High Desert is a psychedelic journal of end-times and an ode to the American Southwest. Exploring such key events as the First Red Scare, the Tulsa Race Massacre and the West Coast's wildfire epidemic, Naffis-Sahely's reflections on class, race, and nationalism chart the region's hidden histories from the Spanish Colonial Era to the recent pandemic. The poems in High Desert also revel in their rootlessness, as the author shifts his gaze outside of the US, travelling from Venice and Florence to Chittagong and St Petersburg, tackling our turbulent times and the depths of its problems in searing, extraordinary poems of witness and vision. High Desert is Andre Naffis-Sahely's second collection, following his debut The Promised Land: Poems from Itinerant Life (Penguin Books, 2017), a gathering of portraits of promised lands and those who go in search of them: travellers, labourers, dreamers; the hopeful and the dispossessed. It includes poems from his recent pamphlet The Other Side of Nowhere (Rough Trade Books, 2019). All his collections present poetry as reportage, as much an act of memory as of sinuous, clear-eyed vision. Andre Naffis-Sahely is a poet, editor and translator, and editor of Poetry London. He is a Visiting Teaching Fellow at the Manchester Writing School in the UK, and a Lecturer at University of California, Davis, in the US.

Michael Hofmann is an iconic figure for his generation, from his poetry to his translations of Kafka, Brecht, Hans Fallada and Joseph Roth, among others. This collection of essays, poems and reflections published to coincide with Hofmann's new translations of Gottfried Benn, celebrates the man and his work, and reaffirms his central place in contemporary literature.

The Confines of the Shadow is a sequence of novels and short stories that map the transformation of the Libyan city of Benghazi from a sleepy Ottoman backwater in the 1910s to the second capital of an oil-rich kingdom in the 1960s. Alessandro Spina's saga begins in November 1912 with The Young Maronite, which sees Italian soldiers solidifying their control over Libya's coasts, leaving the Libyan rebels to withdraw to the desert and prepare for a war that would last until 1931, when by dint of sheer brutality, including the internment of tens of thousands of civilians into concentration camps, the Italians crushed the rebellion and murdered its widely respected leader, Omar al-Mukhtar. Employing a cosmopolitan array of characters, ranging from Ottoman functionaries, to Sanussi aristocrats and Italian officers, Spina chronicles Italy's colonial experience from the euphoria of conquest - giving us a front row seat to the rise and subsequent fall of Fascism in the aftermath of World War II - to the country's independence in the 1950s.Spina finally concludes his narrative with the discovery of Libya's vast oil and gas reserves, which triggered the tumultuous changes that led to Muammar Gaddafi's forty-two year dictatorship. Distinguishing themselves by their intimate understanding of East and West, the novels that comprise The Confines of the Shadow are among the most significant achievements of 20th century fiction and stand unchallenged as the only multi-generational epic about the European experience in North Africa. This is the first installment of a three-volume translation, and it includes The Young Maronite, The Marriage of Omar and The Nocturnal Visitor, which are set between 1912 and 1927.

Set in the inter-war period, between the late 1920s, when Italy began solidifying its power in its new Libyan colony, and the end of World War II, when control of the country passed into British hands. Spina's chief subjects in these stories are Italian military officers who idle their time away at their club or exploring the strange lands where they have been posted, always at odds between the jingoistic education they received at home and the lessons they've learned during their time in Libya. These short stories map the transformation of the Libyan city of Benghazi from a sleepy Ottoman backwater in the 1910s to the second capital of an oil-rich kingdom in the 1960s. Employing a cosmopolitan array of characters, ranging from Ottoman functionaries, to Sanussi aristocrats and Italian officers, Spina chronicles Italy's colonial experience from the euphoria of conquest - giving us a front row seat to the rise and subsequent fall of Fascism in the aftermath of World War II - to the country's independence in the 1950s. Spina continues his narrative with the discovery of Libya's vast oil and gas reserves, which triggered the tumultuous changes that led to Muammar Gaddafi's forty-two year dictatorship.

Now bankrupt after some failed gambles, Aristide Saccard, the former kingpin of the Paris Stock Exchange, desperately wants to get back to the top of the financial pile. When his powerful brother, the government minister Eugene Rougon, refuses to help him, he forms a partnership with the engineer Hamelin and founds the Banque Universelle, which speculates on public works in the Middle East. But as his greed and desire to outplay his rivals gets the better of him, the dashing and ruthless Saccard perilously begins to inflate the value of his enterprise using rumour, intrigue, financial manipulation and all the other tricks in the book. Inspired by real events and meticulously researched by Zola, Money is, in the wake of recent financial scandals, an all-too-topical exploration of the dynamics of greed, the excesses of capitalism and its dangerous relationship with politics and the press.

While half the world swept west, we trickled eastward, one by one, single-file, like fugitives. Next stop: Abu Dhabi, where my father had a job, and money, for the first time in years . . . __________________________________________________ Flitting from the mud-soaked floors of Venice to the glittering, towering constructions of the Abu Dhabi of his childhood and early adulthood, from present-day London to North America, Andre Naffis-Sahely's bracingly plain-spoken first collection gathers portraits of promised lands and those who go in search of them: labourers, travellers, dreamers; the hopeful and the dispossessed. 'Naffis-Sahely's poems usher the reader in to a world of reversals and risk . . . His narratives hold memory to account' DAVID HARSENT