How did the Anglo-Saxons conceptualise the interim between death and Doomsday? In Paradise, Death and Doomsday in Anglo-Saxon Literature, Dr. Kabir presents the first investigation into the Anglo-Saxon belief in the "interim paradise" or paradise as a temporary abode for good souls following death and pending the final decisions of Doomsday. She determines the origins of this distinctive sense of paradise within early Christian polemics, establishes its Anglo-Saxon development as a site of contestation and compromise, and argues for its post-Conquest transformation into the doctrine of purgatory.

This collection of original essays is dedicated to exploring the intersections between medieval and postcolonial studies. Ranging across a variety of academic disciplines, from art history to cartography, and from Anglo-Saxon to Hispanic studies, this volume highlights the connections between medieval and postcolonial studies through the exploration of a theme common to both areas of study: translation as a mechanism of and metaphor for cultures in contact, confrontation and competition. Drawing upon the widespread medieval trope of the translation of empire and culture, this collection engages the concept of translation from its most narrow, lexicographic sense, to the broader applications of its literal meaning, to carry across. It carries the multilingual, multicultural realities of medieval studies to postcolonial analyses of the coercive and subversive powers of cultural translation, offering a set of case studies of translation as the transfer of language, culture and power.

In 1962, the Commonwealth Immigrants Act hastened the process of South Asian migration to postcolonial Britain. Half a decade later, now is an opportune moment to revisit the accumulated writing about the diasporas formed through subsequent settlement, and to probe the ways in which the South Asian diaspora can be re-conceptualised.

Writing the City in British Asian Diasporas takes a fresh look at such matters and will have multi-disciplinary resonance worldwide. The meaning and importance of local, multi-local and trans-local dynamics is explored through a devolved and regionally-accented comparison of five British Asian cities: Bradford, the East End of London, Manchester, Leicester and Birmingham. Analysing the writing of these differently configured cities since the 1960s, its main focus is the significant discrepancies in representation between differently-positioned texts reflecting both dominant institutional discourses and everyday lived experiences of a locality. Part I offers a comprehensive, yet still highly contested, reading of each city s archives. Part II examines how the arts and humanities fields of History, Religion, Gender and Literary/Cultural Studies have all written British Asian diasporas, and how their perspectives might complement the better-established agendas of the social sciences.

Providing an innovative analysis of South Asian communities and their multi-local identities in Britain today, this interdisciplinary book will be of interest to scholars of South Asian Studies, Migration, Ethnic and Diaspora Studies, as well as Sociology, Anthropology, and Geography."

This collection of original essays is dedicated to exploring the intersections between medieval and postcolonial studies. Ranging across a variety of academic disciplines, from art history to cartography, and from Anglo-Saxon to Hispanic studies, this volume highlights the connections between medieval and postcolonial studies through the exploration of a theme common to both areas of study: translation as a mechanism of and metaphor for cultures in contact, confrontation and competition. Drawing upon the widespread medieval trope of the translation of empire and culture, this collection engages the concept of translation from its most narrow, lexicographic sense, to the broader applications of its literal meaning, to carry across. It carries the multilingual, multicultural realities of medieval studies to postcolonial analyses of the coercive and subversive powers of cultural translation, offering a set of case studies of translation as the transfer of language, culture and power.

How did the Anglo-Saxons conceptualize the interim between death and Doomsday? In this 2001 book, Ananya Jahanara Kabir presents an investigation into the Anglo-Saxon belief in the 'interim paradise': paradise as a temporary abode for good souls following death and pending the final decisions of Doomsday. She locates the origins of this distinctive sense of paradise within early Christian polemics, establishes its Anglo-Saxon development as a site of contestation and compromise, and argues for its post-Conquest transformation into the doctrine of purgatory. In ranging across Old English prose and poetry as well as Latin apocrypha, exegesis, liturgy, prayers and visions of the otherworld, and combining literary criticism with recent scholarship in early medieval history, early Christian theology and history of ideas, this book is essential reading for scholars of Anglo-Saxon England, historians of Christianity, and all those interested in the impact of the Anglo-Saxon period on the later Middle Ages.

A result of territorial disputes between India and Pakistan since 1947, exacerbated by armed freedom movements since 1989, the ongoing conflict over Kashmir is consistently in the news. Taking a unique multidisciplinary approach, Territory of Desire asks how, and why, Kashmir came to be so intensely desired within Indian, Pakistani, and Kashmiri nationalistic imaginations. Literary historian Ananya Jahanara Kabir finds an answer to this question in the Valley of Kashmir's repeated portrayal as a "special" place and the missing piece of Pakistan and India. Analyzing the conversion of natural beauty into collective desire-through photography, literature, cinema, art, and souvenir production-Kabir exposes the links between colonialism, modernity, and conflict within the postcolonial nation. Representations of Kashmir as a space of desire emerge in contemporary film, colonial "taming" of the valley through nineteenth-century colonialist travelogues, the fetishization of traditional Kashmiri handicrafts like papier mache, and Pandit and Muslim religious revivalisms in the region. Linking a violent modernity to the fantasies of nationhood, Kabir proposes nonmilitaristic ways in which such desire may be overcome. In doing so she offers an innovative approach to complex and protracted conflict and, ultimately, its resolution.