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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
Claude Adhemar Andre Theuriet (1833-1907) was a French poet,
novelist, and member of l'Academie Francaise. His Reine des Bois
gives natural, simple pictures of rustic and especially of
woodland, life.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Esta obra (libro de tapa dura) forma parte de la linea TREDITION
CLASSICS en la cual la editorial tredition de Hamburgo esta
publicando obras de los ultimos dos milenios que ya estan
descatalogadas y solo pueden encontrarse en anticuarios. Esta linea
quiere preservar la literatura y proteger la cultura para que miles
de libros no se pierdan en el olvido. Con la linea TREDITION
CLASSICS nos hemos propuesto reeditar miles de escritores clasicos
de la literatura mundial en diversos idiomas para hacerles
disponibles universalmente.
Cette uvre (edition relie) fait partie de la serie TREDITION
CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie
dans la serie TREDITION CLASSICS des ouvrages anciens de plus de
deux millenaires. Ils etaient pour la plupart epuises ou uniquement
disponible chez les bouquinistes. La serie est destinee a preserver
la litterature et a promouvoir la culture. Avec sa serie TREDITION
CLASSICS, tredition a comme but de mettre a disposition des
milliers de classiques de la litterature mondiale dans differentes
langues et de les diffuser dans le monde entier.
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