahassee, searching for the truth of the incident and her father's involvement. Her journey is complicated by the fact that her father never spoke of the Sunnyland experience and died unexpectedly when she was eleven. Seeking out the other bus riders, now in their seventies, Spagna tries to make sense of their conflicting stories. Her odyssey becomes further troubled by the sudden diagnosis of her mother's terminal cancer. Winner of the River Teeth Literary Nonfiction prize, "Test Ride on the Sunnyland Bus" deftly weaves cultural and personal history, memoir, and reportage in this fascinating look at a family and a nation's past.
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